A young naive woman falls for a handsome young man who her emotionally abusive father suspects is a fortune hunter.

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(written for the screen by), (written for the screen by) | 3 more credits »
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Cast

Complete credited cast:
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Betty Linley ...
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Selena Royle ...
Paul Lees ...
Harry Antrim ...
...
Quintus
David Thursby ...
Geier
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Storyline

In the mid-1800's, the wealthy Sloper family - widowed surgeon Dr. Austin Sloper, his adult daughter Catherine Sloper (Dr. Sloper's only surviving child), and Dr. Sloper's recently widowed sister Lavinia Penniman - live in an opulent house at 16 Washington Square, New York City. They have accrued their wealth largely through Dr. Sloper's hard work. Despite the lessons that Dr. Sloper has paid for in all the social graces for her, Catherine is a plain, simple, awkward and extremely shy woman who spends all her free time alone doing embroidery when she is not doting on her father. Catherine's lack of social charm and beauty - unlike her deceased mother - is obvious to Dr. Sloper, who hopes that Lavinia will act as her guardian in becoming more of a social person, and ultimately as chaperon if Catherine were ever to meet the right man. The first man ever to show Catherine any attention is the handsome Morris Townsend, who she met at a family party. Catherine is initially uncertain as to ... Written by Huggo

Plot Summary | Add Synopsis

Taglines:

A picture you'll always remember (half-sheet) See more »

Genres:

Drama | Romance

Certificate:

Passed | See all certifications »

Parents Guide:

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Details

Country:

Language:

|

Release Date:

10 February 1950 (Australia)  »

Also Known As:

Die Erbin  »

Box Office

Budget:

$2,600,000 (estimated)
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Company Credits

Production Co:

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Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

"Lux Radio Theater" broadcast a 60 minute radio adaptation of the movie on September 11, 1950 with Olivia de Havilland reprising her film role. See more »

Goofs

When Dr. Sloper goes into his office to examine himself because he isn't feeling well, as he opens up his doctor's bag, the middle finger of his right hand is shown quite unusually extended, but then the next cut shot shows it in a different position. See more »

Quotes

Austin Sloper: Do you remember her mother? Her mother who had so much grace and gaiety. This is her child.
Elizabeth Almond: Austin, no child could compete with this image you have of her mother.
Austin Sloper: You're not entitled to say that. Only I know what I lost when she died and what I got in her place.
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Connections

Referenced in Three's Company: The Heiress (1984) See more »

Soundtracks

Queen of the Flowers
(1860) (uncredited)
Music by Eugène Ketterer
Dance music at the party
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Frequently Asked Questions

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User Reviews

 
Brilliant superb astonishing movie
16 March 2005 | by (USA) – See all my reviews

I had the pleasure to watch again "The Heiress" 1949 movie tonight, and it is absolutely brilliant! ; what a gem! the script, the directing, set designs, lighting, but above all the acting, are all extraordinary. The performances by the three main characters are simply superb. Olivia De Haviland is utterly convincing in her transition from a, not so young, unwanted and unloved woman, into 3 different phases of her personality as the plot unfolds ; all her acting is beautiful. Montgomery Cliff delivers a great performance and mastery at portraying deceit with a charming smile. Ralph Richardson commands respect and holds an air of definite authority as Catherine's father. His aristocratic demeanor is also very well portrayed for a prominent New York gentleman of the late 1800's. The human tragedy of miscommunication between beings unfolds with impeccable timing. The film by today standards may be considered as slow, but underneath is found a study of characters that runs very deeply. The contrast between the real Love and the pretense is striking. You cannot help but feel sorry for the way the characters are held captives to a set of stiff conventions and untold feelings. A human tragedy at its best.


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