Rich kid Danny Churchill (Rooney) has a taste for wine, women and song, but not for higher education. So his father ships him to an all-male college out West where there's not supposed to ... See full summary »
Talented small-town girl Lily Mars hounds producer John Thornway for a part in his new play, but he doesn't want anything to do with stage-struck amateurs. But when Lily follows him to New ... See full summary »
Jimmy Connors and his girl-friend want to take part in Paul Whiteman's highschool's band contest, but they cannot afford the fare. But per chance the meet Paul Whiteman in person and are ... See full summary »
Paul Whiteman and Orchestra
Soldier Joe Allen is on a two-day leave in New York, and there he meets Alice. She agrees to show him the sights and they spend the day together. In this short time they find themselves ... See full summary »
With his high school graduation behind him, Andy Hardy decides that as an adult, it's time to start living his life. Judge Hardy had hoped that his son would go to college and study law, ... See full summary »
Tommy Williams desperately wants to get to Broadway, but as he is only singing in a spaghetti house for tips he is a long way off. He meets Penny Morris, herself no mean singer, and through... See full summary »
Light bio-pic of American Broadway pioneer Jerome Kern, featuring renditions of the famous songs from his musical plays by contemporary stage artists, including a condensed production of ... See full summary »
Cricket West is a hopeful actress with a plan and a pair of vocal chords that bring down the house. Along with her eccentric aunt, she plays host to the local jockeys, whose leader is the ... See full summary »
It's turn of the century America when Andrew and Veronica first meet - by crashing into each other. They develop an instant and mutual dislike which intensifies when, later on, Andrew is forced to hire Veronica as a saleslady at Oberkugen's music store. What the two don't know is that while they may argue and fight constantly throughout the day, they are actually engaged in an innocent, romantic and completely anonymous relationship by night, through the post office. Written by
The deleted song "Last Night When We Were Young" (music by Harold Arlen, lyrics by E.Y. Harburg), sung by a heartbroken Judy Garland in her bedroom, already had been cut from an earlier picture: Metropolitan (1935), vocalized by Lawrence Tibbett, who also made a commercial recording for Victor. Miss Garland, after discovering the Tibbett record, considered this impassioned lament her favorite song. Judy's prerecording was issued on several albums by MGM Records over two decades, beginning in 1951 with the 10-inch LP "Judy Garland Sings." On CD, the audio is featured on the Rhino Handmade release of the soundtrack, which is paired with the score of Miss Garland's Summer Stock (1950). On three notable occasions, Miss Garland returned to "Last Night When We Were Young": together with acclaimed jazz pianist Joe Bushkin on her half-hour CBS-TV special (with Nelson Riddle serving as the arranger and conductor), broadcast the evening of October 8, 1956 on General Electric Theater (1953); for her best-selling Capitol album, released in October 1956, simply entitled "Judy," arranged and conducted by Mr. Riddle, the LP updated to a Collectibles CD which also contains Garland's 1955 Capitol album, "Miss Show Business"; and for the February 23, 1964 telecast of her CBS series, The Judy Garland Show (1963). See more »
When singing "Meet Me Tonight in Dreamland", Veronica lifts the harp several times. Sometimes the bottom of the harp is plain wood, but sometimes it is covered with green felt. See more »
When they look at me, my heart begins to float / Then it starts a rockin' like a motor boat / Oh! Oh! I never knew any boy like you.
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A brilliant adaptation of a previous play and film.
This is assuredly one of the best adaptation/sequels to a major movie ever designed. The original Raphaelson/Lubitsch version, SHOP AROUND THE CORNER, was wonderful, but the idea to change it into a musical (a vehicle for Garland and Johnson), the changes made to do so and the casting are extraordinary. One musical number with Garland and a quartette is dated, but is immediately followed by another with her solo that is a trademark performance (and knowledgeable viewers will marvel, here and in the scene where Garland enters the house to tell her 'aunt' of the disasterious occurence at the restaurant, at how much Garland looks like her daughter, Lisa Minnelli, will look in later years - and Minnelli, 18-months-old, appears here in her screen debut in the final scene as Garland's daughter!). One can count on one hand the number of times that a successful adaptation has been made of a previously successful film, and this one goes to the top of my list!
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