Edit
Storyline
Gilberte is a sixteen year old girl raised by her aunt and grandmother to be a demimondaine. But she's not ready for that yet, and spends her days in lessons and in teasing Mamita's old friend, the rich playboy Gaston LaChaille, and following his affairs from afar. But when Gaston throws off his latest mistress, it looks as if Gigi just might be ready to begin her destined career. Written by
Kathy Li
Plot Summary
|
Add Synopsis
Edit
Did You Know?
Trivia
The main theme that permeates the score was not composed by the film's credited composer, but by
F.D. Marchetti, who wrote it in 1932. It was the basis for the popular song, "Fascination", with English lyric by
Dick Manning. The song's copyright was renewed in 1945 and again in 1954. It was used to great effect, resulting in its most successful run on the hit parade, in the film
Love in the Afternoon.
See more »
Connections
Version of
Gigi (1925)
See more »
Soundtracks
"Fascination"
(uncredited)
Music by
F.D. Marchetti
Played during the opening credits and often in the score
See more »
....to shield her eyes from the klieg lights ,and dramatically pointed at Audrey (Hepburn) "Voilà ,she said.That's my Gigi! (Diana Maychicks ,A.H.,an intimate portrait) It was not to be ;Hepburn told writer Colette she could not act,could never play a leading act and finally they cast new-comer Danielle Delorme as Gigi .
Jacqueline Audry was the first real female French director in history;some will argue and say the Germaine Dulac and Alice Guy came before;but it was in the silent age and Audry was the first modern woman Metteuse En Scene ,ten years before Agnes Varda;both Audry and Varda were interested in woman 's psychology;both were sometimes ambiguous though.
You can hardly call "Gigi" woman's lib: a young girl trained by her aunt to be a courtezan ,two men who are not particularly handsome,even French buck Frank Villard Audry will be used with better results in Sartre 's "Huis Clos" .I must confess I do not like Gigi's story ,I cannot feel "the coquettish child who develops into a warm ,loving woman";this is old hat stuff ,straight from the Ark.
It is somewhat better than Minnelli's remake : a musical,none of the songs is memorable and Maurice Chevalier is as unbearable as Jean Tissier.
There are fine lines by Colette though "we 're not ordinary people!-Who are they? -They are married " and a funny "lesson in jewels" .