Carnival dancer Lane Bellamy finds herself stranded in a southern town ruled by corrupt political boss Titus Semple. Lane becomes romantically involved with sheriff Fielding Carlisle, a ... See full summary »
A tough lady gangster learns that she will be totally blind within a week. She seeks help from the one eye surgeon who may be able to save her sight. In the process, he also causes her to ... See full summary »
The life of Sadie McKee takes many twists and turns. She starts as the daughter of the cook for the well off Alderson family. Lawyer Michael Alderson likes Sadie but she runs off to New ... See full summary »
Domineering Harriet Craig holds more regard for her home and its possessions than she does for any person in her life. Among those she treats like household objects are her kind husband ... See full summary »
Congresswoman Agatha Reed returns to her alma mater for homecoming, although she's more interested in renewing her romance with an old flame who's now the college president. Their attempts ... See full summary »
Thrown out of her home after her husband discovers her infidelity, a woman sinks into degradation. Twenty years later, she is charged with killing a man bent on revealing her degraded ... See full summary »
The uptight and dumb small time thief Nick Robey and his partner and only friend Al Molin steal $10,000.00 from a man, but the heist goes wrong. Al Molin is killed by a policeman and Nick ... See full summary »
Carnival dancer Lane Bellamy finds herself stranded in a southern town ruled by corrupt political boss Titus Semple. Lane becomes romantically involved with sheriff Fielding Carlisle, a weakling whose career is being driven by Titus. Seeing Lane as a liability to his own political ambitions, Titus mounts a campaign to get her driven out of town. She finds she can't get a job and even gets arrested on a trumped-up morals charge. Released from jail, Lane finds work as a "hostess" at Lutie-Mae's road house, where she meets Dan Reynolds, another member of the town's political machine. They marry and move to a home on Flamingo Road, the town's social pinnacle. Their marriage is soon marked by scandal when a drunken Carlisle visits Lane at home one evening and shoots himself. Written by
Daniel Bubbeo <email@example.com>
Originally intended as a vehicle for Ann Sheridan, who turned down role played by 'Joan Crawford'. See more »
One hour and twelve minutes into the film, Titus Semple and Fielding Carlisle have an argument in the construction office; Titus throws Fiedling out the door into the dirt then walks out the door. He stops, takes a whiskey bottle and breaks the glass in the door with Fielding's name on it. The sugar confection used in Hollywood for break-away glass flies onto Titus's cheek under his left eye. It sticks for one second then falls off. See more »
"You just wouldn't believe how difficult it is to get rid of a dead elephant!"
I am clueless as to how this movie has failed to become one of the great cult classics. Yes, of course, the plot is pitiful...combination of State of the Union meets Stella Dallas meets Sadie Thompson...but my God, the dialogue!
Joan Crawford - truly an amazing actress. If there's a heaven and she's in it and I make it there, I'll be acolyte in her heavenly choir. In this one, she looks like she's about to be torn to pieces by the centrifugal forces of her conflicting character. She's part Great Lady of the American theaTRE, movie version, with an accent that must be part Mount Holyoke mixed with Bryn Mawr mixed with Locust Valley Lockjaw...so how this dame is working as a carny girl at the tender age of 45 is quite the sight to behold. And then there's Gladys George...the type of older character actress that I suppose only the Depression-era movie studio system could produce...she's seen everything and done everything twice, and still has time to get her hair peroxided and permed. And finally - Sydney Greenstreet - of course - he is awesome in everything I've seen him in...but the look on his face when Joan utters the deathless line I've just tried to quote above...well, anyway...forget plot, just sit back and enjoy mid-20th century glossy-film-noir with Joan lit from angles that would put De la Tour to shame. a fan.
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