Charley Davis wins an amateur boxing match and is taken on by promoter Quinn. Charley's mother doesn't want him to fight, but when Charley's father is accidentally killed, Charley sets up a... See full summary »
Eugene O'Neill's updated version of the Orestaia. In New England, after the American Civil War, a war-weary Agamem--er, Ezra Mannon comes home to his unhappy wife (Christine) and loving ... See full summary »
A frustrated former big-city journalist now stuck working for an Albuquerque newspaper exploits a story about a man trapped in a cave to re-jump start his career, but the situation quickly escalates into an out-of-control circus.
This first movie version of the Tennessee Williams play about a faded, aging Southern belle, her shy, crippled daughter and her "selfish dreamer" of a son more or less sticks to the ... See full summary »
After County Attorney Dave Connors helps Julian Norman with her shiftless father, Jefferson Norman, she leaves Jericho, Kansas to college to study for a law degree.A few years later, ... See full summary »
In North Africa during World War II, Sergeant Larry Nevins is blinded by a German sniper's bullet. Rehabilitation at the military hospital presents many challenges, but accepting his ... See full summary »
Midge Kelly, hitchhiking west with lame brother Connie, is hustled unprepared into a pro boxing match. Though he's severely beaten, manager Tommy Haley finds him promising. Arrived in California, Midge and Connie find nothing but a menial job from which Midge gets relief by seducing Emma, a lovely young waitress. One shotgun marriage later, ambitious Midge falls back on the only option he knows: boxing. Seduced by cheering crowds, money, and a succession of blondes, Midge becomes more and more of a hero in public...and a heel in private. Written by
Rod Crawford <firstname.lastname@example.org>
Hal March, a popular 50s stage, film and TV personality, is seen here, as a mob enforcer meeting out punishment against Midge Kelly (Kirk Douglas) for Kelly's failure to "throw" a fight. March would later be implicated in a real life "fix", as he was host of the popular but ill fated TV quiz show "The $64,000 Questiion"(1955-57). This quiz show was cited in the 50s "Quiz Show Scandal", where some former contestants testified under oath that they were given information pertaining to the questions that they may be asked, in advance of their appearances on the show. See more »
Midge mangles the sculpture that Palmer has made of him, twisting the head out of alignment. In next shot, the head of statue is back in its original location. See more »
You know what a "Golem" is? I think I knew all the time I was building one.
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I liked this movie for many reasons--the acting, the writing and probably most of all because it strips away the clichés of most boxing films and exposes it for the ugly sport that it is. While there were several exceptional anti-boxing films (REQUIUM FOR A HEAVYWEIGHT, THE HARDER THEY FALL and THE SET-UP), this one is the most dramatic, unflinching in its violence and features the most amoral and dislikable lead you'll ever find. Kirk Douglas was just great as the smooth-talking but totally self-absorbed boxer who was "the Champion". While in some films his larger than life persona might not work so well, Douglas' talents were exactly what this film needed and this film rightfully made him famous. In addition to his acting, I really think the next biggest star of the film were the makeup artists who managed to make Douglas look as if he'd been pulverized. Following his final bout, in particular, he appears to have had his face beaten to a pulp--and it's not easy to achieve that sort of look. The third star was the unflinching and exceptional script--it didn't pull any punches and gives a wonderful portrait of a horrible person who makes it to the top of his game by walking on everyone who he comes across. This great film is best described as a Film Noir boxing film and is strongly recommended (unless you have a weak stomach). In addition, all the above mentioned movies would be excellent viewing. Unlike GOLDEN BOY and KID GALLAHAD, these films de-glamorize a sick and dangerous "sport" and seek to deconstruct the clichéd image of the boxing hero.
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