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The Heiress (1949)

Passed | | Drama, Romance | 28 December 1949 (USA)
A young naive woman falls for a handsome young man who her emotionally abusive father suspects is a fortune hunter.

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(written for the screen by), (written for the screen by) | 3 more credits »
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Won 4 Oscars. Another 5 wins & 8 nominations. See more awards »
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Cast

Complete credited cast:
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...
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...
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Maria
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...
...
Marian Almond
...
Paul Lees ...
Arthur Townsend
Harry Antrim ...
Mr. Abeel
...
Quintus
David Thursby ...
Geier
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Storyline

In the mid-1800's, the wealthy Sloper family - widowed surgeon Dr. Austin Sloper, his adult daughter Catherine Sloper (Dr. Sloper's only surviving child), and Dr. Sloper's recently widowed sister Lavinia Penniman - live in an opulent house at 16 Washington Square, New York City. They have accrued their wealth largely through Dr. Sloper's hard work. Despite the lessons that Dr. Sloper has paid for in all the social graces for her, Catherine is a plain, simple, awkward and extremely shy woman who spends all her free time alone doing embroidery when she is not doting on her father. Catherine's lack of social charm and beauty - unlike her deceased mother - is obvious to Dr. Sloper, who hopes that Lavinia will act as her guardian in becoming more of a social person, and ultimately as chaperon if Catherine were ever to meet the right man. The first man ever to show Catherine any attention is the handsome Morris Townsend, who she met at a family party. Catherine is initially uncertain as to ... Written by Huggo

Plot Summary | Add Synopsis

Taglines:

When a Woman Loves a Man . . . She Doesn't Want to Know the Truth About Him ! See more »

Genres:

Drama | Romance

Certificate:

Passed | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

28 December 1949 (USA)  »

Also Known As:

Die Erbin  »

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Box Office

Budget:

$2,600,000 (estimated)
See more on IMDbPro »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Olivia de Havilland wisely chose William Wyler as her director, considering that such a meticulous director would be able to coax a strong performance from her. As it turned out, Wyler became a staunch supporter of his leading actress, particularly in regard to the sneering attitude that Montgomery Clift displayed toward her (he didn't value her talents as an actress) and Ralph Richardson taking every opportunity to steal scenes from under her nose with his improvisations. See more »

Goofs

In the very last scene when Morris is pounding on the door after the door has been bolted from the inside you can see the keyhole has no hole in it. It is clearly a facade. See more »

Quotes

Aunt Penniman: Now, Catherine, if you will stay by me this evening, you will see that what I say is not always of the greatest importance, but dear, that doesn't keep me from talking.
See more »

Connections

Referenced in Billy's Hollywood Screen Kiss (1998) See more »

Soundtracks

Plaisir d'amour (The Joys of Love)
(1780) (uncredited)
Written by Johann Martini and Jean-Pierre Claris de Florian
Performed by Montgomery Clift
See more »

Frequently Asked Questions

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User Reviews

 
Brilliant superb astonishing movie
16 March 2005 | by See all my reviews

I had the pleasure to watch again "The Heiress" 1949 movie tonight, and it is absolutely brilliant! ; what a gem! the script, the directing, set designs, lighting, but above all the acting, are all extraordinary. The performances by the three main characters are simply superb. Olivia De Haviland is utterly convincing in her transition from a, not so young, unwanted and unloved woman, into 3 different phases of her personality as the plot unfolds ; all her acting is beautiful. Montgomery Cliff delivers a great performance and mastery at portraying deceit with a charming smile. Ralph Richardson commands respect and holds an air of definite authority as Catherine's father. His aristocratic demeanor is also very well portrayed for a prominent New York gentleman of the late 1800's. The human tragedy of miscommunication between beings unfolds with impeccable timing. The film by today standards may be considered as slow, but underneath is found a study of characters that runs very deeply. The contrast between the real Love and the pretense is striking. You cannot help but feel sorry for the way the characters are held captives to a set of stiff conventions and untold feelings. A human tragedy at its best.


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