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Midge Kelly, hitchhiking west with lame brother Connie, is hustled unprepared into a pro boxing match. Though he's severely beaten, manager Tommy Haley finds him promising. Arrived in California, Midge and Connie find nothing but a menial job from which Midge gets relief by seducing Emma, a lovely young waitress. One shotgun marriage later, ambitious Midge falls back on the only option he knows: boxing. Seduced by cheering crowds, money, and a succession of blondes, Midge becomes more and more of a hero in public...and a heel in private. Written by
Rod Crawford <firstname.lastname@example.org>
Riveting role for Douglas, unrealistic boxing scenes.
Douglas must have felt this film was his big chance at a starring role. His intensity is bruising and as riveting as Cagney in 'White Heat' or Pacino in 'Scarface'. Imagine what Kirk Douglas would have done with the part of Gordon Gekko in 'Wall Street'!
I was disappointed that the character Midge Kelly was never convincing as a skilled boxer. He never slips a single punch, never shows any footwork, never shows any combinations. In the training sequences you see him skip roping expertly with speed & timing, but whenever he gets in the ring he just walks straight toward his opponent with no bobbing or weaving, taking 2 or 3 hits to deliver 1. In a real fight he would have been taken out in the first round.
I noticed that early in the movie before Midge becomes a boxer, he gets in the ring out of desperation for some quick money and gets beaten badly. The boxer who skillfully beats him to a pulp looks very much like Courtland Shepard, who played boxer Tony Zale vs Paul Newman's Rocky Graziano in 'Somebody Up There Likes Me' Unfortunately, this boxer-actor, who actually has a spoken line, is never credited.
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