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The Great Gatsby (1949)

In this "adaptation" of the F. Scott Fitzgerald novel, a Jazz Age bootlegger learns the hard way about the wages of sin.

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(novel), (play) | 2 more credits »
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Cast

Cast overview, first billed only:
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Nicholas Joy ...
Drunken Guest at Party
Walter Greaza ...
Kinsella
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Mavromichaelis
Ray Walker ...
Real Estate Man
Diane Nance ...
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Storyline

Nick Carraway, a young Midwesterner now living on Long Island, finds himself fascinated by the mysterious past and lavish lifetyle of his landlord, the nouveau riche Jay Gatsby. He is drawn into Gatsby's circle, becoming a witness to obsession and tragedy. Written by Cleo <frede005@maroon.tc.umn.edu>

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Taglines:

A Great Cast... A Great Novel... A Great Motion Picture

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Drama

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Details

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Release Date:

13 July 1949 (USA)  »

Also Known As:

Le prix du silence  »

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Technical Specs

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Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

When De Witt Bodeen's RKO contract was going to lapse he was being wooed by Paramount and needed a strong vehicle for their box office favorite Alan Ladd. Bodeen gave Ladd a paperback copy of the novel and the actor sent him an appreciative letter and wanted to do the film. However, RKO picked up his option and he ending up writing "I Remember Mama" for George Stevens. See more »

Connections

Version of The Great Gatsby (1974) See more »

Soundtracks

You Set Me Free
(uncredited)
Music by Charles Rosoff
Lyrics by Gus Kahn
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Frequently Asked Questions

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User Reviews

 
Ladd Understood....
2 April 2004 | by (Brooklyn, New York) – See all my reviews

ALAN LADD was the perfect actor for THE GREAT GATSBY, and his performance in this film captures F. Scott Fitzgerald's tragic hero with every nuance, every movement, every hidden torment. Ladd wanted to do this role, although he had his anxieties (as was noted by my friend Geraldine Fitzgerald). Nonetheless, he succeeds splendidly as Gatsby - a definitive characterization that should be seen. Redford had the right stuff, to a large extent, but the Redford-Farrow version is far too overblown with far too many missing, and important, elements in the plot. As for the Ladd version, it is true that Betty Field, a superb actress, was not right for Daisy -- there is far too much intelligence in her interpretation. Nor are Barry Sullivan, Ruth Hussey, and Macdonald Carey altogether satisfactory either. BUT the adaptation is closest to Fitzgerald, and the Ladd, of the later scenes in particular, is a tragic figure - truly reaching the heights of one of America's finest novels. And one that is ageless...


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