Because aging boxer Bill Thompson always lost his past fights, his corrupt manager, without telling Thompson, takes bribes from a betting gangster, to ensure Thompson's pre-arranged dive-loss in the next match.
Charley Davis wins an amateur boxing match and is taken on by promoter Quinn. Charley's mother doesn't want him to fight, but when Charley's father is accidentally killed, Charley sets up a... See full summary »
When powerful publishing tycoon Earl Janoth commits an act of murder at the height of passion, he cleverly begins to cover his tracks and frame an innocent man whose identity he doesn't ... See full summary »
Midge Kelly, hitchhiking west with lame brother Connie, is hustled unprepared into a pro boxing match. Though he's severely beaten, manager Tommy Haley finds him promising. Arrived in California, Midge and Connie find nothing but a menial job from which Midge gets relief by seducing Emma, a lovely young waitress. One shotgun marriage later, ambitious Midge falls back on the only option he knows: boxing. Seduced by cheering crowds, money, and a succession of blondes, Midge becomes more and more of a hero in public...and a heel in private. Written by
Rod Crawford <firstname.lastname@example.org>
"The Screen Guild Theater" broadcast a 30 minute radio adaptation of the movie on October 13, 1949 with Kirk Douglas and Marilyn Maxwell reprising their film roles. See more »
Midge mangles the sculpture that Palmer has made of him, twisting the head out of alignment. In next shot, the head of statue is back in its original location. See more »
Why did you do it? Because you were bored? Did you have to prove to yourself you're really the champion? You stink! You stink from corruption! You're worse than a murderer. You're a grave robber!
[Midge knocks him down]
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I liked this movie for many reasons--the acting, the writing and probably most of all because it strips away the clichés of most boxing films and exposes it for the ugly sport that it is. While there were several exceptional anti-boxing films (REQUIUM FOR A HEAVYWEIGHT, THE HARDER THEY FALL and THE SET-UP), this one is the most dramatic, unflinching in its violence and features the most amoral and dislikable lead you'll ever find. Kirk Douglas was just great as the smooth-talking but totally self-absorbed boxer who was "the Champion". While in some films his larger than life persona might not work so well, Douglas' talents were exactly what this film needed and this film rightfully made him famous. In addition to his acting, I really think the next biggest star of the film were the makeup artists who managed to make Douglas look as if he'd been pulverized. Following his final bout, in particular, he appears to have had his face beaten to a pulp--and it's not easy to achieve that sort of look. The third star was the unflinching and exceptional script--it didn't pull any punches and gives a wonderful portrait of a horrible person who makes it to the top of his game by walking on everyone who he comes across. This great film is best described as a Film Noir boxing film and is strongly recommended (unless you have a weak stomach). In addition, all the above mentioned movies would be excellent viewing. Unlike GOLDEN BOY and KID GALLAHAD, these films de-glamorize a sick and dangerous "sport" and seek to deconstruct the clichéd image of the boxing hero.
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