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Bubble Bee (1949)

6.6
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Pluto is playing with a ball in the park when he mistakes a bubble gum machine for it. He tries briefly to get a gumball from the machine when a bee flies into the machine and carries a ... See full summary »

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(as Charles Nichols)

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(story), (story)
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Title: Bubble Bee (1949)

Bubble Bee (1949) on IMDb 6.6/10

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Cast

Credited cast:
Pinto Colvig ...
Pluto (voice)
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Storyline

Pluto is playing with a ball in the park when he mistakes a bubble gum machine for it. He tries briefly to get a gumball from the machine when a bee flies into the machine and carries a gumball off to his hive. Pluto goes after the hive and knocks it down; it's full of gumballs, which he eagerly scoops up and begins chewing. The bee returns and is understandably upset; he tracks down Pluto, but Pluto manages to defend himself with gum bubbles for quite a while. The bee manages to wrap the gum from one bubble around Pluto's legs, hobbling him. Finally, the bee flies into Pluto's mouth; Pluto blows a giant bubble around the bee. Written by Jon Reeves <jreeves@imdb.com>

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Release Date:

24 June 1949 (USA)  »

Also Known As:

Pluto et le bourdon  »

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Runtime:

Sound Mix:

(RCA Sound System)

Color:

(Technicolor)

Aspect Ratio:

1.37 : 1
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User Reviews

 
The Pup's Gummed Up
17 April 2003 | by (Forest Ranch, CA) – See all my reviews

A Walt Disney PLUTO Cartoon.

Pluto and a persistent bee engage in a vigorous struggle over the control of some purloined bubble gum balls.

While breaking no new ground, BUBBLE BEE is still an enjoyable little film. This was the second of seven cartoons, produced by Disney between 1948 & 1952, to feature Buzz-Buzz the bee, usually as an antagonist for Donald Duck.

Walt Disney (1901-1966) was always intrigued by pictures & drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew comic figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that childlike simplicity of message and lots of hard work always pay off.


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