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Texas Ranger Jake Cutter arrests gambler Paul Regret, but soon finds himself teamed with his prisoner in an undercover effort to defeat a band of renegade arms merchants and thieves known as Comancheros.
At 73, France's ex-president, Emile Beaufort, faces declining health, but he still plays a vigorous role behind the scenes as a philosopher and, potentially, as a power broker. In ... See full summary »
Drifter Sam Bass shows up in Denton, Texas (soon to host a great horse race) looking for work. Before long, he attracts the attention of pretty storekeeper Katherine Egan (the sheriff's sister) and that wild frontiers woman, Calamity Jane. Circumstances make Sam richer by a very fast race horse. But his seemingly good luck with horses and women leads him to disaster. Will he be forced into a life of crime? Written by
Rod Crawford <firstname.lastname@example.org>
Calamity Jane and Sam Bass were both in Deadwood, South Dakota in 1876 and 1877, when they were in their 20's, but there is nothing to show that the two ever met and the rather flimsy plot of this film has little or no relation to reality. Sam Bass (born on July 21, 1851) ran away from home and eventually got to San Antonio, Texas. He drove cattle to Kansas, moved on to Deadwood, and held up the Deadwood stage seven times. On September 19, 1877 he robbed the Union Pacific train at Big Springs, Nebraska, got away and returned to Texas. He was shot during an aborted bank robbery in Round Rock, Texas and died the next day, on his birthday, July 21, 1878. When her family moved west, Martha Jane "Calamity Jane" Cannary (born May 1, 1852) eventually settled in Deadwood, South Dakota, where she became friendly with Wild Bill Hickok and later claimed to have borne his child. Hickok was killed during a poker game on August 2, 1876. Jane died in Terry, South Dakota on August 1, 1903, allegedly saying, "Bury me beside Wild Bill - the only man I ever loved." See more »
I've never seen anybody take to anything the way you have a gun. A man would think you've been shooting all your life.
It's just like anything else. Decide where you want to go, then get there the best way you can.
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This is largely an unremarkable little film, with mostly wooden performances typical of the time in which it was made, but it does show how easy it is for a man to take the wrong turning through no fault of his own, when circumstances beyond his control provide no other option.
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