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The Heiress (1949)

Passed  |   |  Drama, Romance  |  10 February 1950 (Sweden)
8.3
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Ratings: 8.3/10 from 8,862 users  
Reviews: 113 user | 48 critic

A young naive woman falls for a handsome young man who her emotionally abusive father suspects is a fortune hunter.

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(written for the screen by), (written for the screen by), 3 more credits »
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Title: The Heiress (1949)

The Heiress (1949) on IMDb 8.3/10

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Won 4 Oscars. Another 6 wins & 7 nominations. See more awards »
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Cast

Complete credited cast:
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...
...
...
Vanessa Brown ...
Betty Linley ...
...
Mona Freeman ...
Selena Royle ...
Paul Lees ...
Harry Antrim ...
Russ Conway ...
Quintus
David Thursby ...
Geier
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Storyline

In the mid-1800's, the wealthy Sloper family - widowed surgeon Dr. Austin Sloper, his adult daughter Catherine Sloper (Dr. Sloper's only surviving child), and Dr. Sloper's recently widowed sister Lavinia Penniman - live in an opulent house at 16 Washington Square, New York City. They have accrued their wealth largely through Dr. Sloper's hard work. Despite the lessons that Dr. Sloper has paid for in all the social graces for her, Catherine is a plain, simple, awkward and extremely shy woman who spends all her free time alone doing embroidery when she is not doting on her father. Catherine's lack of social charm and beauty - unlike her deceased mother - is obvious to Dr. Sloper, who hopes that Lavinia will act as her guardian in becoming more of a social person, and ultimately as chaperon if Catherine were ever to meet the right man. The first man ever to show Catherine any attention is the handsome Morris Townsend, who she met at a family party. Catherine is initially uncertain as to ... Written by Huggo

Plot Summary | Add Synopsis

Taglines:

A picture you'll always remember (half-sheet) See more »

Genres:

Drama | Romance

Certificate:

Passed | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

10 February 1950 (Sweden)  »

Also Known As:

Die Erbin  »

Box Office

Budget:

$2,600,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Montgomery Clift learned to play the piano for the scene where he sings, "The Joys of Love" to Olivia de Havilland. See more »

Goofs

When Morris first asks Kathryn to dance at the party, she is seated with her dance card in her hand. Her fan is hanging from a string around her wrist on the same arm. Cut to a wider shot as Kathryn stands to join Morris, and suddenly her fan is in her hand, and her dance card is hanging from her wrist. See more »

Quotes

Austin Sloper: You have found a tongue at last, Catherine. 'Tis only to say such terrible things to me.
Catherine Sloper: Yes. This is a field where you will not compare me to my mother.
See more »

Connections

Version of Affairs of the Heart: Catherine (1974) See more »

Soundtracks

Galop di bravura
(1849) (uncredited)
Music by Julius Schulhoff
Dance music at the party
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Brilliant superb astonishing movie
16 March 2005 | by (USA) – See all my reviews

I had the pleasure to watch again "The Heiress" 1949 movie tonight, and it is absolutely brilliant! ; what a gem! the script, the directing, set designs, lighting, but above all the acting, are all extraordinary. The performances by the three main characters are simply superb. Olivia De Haviland is utterly convincing in her transition from a, not so young, unwanted and unloved woman, into 3 different phases of her personality as the plot unfolds ; all her acting is beautiful. Montgomery Cliff delivers a great performance and mastery at portraying deceit with a charming smile. Ralph Richardson commands respect and holds an air of definite authority as Catherine's father. His aristocratic demeanor is also very well portrayed for a prominent New York gentleman of the late 1800's. The human tragedy of miscommunication between beings unfolds with impeccable timing. The film by today standards may be considered as slow, but underneath is found a study of characters that runs very deeply. The contrast between the real Love and the pretense is striking. You cannot help but feel sorry for the way the characters are held captives to a set of stiff conventions and untold feelings. A human tragedy at its best.


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