In flashback from a 'Rebecca'-style beginning: Ellen Foster, visiting her aunt on the California coast, meets neighbor Jeff Cohalan and his ultramodern clifftop house. Ellen is strongly ... See full summary »
John Forbes is a family man who's tired of the 9 to 5 humdrum of his job an insurance company executive. Life gets a little more exciting for him when he calls upon femme fatale Mona ... See full summary »
In 1902 London, unhappily married Philip Marshall meets young Mary Gray, who is unemployed and depressed. Their deepening friendship, though physically innocent, is discovered by Philip's ... See full summary »
In San Francisco, the successful self-made businessman Walter Williams has just bought three factories in Denver with the approval of the board of directors. His beloved wife Irene tells him that she is not feeling well to travel with him, and asks Walter to give a lift to her cousin Jim Torrance. On the highway, Jim, who is actually Irene's lover, tries to kill Walter hitting his head and throwing him in a cliff, and has a fatal accident while escaping driving Walters's car. Walter is considered dead and later his wife is sent to jail accused of plotting his murder. Meanwhile, the wounded Walter sleeps in a moving van and awakes in Larkspur, a small town in Idaho. He is hired as a mechanic in a gas station by the owner, Marsha Peters. For three months, Walter reads the news, expecting revenge with Irene sentenced to death, and he and Marsha fall in love for each other. When Walter discloses the truth to Marsha, she convinces him to return to San Francisco and save his unfaithful wife... Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Midway through the film, Walter tells Marsha: "A rolling stone gathers no moss." Later, when Marsha asks Walter if he's returning to hometown, Walter replies: "Wild horses couldn't drag me back there." Nearly 25 years after the release of this film, British group The Rolling Stones had a hit with the song "Wild Horses." See more »
Marsha's position in relation to the car behind her changes in the scenes where she receives cigars from Ed. See more »
Don't forget, it's easier to be tolerant and understanding at fifty than it is to be at twenty-five.
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Although there are some flaws in this film, I rate it a 10 for the best ever Film Noir if for no other reason than I've watched it over and over for 55 years. The 2005 smash hit TV show LOST is themed in the concept of renewal, as is "IMPACT." Thinking he has a perfect life, Brian Donlevy will soon find out he's standing on a mountain of betrayal. He'll go from being a top level businessman (with an apartment on Nob Hill, at the building across from the Fairmont Hotel, the one with the walled in parking lot out front, where everybody in San Francisco film noirs lived in the 1950's... Never mind!) Anyway, as he recovers from the daze of attempted murder he'll accidentally stumble upon a new and quite different life, one that most any of us could enjoy. Then come the hard choices..... I first saw this movie on a single day booking at the Silver Theatre at age 11. What stuck in my mind after seeing it is that if life ever went sour to the point of contemplating suicide, a wise alternative might be a fake suicide --- followed by a renewed and drastically different second life, as in this movie. There was no suicide, fake or otherwise, in this picture; but I thought that was a healthy idea to place into a young viewer's mind; whether intended or not. Then there's Ella Raines. Hmm! Friends, forget Marilyn Monroe or any of the other 1950's sexpots. Keep Marilyn, do what you like, I don't care. Just introduce me to Ella Raines. Pretty, thin, lithe, smart. Yum!
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