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Flamingo Road (1949)

 -  Drama | Romance  -  6 May 1949 (USA)
7.0
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Ratings: 7.0/10 from 1,282 users  
Reviews: 34 user | 17 critic

Carnival dancer Lane Bellamy finds herself stranded in a southern town ruled by corrupt political boss Titus Semple. Lane becomes romantically involved with sheriff Fielding Carlisle, a ... See full summary »

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Writers:

(screenplay), (additional dialogue), 2 more credits »
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Title: Flamingo Road (1949)

Flamingo Road (1949) on IMDb 7/10

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Cast

Complete credited cast:
...
Zachary Scott ...
...
David Brian ...
...
Virginia Huston ...
Annabelle Weldon
...
Doc Waterson
Gertrude Michael ...
Millie
Alice White ...
Gracie
Sam McDaniel ...
Boatright
Tito Vuolo ...
Pete Ladas
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Storyline

Carnival dancer Lane Bellamy finds herself stranded in a southern town ruled by corrupt political boss Titus Semple. Lane becomes romantically involved with sheriff Fielding Carlisle, a weakling whose career is being driven by Titus. Seeing Lane as a liability to his own political ambitions, Titus mounts a campaign to get her driven out of town. She finds she can't get a job and even gets arrested on a trumped-up morals charge. Released from jail, Lane finds work as a "hostess" at Lutie-Mae's road house, where she meets Dan Reynolds, another member of the town's political machine. They marry and move to a home on Flamingo Road, the town's social pinnacle. Their marriage is soon marked by scandal when a drunken Carlisle visits Lane at home one evening and shoots himself. Written by Daniel Bubbeo <dbubbeo@cmp.com>

Plot Summary | Add Synopsis

Taglines:

A wrong girl for the right side of the tracks.

Genres:

Drama | Romance

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

6 May 1949 (USA)  »

Also Known As:

Flamingo Road  »

Box Office

Budget:

$1,528,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

"Screen Director's Playhouse" broadcast a 30 minute radio adaptation of the movie on May 26, 1950 with Joan Crawford reprising her film role. See more »

Goofs

One hour and twelve minutes into the film, Titus Semple and Fielding Carlisle have an argument in the construction office; Titus throws Fiedling out the door into the dirt then walks out the door. He stops, takes a whiskey bottle and breaks the glass in the door with Fielding's name on it. The sugar confection used in Hollywood for break-away glass flies onto Titus's cheek under his left eye. It sticks for one second then falls off. See more »

Quotes

Lane Bellamy: I'm not a carnival girl anymore!
Sheriff Titus Semple: Sure been actin' like it with young Carlisle.
See more »

Crazy Credits

The opening credits are presented on a book as someone turns the pages. See more »

Connections

Referenced in Hollywood Mouth 2 (2014) See more »

Soundtracks

Can't We Be Friends?
(uncredited)
Music by Kay Swift
Played at the Eagle cafe when Lane gets hired
See more »

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User Reviews

 
Mildred Pierce meets the devil on her way to easy street.
24 March 2004 | by (New York) – See all my reviews

This film is a joy to watch, even if defies logic. The narrative is convoluted, to put it mildly. Joan Crawford as a carnival girl? That's a stretch of the imagination. From the very beginning, watching Ms Crawford and the two other dancing women, the viewer realizes that he has to be kind to this film. Her take on Lane Bellamy is vintage Crawford!

This must have been a vehicle for the star right after her star turn in Mildred Pierce. It has some of the same people behind it, like director Michael Curtiz and Zachary Scott. The dialogue is something to be treasured. They don't make films like this anymore. Just imagine what panache Ms Crawford brought to anything she appeared in.

The cast that was assembled for this film is probably impossible to match. The great Sydney Greenstreet is so good as the evil sheriff Titus Semple, that we stay riveted looking at his every move. David Brian as the man who loves Lane and rescues her from poverty is also an asset. The minor players, Gladys George, Fred Clark and Virginia Huston, among others fit right into the story.

But this is a Joan Crawford's film. She dominates every scene in which she appears. What power she conveys with only an economy of gestures. No one working in films these days can come near to this actress, who left her own imprint in the canon of American cinema, not to be equaled by anyone any time soon.


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