7.4/10
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44 user 16 critic

House of Strangers (1949)

Approved | | Crime, Drama, Film-Noir | 1 July 1949 (USA)
After years in prison, Max promises revenge on his brothers for their betrayal. His lover Irene and memories of his past yield him a broader perspective.

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(screenplay), (novel)
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1 win & 1 nomination. See more awards »

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Cast

Complete credited cast:
...
...
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Max Monetti
...
Joe Monetti
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Pietro Monetti
...
Tony Monetti
...
Maria Domenico
...
Helena Domenico
Esther Minciotti ...
Theresa Monetti
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Elaine Monetti
...
Lucca
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Storyline

In New York, after seven years in prison, the lawyer Max Monetti goes to the bank of his brothers Joe, Tony and Pietro Monetti and promises revenge to them. Then he visits his lover Irene Bennett that asks him to forget the past and start a new life. Max recalls the early 30s, when he is the favorite son of his father Gino Monetti, who has a bank in the East Side. Gino is a tyrannical and egocentric self-made man that raises his family in an environment of hatred and Max is a competent lawyer engaged with Maria Domenico. When Max meets the confident Irene, he has a troubled love affair with her. In 1933, with the new Banking Act reaches Gino for misapplication of funds. Max plots a plan to help his father but is betrayed by his brothers. Now Max will see his brothers that have also being raised under the motto "Never Forgive, Never Forget". Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Add Synopsis

Plot Keywords:

prison | bank | hatred | kiss | dinner | See All (32) »

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A powerhouse of emotion.


Certificate:

Approved | See all certifications »
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Details

Country:

Language:

|

Release Date:

1 July 1949 (USA)  »

Also Known As:

East Side Story  »

Filming Locations:

 »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

"The Screen Guild Theater" broadcast a 60 minute radio adaptation of the movie on January 25, 1951 with Edward G. Robinson reprising his film role. See more »

Goofs

At 2:00, Max approaches the front door of the Monetti Trust and Loan building. A young woman wearing a beret and a vertically-striped jacket steps out of the door, makes a right turn (from Max's perspective), and continues to walk until she disappears into the right side of the frame. 15 seconds later, the same woman is seen walking in front of the same building--again from Max's left to to his right--as if she had never been inside. See more »

Quotes

Max Monetti: Pa, have you read the new banking act?
Gino Monetti: I don't even read the old one. Why?
See more »

Connections

Version of The Big Show (1961) See more »

Soundtracks

Please Don't Talk About Me When I'm Gone
(uncredited)
Music by Sam H. Stept
Lyrics by Sidney Clare
Performed by Dolores Parker at the restaurant
See more »

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User Reviews

A TRIUMVIRATE OF SUPERB ACTING
11 February 2003 | by (NYC) – See all my reviews

"House of Strangers" features three of my all-time favorite actors--Edward G. Robinson, Susan Hayward and Richard Conte--all at the very top of their form, as well as moody, almost noirish direction by the great Joseph L. Mankiewicz, in moody black and white. Those ingredients alone should indicate that a fine work is in store for the viewer, and such, happily, is the case here. The tale is told mainly in flashback, in which we learn how the four sons of Lower East Side banker Edward G. became enemies after their Pop got into some legal trouble. Susan Hayward, never more beautiful, plays a high-class dame who becomes involved with lawyer Conte, despite Conte's engagement to a proper Italian girl from "the old country." The relationship between Hayward and Conte is very adult for the restrictive late '40s. By the film's end, we really come to care about these two and hope that they can survive as a couple. As usual, Edward G. gives a bravura performance, this time as the domineering patriarch of his Italian clan. I believe his performance received a well-deserved award at Cannes that year. Conte and Hayward, both of whose careers are ripe for reevaluation and rediscovery, match him every step of the way. Luther Adler is fine also, in his role as Conte's elder brother, who feels he never got the respect he deserved. Deborah Paget, in one of her earliest parts, looks fine in a decorative role. For me, though, the main lure of this picture is the triumvirate of superb acting by the three leads. What a pleasure it is to watch these three great talents do justice to the well-written script here. I just love this movie, and suspect that a real treat is in store for the first-time viewer. Check it out, by all means!


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