A police lt. is ordered to stop investigating deadly crime boss Mr. Brown, because he hasn't been able to get any hard evidence against him. He then goes after Brown's girlfriend who despises him, for information instead.
Struggling artist Geoffrey Carroll meets Sally whilst on holiday in the country. A romance develops but he doesn't tell her he's already married. Suffering from mental illness, Geoffreyy ... See full summary »
Romantic, obsessive Steve Thompson is drawn back to L.A. to make another try for Anna, his former wife. However, Anna belongs now to the L.A. underworld. Steve believes he can rescue her, ignoring the advice and warnings of people who would try to save him. He commits himself to a dangerous course of action that quickly takes everyone somewhere unintended. Written by
Yvonne de Carlo is tooling at a piano as Burt Lancaster sits near her. She is playing, "I'll Remember April," which debuted in the 1942 Abbott and Costello comedy, "Ride 'Em Cowboy," and was sung by Dick Foran. Both were Universal Movies. See more »
In the hospital room, in the mirror off Stephen McNally's right shoulder, someone is moving about. Also, when the camera cuts back to him, he is positioned to permit the entire mirror to be visible. See more »
Det. Lt. Pete Ramirez:
I should have been a better friend. I shoulda stopped you. I shoulda grabbed you by the neck, I shoulda kicked your teeth in. I'm sorry Steve.
See more »
As usual in a movie directed by Robert Siodmark there are striking compositions and some really tense moments in this sombre tale of cross, double-cross and revenge in a botched armored car robbery.Some convincing location scenes give us an authentic look at 1940's Los Angeles.
Burt Lancaster more or less reprises his role in THE KILLERS as an honest guy led astray by a beautiful woman. Yvonne DeCarlo doesn't quite hack it as the femme fatale but Siodmark makes the most of her looks and there is a well edited sequence of her dancing in a night club. (An un-billed Tony Curtis is her partner).Minor characters, the hoods, bartenders etc are well cast and there are good performances by those two stalwarts of 1940's movies Stephen Mcnally and Dan Duryea.
The story line is rather ragged and there are a few plot loop holes but the action when it comes is well handled.
Doesn't rank with THE KILLERS but it's an interesting look at a heist movie before they became cliches. You can see harbingers of future similar movies like THE ASPHALT JUNGLE, THE KILLING, RIFIFI etc.
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