New York Assistant District Attorney Howard Malloy investigates a series of murders and uncovers an extremist group.

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Cast

Cast overview, first billed only:
...
...
Myron McCormick ...
Charles Riggs
...
Angelo Agostini
Winifred Lenihan ...
Mrs. Hartley
...
Caroline Riggs (as Betty Harper)
Hedley Rainnie ...
Sigmund Kosterich
Walter Vaughn ...
District Attorney Walker
George Breen ...
Knuckles
Robert Gist ...
Tommy Quigley
Hester Sondergaard ...
Mrs. Borg
Luella Gear ...
Pet Shop Owner
...
Pemberton
Robert Noe ...
Waldron
Alexander Lockwood ...
Nichols
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Storyline

When the owner of a printing shop is found dead, the District Attorney assumes that it was a suicide. But the Assistant D.A., Howard Malloy, suspects that there is a connection with an extremist political group called the 'Crusaders'. When a journalist whose articles had attacked the Crusaders is also killed, Malloy is convinced. With help from the widow of a prominent judge, he conducts an investigation. As he does so, he meets a peculiar political boss and also an attractive night club singer, each of whom could become either a source of help or a source of danger. Written by Snow Leopard

Plot Summary | Add Synopsis

Taglines:

CAUGHT in the JIGSAW PUZZLE OF A MURDEROUS RACKET.... TORN between two kinds of LOVE! See more »

Genres:

Crime | Drama | Film-Noir

Certificate:

Passed | See all certifications »
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Details

Country:

Language:

Release Date:

11 March 1949 (USA)  »

Also Known As:

Gun Moll  »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

The failure of the original copyright holder to renew the film's copyright resulted in it falling into public domain, meaning that virtually anyone could duplicate and sell a VHS/DVD copy of the film. Therefore, many of the versions of this film available on the market are either severely (and usually badly) edited and/or of extremely poor quality, having been duped from second- or third-generation (or more) copies of the film. See more »

Quotes

Charles Riggs: You know, I was born in this city, Howard. In our block, we had guys from practically every race and religion you ever hear of... and a couple you didn't. But we got along pretty well.
Howard Malloy: Well, that's the way it ought to be.
Charles Riggs: In our block, nobody cared what country your parents came from or where they went to church. Nobody called you a nasty name... until you were taught there were nasty names and some people were supposed to be called by them -Micks, Polacks, Wops, Limies, Spics, Hunties.
Howard Malloy: That's ...
[...]
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Connections

References The Blue Angel (1930) See more »

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User Reviews

Crudely directed and edited political curiosity
6 July 2004 | by (Washington, DC) – See all my reviews

This little, low-budget noir mystery is marred by crude direction, cutting, and editing, reminiscent of and no more polished than most live television productions of the same period, and hampered by a heavy handed political script that leaves huge gaps in plot logic.

Its chief interest is as a rare curiosity. Its paranoid politics and style mirror the anti-Communist films of the period, but it was made by a group of primarily liberal and leftist New Yorkers (exemplified by the famous actors who contributed cameo appearances), who turned the usual premise on its head. Franchot Tone plays a liberal crusading "special prosecutor" who investigates a shadowy secret organization that is menacing and killing its own members, whom they think may expose them. But this organization isn't Communist or leftist; rather it's a vaguely racist group that is really just a financial scam, run only to collect membership dues and gather other profits. As a result, even the political statement turns out to be rather weak compared with films of the period that explicitly opposed discrimination, such as "Pinky," "Gentlemen's Agreement," "Crossfire," "Lost Boundaries," "No Way Out," and so on.


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