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Come to the Stable (1949)

Passed  |   |  Drama  |  September 1949 (USA)
7.3
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Ratings: 7.3/10 from 701 users  
Reviews: 14 user | 8 critic

Two nuns from a French convent arrive in a small New England town with a plan to build a children's hospital. They enlist the help of several colorful characters in achieving their dream ... See full summary »

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Title: Come to the Stable (1949)

Come to the Stable (1949) on IMDb 7.3/10

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Nominated for 7 Oscars. Another 2 nominations. See more awards »
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Cast

Complete credited cast:
...
...
...
...
...
Dorothy Patrick ...
Basil Ruysdael ...
The Bishop
...
Anthony James
...
Monsignor Talbot
...
Sam
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Storyline

Two nuns from a French convent arrive in a small New England town with a plan to build a children's hospital. They enlist the help of several colorful characters in achieving their dream including a struggling artist, a popular composer, and a renowned racketeer. Written by Daniel Bubbeo <dbubbeo@cmp.com>

Plot Summary | Add Synopsis

Taglines:

Laughs To Make Your Heart Ring Out With Joy !

Genres:

Drama

Certificate:

Passed | See all certifications »
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Details

Country:

Language:

|

Release Date:

September 1949 (USA)  »

Also Known As:

...und der Himmel lacht dazu  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

"Lux Radio Theater" broadcast a 60 minute radio adaptation of the movie on April 3, 1950 with Loretta Young and Hugh Marlowe reprising their film roles. See more »

Goofs

After the tennis match, Sister Scholastica calls Mrs. Thomson-Cooper "Mademoiselle" instead of the correct "Madame" for a married woman. See more »

Quotes

Robert Masen: I seem to recall the city wanting to build a playground in your neighborhood. And the moment you heard about it, you went around ringing doorbells, trying to get people to sign a petition against it.
Al Newman: Yeah, but... well, that was different.
Robert Masen: Different, yeah, because it happened to *you*.
Mr. Buzz Thompson-Cooper: It is rather a bit different, Bob. One must consider the humanitarian aspects, mustn't one?
Robert Masen: One must, and I have. Look, supposing you'd worked all your life, hoping some day to be able to build a place in the ...
[...]
See more »

Connections

Featured in A Hollywood Christmas (1996) See more »

Soundtracks

My Bolero
Written by Jimmy Kennedy & Nat Simon
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User Reviews

When nuns wore habits - and makeup!
22 April 2005 | by (Portland, Oregon) – See all my reviews

I saw this charming, slickly produced film as a young parochial grammar school kid at a theater in downtown Boston (near where my family lived at the time) and remember being tremendously amused at the scene where the two sisters, played by Loretta and Celeste (saddled with having to approximate a French accent), blithely tore up a parking ticket, placed on the windshield of their borrowed open WW II-era Jeep, thinking it was just an advertisement. Sister Celeste tosses the pieces into the air as they drive off from in front of New York's St. Patrick Cathedral where they'd illegally parked. (I doubt that she felt obliged to confess that little venial sin, do you?) There's a lot more to be amused and entertained by, of course, and the behind-the-camera artisans, as well as the well-chosen actors, especially Hugh Marlowe and Elsa Lanchester as well as Misses Young and Holm, all contributed some very professional work. Henry Koster, the director, was an old hand at keeping a project such as this from slipping entirely into a bath of over-the-top sentimentality.

So much has changed since those somewhat more innocent times and a gentle story such as this, with two ladies encased in those heavy, enveloping habits (with only their perfectly made-up faces visible to the world, by the way), is almost inconceivable today. See it and be transported back to a time when goodness, sincerity, and religious beliefs that don't descend into fanaticism were the order of the day, at least in Hollywood movies aimed at the family trade.

One interesting little tidbit: in one scene Hugh Marlowe's character (a song writer) sings the Academy Award-nominated song, "Through a Long and Sleepless Night" (which didn't win - and you'll hear why), and his singing voice was dubbed by Ken Darby, who was chiefly responsible for directing most of the choral work in many of Twentieth's films for many years. I have a suspicion that Mr. Darby probably rejected quite a few male candidates who wanted to join the Fox studio's choir if they didn't sound any better than he did!


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