In Paris, a down and out medical student Johann Radek (Franchot Tone) is paid by Bill Kirby (Robert Hutton) to murder his wealthy aunt. A knife grinder (Burgess Meredith) is suspected, but ... See full summary »
In flashback from a 'Rebecca'-style beginning: Ellen Foster, visiting her aunt on the California coast, meets neighbor Jeff Cohalan and his ultramodern clifftop house. Ellen is strongly ... See full summary »
In a cheap hotel-room in New York City Jelke shoots gangster Joe Wells, takes a package from his pocket and flees.Wells staggers into an alley. On her way to her apartment above a wax ... See full summary »
Bold, eccentric Broadway performer Lisa Madden befuddles her handlers by coming home with a baby she picked up on the street. She wants to keep the baby but has to find a husband to make ... See full summary »
The local building-contractor Martin Roumagnac is fascinated by the fashionable Blanche Ferrand. To impress Blache, Martin presents her with a villa. However, this ruins him financially. ... See full summary »
When the owner of a printing shop is found dead, the District Attorney assumes that it was a suicide. But the Assistant D.A., Howard Malloy, suspects that there is a connection with an extremist political group called the 'Crusaders'. When a journalist whose articles had attacked the Crusaders is also killed, Malloy is convinced. With help from the widow of a prominent judge, he conducts an investigation. As he does so, he meets a peculiar political boss and also an attractive night club singer, each of whom could become either a source of help or a source of danger. Written by
The failure of the original copyright holder to renew the film's copyright resulted in it falling into public domain, meaning that virtually anyone could duplicate and sell a VHS/DVD copy of the film. Therefore, many of the versions of this film available on the market are either severely (and usually badly) edited and/or of extremely poor quality, having been duped from second- or third-generation (or more) copies of the film. See more »
This little, low-budget noir mystery is marred by crude direction, cutting, and editing, reminiscent of and no more polished than most live television productions of the same period, and hampered by a heavy handed political script that leaves huge gaps in plot logic.
Its chief interest is as a rare curiosity. Its paranoid politics and style mirror the anti-Communist films of the period, but it was made by a group of primarily liberal and leftist New Yorkers (exemplified by the famous actors who contributed cameo appearances), who turned the usual premise on its head. Franchot Tone plays a liberal crusading "special prosecutor" who investigates a shadowy secret organization that is menacing and killing its own members, whom they think may expose them. But this organization isn't Communist or leftist; rather it's a vaguely racist group that is really just a financial scam, run only to collect membership dues and gather other profits. As a result, even the political statement turns out to be rather weak compared with films of the period that explicitly opposed discrimination, such as "Pinky," "Gentlemen's Agreement," "Crossfire," "Lost Boundaries," "No Way Out," and so on.
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