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The Great Gatsby (1949)

In this "adaptation" of the F. Scott Fitzgerald novel, a Jazz Age bootlegger learns the hard way about the wages of sin.

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Cast

Cast overview, first billed only:
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Nicholas Joy ...
Drunken Guest at Party
Walter Greaza ...
Kinsella
Tito Vuolo ...
Mavromichaelis
Ray Walker ...
Real Estate Man
Diane Nance ...
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Storyline

Nick Carraway, a young Midwesterner now living on Long Island, finds himself fascinated by the mysterious past and lavish lifetyle of his landlord, the nouveau riche Jay Gatsby. He is drawn into Gatsby's circle, becoming a witness to obsession and tragedy. Written by Cleo <frede005@maroon.tc.umn.edu>

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A Great Cast... A Great Novel... A Great Motion Picture

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Drama

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Release Date:

13 July 1949 (USA)  »

Also Known As:

Le prix du silence  »

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Technical Specs

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(Western Electric Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

One of over 700 Paramount Productions, filmed between 1929 and 1949, which were sold to MCA/Universal in 1958 for television distribution, and have been owned and controlled by Universal ever since. However, because of legal complications, this particular title was not included in the original television package and may not have ever been televised, at least not until many years afterward. See more »

Connections

Version of G (2002) See more »

Soundtracks

You Set Me Free
(uncredited)
Music by Charles Rosoff
Lyrics by Gus Kahn
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Frequently Asked Questions

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User Reviews

 
Very good film version of the original novel.
5 July 2005 | by (United Kingdom) – See all my reviews

This version of Scott Fitzgerald's short novel is remarkably faithful to the original and infinitely more successful as a film than the big budget version which appeared two decades later, starring Robert Redford. Alan Ladd puts in an excellent performance in the title role simply by playing the usual Ladd persona. The character of Gatsby in the novel is not fully fleshed out, nor did the author intend him to be more than an illusive figure fired by an obsession. Ladd, who was not an actor of any great talent, seems to be particularly suited to the part. Redford, a much greater actor, added a dimension, the aura of the 'glamorous' leading male star, which the reader does not associate with the Gatsby of the novel and as a consequence, is not convincing. The 1949 version, in monochrome, captures much of the atmosphere of the 'jazz age' which strangely does not come over in the lavish period detail of the later version. The gallery of supporting players contributes significantly to the success of the film. There are a few minor faults, such as the montage shots in the opening sequences which border on cliché. Nick Carraway is less prominent than the author might have intended. But the essence of the novel is there.


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