The Fountainhead (1949)

An uncompromising, visionary architect struggles to maintain his integrity and individualism despite personal, professional and economic pressures to conform to popular standards.

Director:

King Vidor

Writers:

Ayn Rand (screenplay), Ayn Rand (novel)

Stars:

Gary Cooper, Patricia Neal, Raymond Massey

Cast

Complete credited cast:
Gary Cooper	...	Howard Roark
Patricia Neal	...	Dominique Francon
Raymond Massey	...	Gail Wynand
Kent Smith	...	Peter Keating
Robert Douglas	...	Ellsworth M. Toohey
Henry Hull	...	Henry Cameron
Ray Collins	...	Roger Enright
Moroni Olsen	...	Chairman
Jerome Cowan	...	Alvah Scarret

Storyline

Individualistic and idealistic architect Howard Roark is expelled from college because his designs fail to fit with existing architectural thinking. He seems unemployable but finally lands a job with like-minded Henry Cameron, however within a few years Cameron drinks himself to death, warning Roark that the same fate awaits unless he compromises his ideals. Roark is determined to retain his artistic integrity at all costs.

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Plot Keywords:

architect | integrity | compromise | ideal | visionary | 

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Taglines:

No Man Takes What's Mine !

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Genres:

Drama

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Certificate:

Approved

Details

Country:

USA

Language:

English

Release Date:

2 July 1949 (USA)

Also Known As:

Le rebelle

Filming Locations:

Fresno, California, USA

Company Credits

Production Co:

Warner Bros

Technical Specs

Runtime:

114 min

Sound Mix:

Mono (RCA Sound System)

Color:

Black and White

Aspect Ratio:

1.37 : 1

Did You Know?

Trivia

The film's failure was largely attributed to Gary Cooper, who at 47 was much older than his twenty-something character and was considered by many critics to be unconvincing playing a man with high ideals.

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Goofs

When Roark is drilling rock in the quarry, he is doing so without any eye protection.

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Quotes

Peter Keating: You can't hope to survive unless you learn how to compromise. Now, watch me! In just a few short years I'll shoot to the top of the architectural profession because I'm going to give the public what it wants.

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Connections

Featured in Shirtless: Hollywood's Sexiest Men (2002)

User Reviews

The house was a temple to his wife ...

This overheated potboiler attempts to make a social comment on the corrupt nature of conforming to the wishes of the masses, when its most interesting aspect these days is the teaming on screen (and off) of gruff-voiced Patricia Neal and her self-confessed 'love of her life', Gary Cooper. Their love scenes together are certainly not lukewarm!

Aside from this, there's a convoluted plot about architecture, the newspaper business, and the understated power of the humble columnist. Raymond Massey moves from one situation to the next with the same lack of passion, eventually giving Cooper and Neal their chance to simmer in close proximity. Robert Douglas is terrific as the obnoxious architectural critic, Ellsworth Toohey; while Kent Smith and Henry Hull put in OK performances as a weak architect of little originality, and a nervous press room editor, respectively.

The ones who catch the eye of the viewer, however, are Neal and Cooper. Towering performances in camp classic style. The imagery, too, is suitably suggestive – drills in a stone quarry, large skyscraping buildings, whips and pokers.

'The Fountainhead', adapted by Ayn Rand from her own novel and brought to the screen under the direction of King Vidor, is enjoyable despite the odd bout of overacting from both its principal and minor actors, and a truly silly script on occasion. The movie isn't great but in using the world in which it is set as a character of equivalent power to anyone on the screen, it sets itself apart as more than just run-of-the-mill.