While the entire world watches the largest meteor shower in 10,000 years, a rogue asteroid, hidden by the meteor field, smashes into the moon in a tremendous explosion of rock and debris. ... See full summary »
David James Elliott,
In San Francisco, the successful self-made businessman Walter Williams has just bought three factories in Denver with the approval of the board of directors. His beloved wife Irene tells him that she is not feeling well to travel with him, and asks Walter to give a lift to her cousin Jim Torrance. On the highway, Jim, who is actually Irene's lover, tries to kill Walter hitting his head and throwing him in a cliff, and has a fatal accident while escaping driving Walters's car. Walter is considered dead and later his wife is sent to jail accused of plotting his murder. Meanwhile, the wounded Walter sleeps in a moving van and awakes in Larkspur, a small town in Idaho. He is hired as a mechanic in a gas station by the owner, Marsha Peters. For three months, Walter reads the news, expecting revenge with Irene sentenced to death, and he and Marsha fall in love for each other. When Walter discloses the truth to Marsha, she convinces him to return to San Francisco and save his unfaithful wife... Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Midway through the film, Walter tells Marsha: "A rolling stone gathers no moss." Later, when Marsha asks Walter if he's returning to hometown, Walter replies: "Wild horses couldn't drag me back there." Nearly 25 years after the release of this film, British group The Rolling Stones had a hit with the song "Wild Horses." See more »
In a scene in the Captain's office, when Quincy being asked to investigate Williams' story, in a longer shot Quincy's hands are resting on a desk lamp on the desk, the next closer shots shows them being held in front of him. See more »
Although the final third gets in the way and is finally disappointing,it does not keep "impact" from being absorbing and entertaining.One of the rare film noirs -maybe the only one - which takes a look on the brighter side of the road:sandwiched between two very dark parts,the second one has Capra accents:the country town is some Shangri-la where time stood still ,with its very nice people ,the girl who owns a garage but of course does not know anything about mechanics(woman's lib supporters will cringe),the young father proud of his new-born son ,the Sunday service,the old lady cooking tasty little dishes.All of this is unusual in a film noir.Some might say that "shadow of a doubt"(1942) had already that ,but evil could enter this world,as the heroine 's uncle came to town.Here,the evil is elsewhere ,in San Francisco.Only in San Francisco.Or on the dark road where anything can happen:first part is effective,and shows some "Postman always rings twice" (1946) influence.
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