IMDb > Criss Cross (1949)
Criss Cross
Quicklinks
Top Links
trailers and videosfull cast and crewtriviaofficial sitesmemorable quotes
Overview
main detailscombined detailsfull cast and crewcompany creditstv schedule
Awards & Reviews
user commentsexternal reviewsnewsgroup reviewsawardsuser ratingsparents guiderecommendationsmessage board
Plot & Quotes
plot summarysynopsisplot keywordsAmazon.com summarymemorable quotes
Fun Stuff
triviagoofssoundtrack listingcrazy creditsalternate versionsmovie connectionsFAQ
Other Info
merchandising linksbox office/businessrelease datesfilming locationstechnical specslaserdisc detailsDVD detailsliterature listingsNewsDesk
Promotional
taglines trailers and videos posters photo gallery
External Links
showtimesofficial sitesmiscellaneousphotographssound clipsvideo clips

Criss Cross (1949) More at IMDbPro »


Overview

User Rating:
7.6/10   1,497 votes
MOVIEmeter: ?
Down 1% in popularity this week. See why on IMDbPro.
Director:
Writers:
Daniel Fuchs (writer)
Don Tracy (novel)
more
Contact:
View company contact information for Criss Cross on IMDbPro.
Release Date:
1949 (USA) more
Tagline:
When you Double-Cross a Double-Crosser...IT'S A CRISS-CROSS! more
Plot:
Steve Thompson, still obsessed with his fickle ex-wife, is drawn by her into the underworld... full summary | full synopsis
Awards:
1 nomination more
NewsDesk:
Actress Yvonne De Carlo Dies at 84
 (From IMDb News. 10 January 2007)

User Comments:
Siodmak and Lancaster (and DeCarlo and Duryea) scale one of the pinnacles of film noir more (39 total)

Cast

  (Cast overview, first billed only)

Burt Lancaster ... Steve Thompson

Yvonne De Carlo ... Anna
Dan Duryea ... Slim Dundee
Stephen McNally ... Pete Ramirez
Esy Morales ... Orchestra Leader
Tom Pedi ... Vincent
Percy Helton ... Frank
Alan Napier ... Finchley
Griff Barnett ... Pop
Meg Randall ... Helen
Richard Long ... Slade Thompson
Joan Miller ... The Lush
Edna Holland ... Mrs. Thompson (as Edna M. Holland)

John Doucette ... Walt
Marc Krah ... Mort
more
Create a character page for: ?

Additional Details

Runtime:
88 min
Country:
Language:
Aspect Ratio:
1.37 : 1 more
Sound Mix:
Mono (Western Electric Recording)

Fun Stuff

Trivia:
Vito Scotti's first film appearance. more
Goofs:
Continuity: When Steve and Pop leave the armored truck to carry the payroll bags into the company Steve has 3 bags and Pop has 2. Then after the explosion, Steve has 2 and Pop has 3. more
Quotes:
Steve Thompson: She's all right, she's just young.
Mrs. Thompson: Huh! Some ways, she knows more than Einstein.
more
Movie Connections:
Version of Underneath (1995) more

FAQ

This FAQ is empty. Add the first question.
15 out of 17 people found the following comment useful.
Siodmak and Lancaster (and DeCarlo and Duryea) scale one of the pinnacles of film noir, 10 January 2004
10/10
Author: bmacv from Western New York

Robert Siodmak and Burt Lancaster made beautiful movies together - two of them, anyway (The Crimson Pirate is, as they say, another story). Together, they mark Siodmak's most assured work in film noir - and indispensable titles in the cycle. Siodmak introduced Lancaster to the world in The Killers; three years after that auspicious debut, he starred him again in Criss Cross. With his chiseled face and rugged physique, Lancaster was the embodiment of the all-American pluck that had just won a war and was setting out to assume hegemony of the globe. So Siodmak cast him, again, as a loser.

Lancaster returns to his family home in the shabby Bunker Hill section of Los Angeles; he'd been away trying to forget his marriage, which went bad after seven months. But absence made his heart grow fonder, and he thinks of his ex-wife (Yvonne DeCarlo) as a piece of apple core that gets wedged between the teeth and can't be dislodged, even with the cellophane from a pack of smokes. Ah, romance....

Lying to himself, he starts hanging around their old joint, The Round Up, hoping to spot her. Neither a ritzy club nor a down-and-out dive, it's a blue-collar night spot divided down the middle, with the bar and phone booth on one side and, on the other, the tables and dance floor. It's there he sees her again, doing a smoldering rhumba with young (and uncredited) Tony Curtis to the insinuating flute warblings of Esy Morales. She's ready to get back together, and so is he, but pride gets in the way; in retaliation, she marries flashy gangster Dan Duryea.

But Lancaster and DeCarlo keep bumping against each other, like cellophane and apple core. When Duryea confirms his suspicions by catching them together, Lancaster weasels his way out of a very tight corner by saying he's planning a job for them - knocking over the armored truck company he drives for, with himself as the inside man. He rationalizes his complicity away by thinking he and DeCarlo will abscond with their share of the loot.

The brutal heist, filmed in a fog of smoke bombs, goes awry, with lives lost on both sides. Lancaster's arm is smashed, but he winds up acclaimed a hero - if one strung up by pulleys attached to his hospital bed. Only his erstwhile friend, a police lieutenant (Steven McNally) figures out the role Lancaster really played, and disgusted by his thick-headedness, warns that he's not safe from Duryea's henchmen, even while he's recuperating. He's right: Lancaster finds himself being abducted to the oceanside rendezvous where DeCarlo is waiting - and for a final reckoning with Duryea.

Siodmak's establishes full command from the movie's first shot - a stunning aerial glide over Los Angeles at night, swooping into the parking lot behind The Round Up where Lancaster and DeCarlo are trysting - to its last, a darkly poetic pietà. Characteristically, he fragments the narrative through flashbacks, counterposing the hopes of Lancaster's return home with the desperation into which he has fallen. He also slows down for virtuosic sequences that only a great director could bring off: a long scene when the heist is being plotted, with the bored DeCarlo smoking cigarettes (`It passes the time') while the Angels Flight funicular railway criss-crosses the window behind her; and an equally long one in the hospital, involving a cranked-up bed, a tilted mirror on the bureau, and a visitor in the corridor - a good Samaritan who turns out to be his worst nightmare.

Criss Cross displays almost documentary-style familiarity with the details of post-war life, when prosperity was finally trickling down to working stiffs. Lancaster's sporty duds showed a new, liberated look that would become the standard for men's casual wear for half a century (and counting), and DeCarlo, at the high-water mark of her career, looks as smashing in her slacks and barettes and print dresses as no woman has since. Siodmak catches the excitement of disposable cash in callused hands, but isn't condescending about it; but overzealous love for it, however unaccustomed, is still the root of all evils.

Another German expatriate like Siodmak, Franz Planer photographed the movie (and it's probably his finest hour, too). He shoots the armored truck from a vertiginous, almost abstract angle as it invades a huge industrial plant, or savors the shadows hurtling across its hood as it speeds across an ironwork trestle. Nor does the living scenery get short shrift - close-ups of both DeCarlo and Lancaster are voluptuous (and Duryea's especially fearsome).

As he was able to do in The Killers, Siodmak keeps the integrity of the script, never lightening the tone or taking refuge in sentimentality. The blend of crime and doomed romance, the tug-of-war between passion and self-interest, finds perfect balance here. Of course, it's the simplest and most infallible recipe for film noir. As DeCarlo says, `Love... love! You've got to watch out for yourself.' If only she'd said it a little sooner.

Was the above comment useful to you?
more (39 total)

Message Boards

Discuss this movie with other users on IMDb message board for Criss Cross (1949)
Recent Posts (updated daily)User
Questions on the Ending (SPOILER WARNING) wtl471629
Great shots of Downtown LA andrewgage
Great shots of Downtown LA andrewgage
Where's Raymond Burr in this Movie slgr7
Framing Dialogue sfulk
Tony Martinez Uncredited in Criss Cross mack-29
more

Recommendations

If you enjoyed this title, our database also recommends:
- - - - -
The Spider Returns Bonnie and Clyde Strangers on a Train On Her Majesty's Secret Service Waist Deep
IMDb User Rating:
IMDb User Rating:
IMDb User Rating:
IMDb User Rating:
IMDb User Rating:
Show more recommendations

Related Links

Full cast and crew Company credits External reviews
News articles IMDb Crime section IMDb USA section
Add this title to MyMovies

You may report errors and omissions on this page to the IMDb database managers. They will be examined and if approved will be included in a future update. Clicking the 'Update' button will take you through a step-by-step process.