Nick Cochran, an American in exile in Macao, has a chance to restore his name by helping capture an international crime lord. Undercover, can he mislead the bad guys and still woo the handsome singer/petty crook, Julie Benson?
Josef von Sternberg,
George and Catherine Apley of Boston lead a proper life in the proper social circle, as did the Apleys before them. When grown daughter Eleanor falls in love with Howard (from New York!), ... See full summary »
Joseph L. Mankiewicz
A woman secretly suffering from kleptomania is hypnotized in an effort to cure her condition. Soon afterwards, she is found at the scene of a murder with no memory of how she got there and seemingly no way to prove her innocence.
In New York, after seven years in prison, the lawyer Max Monetti goes to the bank of his brothers Joe, Tony and Pietro Monetti and promises revenge to them. Then he visits his lover Irene Bennett that asks him to forget the past and start a new life. Max recalls the early 30s, when he is the favorite son of his father Gino Monetti, who has a bank in the East Side. Gino is a tyrannical and egocentric self-made man that raises his family in an environment of hatred and Max is a competent lawyer engaged with Maria Domenico. When Max meets the confident Irene, he has a troubled love affair with her. In 1933, with the new Banking Act reaches Gino for misapplication of funds. Max plots a plan to help his father but is betrayed by his brothers. Now Max will see his brothers that have also being raised under the motto "Never Forgive, Never Forget". Written by
Claudio Carvalho, Rio de Janeiro, Brazil
At 2:00, Max approaches the front door of the Monetti Trust and Loan building. A young woman wearing a beret and a vertically-striped jacket steps out of the door, makes a right turn (from Max's perspective), and continues to walk until she disappears into the right side of the frame. 15 seconds later, the same woman is seen walking in front of the same building--again from Max's left to to his right--as if she had never been inside. See more »
Try and imagine Little Caesar getting out of the rackets and taking his hard stolen loot and setting up a bank. Then Mr. Bandello marries and has four sons.
You've got Gino Monetti who now that he's no longer terrorizing citizens confines his terrors to his own family. He's got four grown sons and he treats them like the hired help. All except Richard Conte who instead of working for him directly at the bank uses the bank's space for his law office.
I think that's the key to this film. The other three sons Luther Adler, Efrem Zimbalist, Jr., and Paul Valentine all do work for him and he can treat them like dirt. Conte on the other hand, does not work for him, he's made his own career. By Robinson's logic, he's earned a certain amount of respect.
So he pits them against each other. Unfortunately Robinson's banking practices which are not exactly legal catch up with him. He's forced to turn the bank over to the three sons in an effort to save the bank.
Conte also tries to bribe a juror to save dear old Dad and gets disbarred and a stretch of seven years in prison for his troubles. Conte's out now and looking to even things up with his siblings.
Robinson who's played all kinds of immigrants of many nationalities has covered the Italian ground before. But he's real good as the scheming, sadistic patriarch who in fact gets a deserved comeuppance from his sons. All four sons are fine in their roles with Richard Conte and Luther Adler deserving particular attention.
Susan Hayward is the girl who waits for Conte. She must be in love with him. A disbarred attorney isn't exactly a dream prospect. She was just entering into the height of her career and this role was a career boost.
House of Strangers is far superior to the western setting remake that 20th Century Fox did five years later entitled Broken Lance
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