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Father Was a Fullback (1949)

Passed  -  Comedy | Sport  -  22 December 1949 (Australia)
6.6
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Ratings: 6.6/10 from 221 users  
Reviews: 7 user | 3 critic

Football coach George Cooper has as many problems managing his football team as he has at home dealing with his daughters, Ellen and Connie.

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Writers:

(story), (screenplay), 3 more credits »
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Title: Father Was a Fullback (1949)

Father Was a Fullback (1949) on IMDb 6.6/10

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Cast

Cast overview:
...
George Cooper
...
Elizabeth Cooper
...
Connie Cooper
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Mr. Jessup
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Geraldine
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Ellen Cooper
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Professor Sullivan (as James G. Backus)
Richard Tyler ...
Joe Birch
Buddy Martin ...
Cheerleader
Frank Mills ...
Assistant Football Coach
Mickey McCardle ...
Jones
John McKee ...
Cy
Louise Lorimer ...
Mrs. Jones
...
Neighbor
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Storyline

Coach George Copper's college football team is losing game after game, much to the dismay of stiff-and-stuffy but influential alumni Roger Jessup, and also having trouble at home with his oldest daughter, Connie. The team keeps losing and Coach Cooper is about to lose his job as his efforts to win the last game of the season, against the team's Big Rival, end in disaster. But, unknown to he and his wife, Elizabeth, Connie has sold an article, called "I Was a Bubble Dancer" to a 'True-Confession" magazine, and the girl-who-couldn't-get-a-date becomes suddenly popular and, because of her, the high-school football star from another town decides to play his college-ball for Coach Cooper. Jessup is forced to keep Cooper on as the school's football coach. Written by Les Adams <longhorn1939@suddenlink.net>

Plot Summary | Add Synopsis

Taglines:

I wanted to live DANGEROUSLY so I married a football coach (who lost every game)

Genres:

Comedy | Sport

Certificate:

Passed | See all certifications »
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Details

Country:

Language:

Release Date:

22 December 1949 (Australia)  »

Also Known As:

Father Was a Fullback  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

A month after the film's release, 'Natalie Wood (I)' received the child of the year award in celebration of Children's Day. See more »

Quotes

Elizabeth Cooper: Not going, he a professor, teaches English literature
Ellen Cooper: No, I mean going
George 'Coop' Cooper: Helen, That's ridiculous, go and get clean up
Ellen Cooper: Daphne heard him gurgling on the phone like a worn out wolf about being a freshman in college
Elizabeth Cooper: Oh What an Idea
[looks at George, stunned]
Elizabeth Cooper: George Cooper!
Ellen Cooper: And he was pitching woos to a girl, Daphne thinks maybe she ought to tell her mother
Elizabeth Cooper: George you didn't
George 'Coop' Cooper: Father little helper
[...]
See more »

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User Reviews

 
Wispy thin, dryly amusing sitcom with a fine cast...
7 September 2007 | by (las vegas, nv) – See all my reviews

It took a total four screenwriters (Aleen Leslie, Mary Loos, Casey Robinson and Richard Sale) to adapt one exceptionally thin play by Clifford Goldsmith, a comedy about a losing college football coach and his nutty family in small town America. It's nice to see Maureen O'Hara again playing mom to precocious Natalie Wood (following 1947's "Miracle on 34th Street"), but O'Hara has distressingly little to do here except dote on exasperated hubby Fred MacMurray, the coach who sidelines himself mostly on the couch. The writing and staging are so mechanical you can almost sense the pauses for preconceived laughs, but nobody except Wood and Thelma Ritter (in another of her maid roles) gets anything amusing to say. MacMurray, as usual, looks like a Bassett Hound in a top coat, and older sis Betty Lynn takes an awful long to bloom (she writes a short story about a teenage bubble dancer, which is funny until O'Hara gives her a solemn talking-to, spoiling the laughs). Jim Backus (billed as James G. Backus) is nice to have around as a neighbor, and Richard Tyler is a handsome kid who works at the gas station (his best line: "Mustaches--do you how hard they are to grow?!"). The laugh lines aren't deft, though they are occasionally underplayed by the cast, and this creates a droll rhythm which makes up for the lack of any big scenes. **1/2 from ****


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