Captain Henri Rochard is a French officer assigned to work with Lieut. Catherine Gates. Through a wacky series of misadventures, they fall in love and marry. When the war ends, Capt. ...
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Captain Henri Rochard is a French officer assigned to work with Lieut. Catherine Gates. Through a wacky series of misadventures, they fall in love and marry. When the war ends, Capt. Rochard tries to return to America with the other female war brides. Zany gender-confusing antics follow. Written by
When Lt. Gates and Capt. Rochard come up to the dam, Rochard is rowing. He jumps to the front of the boat to look over the edge. When he does so, he drops the starboard oar into the water. The next scene shows him looking over the edge and when the camera cuts back to the aerial view, you can see both oars are shipped and dry on the boat as he begins to row again. See more »
I was wavering between awarding this movie a 7 or an 8, and have finally plunked for an 8 because a movie with Cary Grant in it has got to be truly horrible and an utter stinker to get anything below an 8.
This should make it pretty obvious what the best thing about this otherwise average film was. The chemistry between Grant and Sheridan is amusing but not engaging (not the way his verbal sparring with other co-stars like Katharine Hepburn and Rosalind Russell just sparkle right off the screen); the plot is contrived and the romance between the two main characters--Henri and Catherine--isn't particularly believable. (Grant and Sheridan fail at what Gable and Colbert did so well in 'It Happened One Night': making it believable and real and sympathetic that two characters at absolute loggerheads *could* fall helplessly in love.)
This doesn't mean that the film is *bad*. The first half of the movie is mildly amusing, with the bickering between the two main characters as they take a motorcycle trip to their destination. But the best part of it probably comes when Henri and Catherine get married (three times!), with all its attendant problems. It is Grant's perfect comic timing and adorable mien that makes the blatantly "please laugh now" moments genuinely funny. The look of resignation, anger, or suppressed annoyance on Henri's face as he repeatedly asserts that he is "an alien spouse" under the Congressional War Brides Act must be seen to be believed. And I dare anyone *not* to laugh when Grant cross-dresses. That is probably the best part of the film.
An average film without Cary Grant, a better one for having him in it, but definitely an average (if not poor) Grant film. If you want to introduce a friend to the charms of Cary Grant or to screwball comedy, you're better off with Bringing Up Baby or His Girl Friday. This one's probably for true Grant aficionados only.
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