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Flamingo Road (1949)

 -  Drama | Romance  -  6 May 1949 (USA)
7.0
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Ratings: 7.0/10 from 1,375 users  
Reviews: 36 user | 17 critic

Carnival dancer Lane Bellamy finds herself stranded in a southern town ruled by corrupt political boss Titus Semple. Lane becomes romantically involved with sheriff Fielding Carlisle, a ... See full summary »

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(screenplay), (additional dialogue), 2 more credits »
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Title: Flamingo Road (1949)

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Cast

Complete credited cast:
...
Zachary Scott ...
...
David Brian ...
...
Virginia Huston ...
...
Gertrude Michael ...
Millie
...
Gracie
Sam McDaniel ...
Boatright
Tito Vuolo ...
Pete Ladas
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Storyline

Carnival dancer Lane Bellamy finds herself stranded in a southern town ruled by corrupt political boss Titus Semple. Lane becomes romantically involved with sheriff Fielding Carlisle, a weakling whose career is being driven by Titus. Seeing Lane as a liability to his own political ambitions, Titus mounts a campaign to get her driven out of town. She finds she can't get a job and even gets arrested on a trumped-up morals charge. Released from jail, Lane finds work as a "hostess" at Lutie-Mae's road house, where she meets Dan Reynolds, another member of the town's political machine. They marry and move to a home on Flamingo Road, the town's social pinnacle. Their marriage is soon marked by scandal when a drunken Carlisle visits Lane at home one evening and shoots himself. Written by Daniel Bubbeo <dbubbeo@cmp.com>

Plot Summary | Add Synopsis

Taglines:

A wrong girl for the right side of the tracks.

Genres:

Drama | Romance

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

6 May 1949 (USA)  »

Also Known As:

Boulevard des passions  »

Box Office

Budget:

$1,528,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Originally intended as a vehicle for Ann Sheridan, who turned down role played by 'Joan Crawford'. See more »

Goofs

One hour and twelve minutes into the film, Titus Semple and Fielding Carlisle have an argument in the construction office; Titus throws Fiedling out the door into the dirt then walks out the door. He stops, takes a whiskey bottle and breaks the glass in the door with Fielding's name on it. The sugar confection used in Hollywood for break-away glass flies onto Titus's cheek under his left eye. It sticks for one second then falls off. See more »

Quotes

Fielding Carlisle: Just trying to do what's right. It must be right, otherwise it wouldn't be so hard to do.
See more »

Crazy Credits

The opening credits are presented on a book as someone turns the pages. See more »

Connections

Referenced in Hollywood Mouth 2 (2014) See more »

Soundtracks

Put 'em in a Box, Tie 'em with a Ribbon (and Throw 'em in the Deep Blue Sea)
(uncredited)
Music by Jule Styne
First tune played at the Eagle Cafe
See more »

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User Reviews

"You just wouldn't believe how difficult it is to get rid of a dead elephant!"
31 October 2003 | by (Brooklyn, New York) – See all my reviews

I am clueless as to how this movie has failed to become one of the great cult classics. Yes, of course, the plot is pitiful...combination of State of the Union meets Stella Dallas meets Sadie Thompson...but my God, the dialogue!

Joan Crawford - truly an amazing actress. If there's a heaven and she's in it and I make it there, I'll be acolyte in her heavenly choir. In this one, she looks like she's about to be torn to pieces by the centrifugal forces of her conflicting character. She's part Great Lady of the American theaTRE, movie version, with an accent that must be part Mount Holyoke mixed with Bryn Mawr mixed with Locust Valley Lockjaw...so how this dame is working as a carny girl at the tender age of 45 is quite the sight to behold. And then there's Gladys George...the type of older character actress that I suppose only the Depression-era movie studio system could produce...she's seen everything and done everything twice, and still has time to get her hair peroxided and permed. And finally - Sydney Greenstreet - of course - he is awesome in everything I've seen him in...but the look on his face when Joan utters the deathless line I've just tried to quote above...well, anyway...forget plot, just sit back and enjoy mid-20th century glossy-film-noir with Joan lit from angles that would put De la Tour to shame. a fan.


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