A young writer goes to Wiesbaden to write about gambling and gamblers, only to ultimately become a compulsive gambler himself. Losing all his wealth, as well as his moral fibre, he commits ... See full summary »
When powerful publishing tycoon Earl Janouth commits an act of murder at the height of passion, he cleverly begins to cover his tracks and frame an innocent man, whose identity he doesn't ... See full summary »
In pursuit of stolen aircraft engines on a Central American island, federal agent Rigby meets chief suspect Hintten and his wife Elizabeth, a sultry cafe singer; and is watched by Bealer, a "pie-shaped man" with sore feet. Rigby knows he's on the right track when Bealer offers him money to leave Carlota. When Rigby and Elizabeth are drawn to each other, the gang realizes there's more than one kind of bribe. Everybody sweats. Written by
Rod Crawford <firstname.lastname@example.org>
"The Bribe" is one of the forties film noir entries, and I love it! Top stars of the era include Robert Taylor, Ava Gardner, Charles Laughton, and Vincent Price. It is a story of an honest cop, Rigby played with remarkable insight, by Robert Taylor, who falls in love with a suspect (Ava Gardner), and can't make up his mind on if she is guilty or innocent. John Hodiak is the husband, who is a former fly boy turned crook. Charles Laughton is at his sinister best as the "pie shaped man" who is hired by Vincent Price to pay off Rigby. Laughton dogs Rigby, knowing that he is in love with Gardner, till he caves in and decides to take a bribe to save his love. As in many film noir, only Taylor's last name is used, we never know Rigby's first name, interesting. Taylor is very convincing as a man torn between love and honor. He is so conflicted, that you feel sorry for him, wishing that Ava would just run away with him before he turns crook himself. She drugs him and makes sure he can't stop the crooks, but he recovers, and confronts her, not realizing the trouble she is in herself. In the end, love and honor conquer all. There is a spectacular fireworks ending, that is reminiscent of "Ride the Pink Horse." All in all the love scenes are sincere, probably because Taylor and Gardner were having an affair at the time of filming, despite the fact that Taylor was very married to Barbara Stanwyck. Quintessential film noir.
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