A private eye escapes his past to run a gas station in a small town, but his past catches up with him. Now he must return to the big city world of danger, corruption, double crosses and duplicitous dames.
A police lt. is ordered to stop investigating deadly crime boss Mr. Brown, because he hasn't been able to get any hard evidence against him. He then goes after Brown's girlfriend who despises him, for information instead.
Romantic, obsessive Steve Thompson is drawn back to L.A. to make another try for Anna, his former wife. However, Anna belongs now to the L.A. underworld. Steve believes he can rescue her, ignoring the advice and warnings of people who would try to save him. He commits himself to a dangerous course of action that quickly takes everyone somewhere unintended. Written by
Lancaster's family home at 215 N Hill St was owned, designed and built by Octavius Morgan of the well-known architectural firm of Morgan & Walls. The six-flat building went up in 1906 and cost $12K. Morgan owned the two homes to the north too, Nos. 219 and 223. Running east west through the block, along side No. 223, is Lancaster Place. See more »
(at around 5 mins) As Mr. Lancaster is getting out of the armored truck, he pauses on the running board and looks around - as he does so, the side-view mirror pans across the film crew. See more »
This film looks great - a classic noir - but the story is dull and predictable. I'm sure this frustrated Robert Siodmak as he can never really make the film fire in the way that he did "The Killers". The other weak link is Yvonne De Carlo, who looks great but is never really convincing. Much better is Burt Lancaster, also looking great, but very convincing as the love-sick fool hero. And the supporting cast of hoods and odd-balls is interesting. Worthwhile, but not great - with an excellent finale.
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