Horace Vendig shows himself to the world as a rich philanthropist. In fact, the history of his rise from his unhappy broken home shows this to be far from the case. After being taken in by ... See full summary »
Construction workers in World War II in the Pacific are needed to build military sites, but the work is dangerous and they doubt the ability of the Navy to protect them. After a series of ... See full summary »
A World War II veteran, suffering from amnesia but otherwise healthy, is released from a veteran's hospital, decides to return to Los Angeles to see if he can regain his identity. Trying to retrace his former steps he soon learns that he was a double-crossing gangster, and many people have reasons to wish he wasn't around...and some try to see to it that he isn't around very long...alive, at least. Written by
Les Adams <email@example.com>
In one scene, John Payne hitches a ride in a mortuary van from a place called "Green Acres". It's coincidental that the movie's cast includes Frank Cady and Percy Helton, who both appeared on the TV series of the same name. See more »
In one scene Nina orders a "Rob Roy" cocktail, and Eddie says "the same", but the waiter brings him instead a scotch with a water-back. See more »
The Crooked Way is directed by Robert Florey and adapted to screenplay by Richard H. Landau from the Radio Play "No Blade Too Sharp" by Robert Monroe. It stars John Payne, Sonny Tufts, Ellen Drew, Rhys Williams, Harry Bronson and Hal Baylor. Music is by Louis Forbes and cinematography by John Alton.
World War II veteran Eddie Rice (Payne) is suffering from permanent amnesia after a piece of shrapnel was lodged in his brain. With no recollection of his past life, he heads off to the only place he has a link with, the army registration office in Los Angeles. No sooner does he arrive there he is picked up by the cops, and soon his past life slowly begins to piece together, and it doesn't make for good news at all
The amnesia plot device is served up once again for a film noir make-over, with mixed results. As a story it just about registers as interesting, there's not nearly enough made of the premise, with much of Eddie's memory recollections a bit too convenient for comfortable dramatic purpose. The smart hook is that Eddie, now a genuine nice guy, begins to find out he was something of bad man, very much so, and there are plenty of people displeased with him. There's also some considerable violence dotted throughout, aggression is palpable, while lead cast performances are more than adequate for the material to hand.
However, on a visual level The Crooked Way is on a different planet to the screenplay. John Alton brings all his skills as a film noir cinematographer here, photographing the whole film through a noir kaleidoscope. Characters move through shadows and light, or are bathed in various dark reflections, with the interior sequences brilliantly adding an aura of mental fog. With Florey throwing his bit in the mix as well, with canted angles and isolated lighting of the eyes, it's a top draw noir of the film making style. Their work deserves a better story, but regardless, because of the tech quality and the safe nature of the premise, this has to be a comfortable recommendation to anyone interested in film noir. 7/10
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