Give Us This Day (1949)

Passed  |   |  Drama  |  21 July 1950 (West Germany)
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Ratings: 7.2/10 from 209 users  
Reviews: 11 user | 11 critic

One of the few (if any at the time this film was made) films shot in England with New York City's 'Little Italy" as the locale. This was Edward Dmytryk's first film after he had refused to ... See full summary »



(novel), (adaptation), 2 more credits »
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1 win & 1 nomination. See more awards »
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Cast overview:
Lea Padovani ...
Kathleen Ryan ...
Charles Goldner ...
Bonar Colleano ...
Giovanni (as Bill Sylvester)
George Pastell ...
The lucy (as Nino Pastellides)
Philo Hauser ...
Head of Pig
Sidney James ...
Karel Stepanek ...
Ina De La Haye ...
Dame Katarina
Rosalie Crutchley ...
Julio's wife
Ronan O'Casey ...
Robert Rietty ...
Charles W. Moffett Jr. ...
Pasquale (as Charles Moffat)


One of the few (if any at the time this film was made) films shot in England with New York City's 'Little Italy" as the locale. This was Edward Dmytryk's first film after he had refused to tell a Congressional Committee whether or not he was, or had ever been, a member of the Communist Party. This is a 'runaway production' shot in England for political reasons and not for the usual USA tax-break reasons. Geremio, a young Italian immigrant to New York City, works as a bricklayer and is courting an Italian girl, Annunziata, by mail. He lies to her that he owns his own home and, after they are married, has to rent one for their three-day honeymoon. The years pass and they are unable to save enough money to get out of their slum tenement, and the 1929 depression brings even harder times to the family that now includes three children. Geremio, in order to make enough money to care for his family, exploits his "comrades" in dangerous construction work. This practice leads to the accidental ... Written by Les Adams <>

Plot Summary | Add Synopsis




Passed | See all certifications »




Release Date:

21 July 1950 (West Germany)  »

Also Known As:

Christ in Concrete  »

Box Office


$500,000 (estimated)

Company Credits

Production Co:

Show detailed on  »

Technical Specs

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?


Award: Prix de l'Ecran Fran├žais 1951. See more »


Referenced in A Light in the Window Lost (2009) See more »


Without Love, You're Nothing
Written by L. David Norman
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User Reviews

Stagey Acting and Dialogue Sink It
6 July 2008 | by (United States) – See all my reviews

This movie does have some great noirish/neorealist visuals, and it tells a story that is refreshingly free of Hollywood's sugar-coating, which was only possible because it was essentially an independent foreign film. But some of the scenes go on for much too long (the wedding, especially), and I found the exaggerated acting and unrealistic dialog to be more fit for the stage than for the silver screen.

The dialog was particularly distracting, and it seemed to get worse as the movie went on. Most of the characters were either Italian-Americans or Italian immigrants living in New York in the twenties and thirties, but their dialog sounded like they were practicing lines for a Shakespeare play while they mixed cement and laid bricks. Toward the end I was laughing, and not because the filmmakers wanted me to. I guess the stilted poetry could be defended by saying that the characters would have been speaking Italian, and the dialog is a literal translation of how they would really talk. But it absolutely did not work for me.

Another line of dialog made me laugh for a different reason: the main character's son, born and raised in New York in the 1920's, suddenly picks up a lovely lilting British accent. I'm only guessing this had something to do with the fact that the movie was made in England.

I give this movie an 'A' for effort and intention, but a considerably lower grade for execution.

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