| Jack Warner | ... | Governor | |
| Richard Attenborough | ... | Jackie Knowles | |
| Dirk Bogarde | ... | Alfie Rawlins | |
| Jimmy Hanley | ... | Bill Foster | |
| Barbara Murray | ... | Kitty Hurst | |
| Patrick Holt | ... | Tigson | |
| Andrew Crawford | ... | Casey | |
| Thora Hird | ... | Mrs. Knowles | |
| Graham Payn | ... | Plato Cartwright | |
| Michael Medwin | ... | Alf 'Sparrow' Thompson | |
| John Blythe | ... | 'Bossy' Phillips | |
| Alfie Bass | ... | 'Basher' Walker | |
| Stanley Escane | ... | Bert | |
| Robert Desmond | ... | Spud Parker | |
| Martin Tiffen | ... | Dusty | |
| Philip Stainton | ... | Principal Prison Officer | |
| Cyril Chamberlain | ... | Mr. Johnson | |
| Tony Quinn | ... | Mr. Knight | |
| Elspeth March | ... | Mrs. Smith | |
| Frederick Leister | ... | Judge | |
| rest of cast listed alphabetically: | |||
| Ronald Adam | ... | Judge (uncredited) | |
| John Clifford | ... | Mr. Smith (uncredited) | |
| Frank Coburn | ... | Holdup Man (uncredited) | |
| Clive Dunn | ... | Holdup Man (uncredited) | |
| Charles Farrell | ... | Mr. Sykes (uncredited) | |
| Philip Hillman | ... | Sykes Jr. (uncredited) | |
| Rose Howlett | ... | Mrs. Sykes (uncredited) | |
| James Knight | ... | Prison Officer (uncredited) | |
| Robert Moore | ... | Gym Instructor (uncredited) | |
| Harry Terry | ... | Borstal Master (uncredited) | |
| John Warren | ... | Signalman (uncredited) | |
| Ben Williams | ... | Borstal Master (uncredited) | |
Directed by | |||
| Montgomery Tully | |||
Writing credits(in alphabetical order) | ||
| Reginald Beckwith | play | |
| Montgomery Tully | writer | |
Produced by | |||
| Antony Darnborough | .... | producer | |
Original Music by | |||
| Doreen Carwithen | |||
Cinematography by | |||
| Cyril Bristow | |||
| Gordon Lang | |||
Film Editing by | |||
| James Needs | |||
Casting by | |||
| Weston Drury Jr. | (uncredited) | ||
Production Design by | |||
| Douglas Daniels | |||
Art Direction by | |||
| Gilbert Chapman | |||
| Roy Oxley | (uncredited) | ||
Costume Design by | |||
| Yvonne Caffin | |||
Makeup Department | |||
| Biddy Chrystal | .... | hair stylist (uncredited) | |
| June Robinson | .... | assistant hair stylist (uncredited) | |
| Tony Sforzini | .... | studio makeup (uncredited) | |
Production Management | |||
| Jack Hicks | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Gerry O'Hara | .... | assistant director (as Gerald O'Hara) | |
| Peter Manley | .... | second assistant director (uncredited) | |
| Bert Marotta | .... | second assistant director (uncredited) | |
Art Department | |||
| Vernon Dixon | .... | set dresser (uncredited) | |
| Bert Gaiters | .... | property master (uncredited) | |
Sound Department | |||
| Reg Barnes Heath | .... | sound recordist (as R. Barnes-Heath) | |
| Gordon K. McCallum | .... | sound mixer | |
| Fred Hughesdon | .... | sound maintenance (uncredited) | |
| Gus Lloyd | .... | boom operator (uncredited) | |
| Robert T. MacPhee | .... | boom operator (uncredited) | |
| Dudley Messenger | .... | sound mixer (uncredited) | |
| C.C. Stevens | .... | sound supervisor (uncredited) | |
| Leonard Trumm | .... | dubbing editor (uncredited) | |
Special Effects by | |||
| Syd Howell | .... | back projection (uncredited) | |
Visual Effects by | |||
| Charles Staffell | .... | process projection | |
| Syd Howell | .... | process projection (uncredited) | |
Camera and Electrical Department | |||
| Ronnie Taylor | .... | camera operator (as Ronald Taylor) | |
| Derek V. Browne | .... | focus puller (uncredited) | |
| Harry Gillard | .... | still photographer (uncredited) | |
| John Morgan | .... | clapper loader (uncredited) | |
| Richard Robinson | .... | focus puller (uncredited) | |
Costume and Wardrobe Department | |||
| Dorothy Edwards | .... | wardrobe mistress (uncredited) | |
| Bob Rayner | .... | wardrobe supervisor (uncredited) | |
Music Department | |||
| Marcus Dods | .... | musical director | |
Other crew | |||
| Arthur Alcott | .... | production controller | |
| John Defries | .... | production planner | |
| Kenneth K. Rick | .... | location manager (as Ken Rick) | |
| Pamela Carlton | .... | continuity (uncredited) | |
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| Scum | Borstal Boy | Scum | The Loneliness of the Long Distance Runner | The Offence |
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| Full cast and crew | Company credits | External reviews |
| IMDb Crime section | IMDb UK section |
Of more interest than the average vapid 1940s British drama because it features so many prominent actors of the future, particularly Richard Attenborough. It is occasionally interesting, although unsubtle and fairly unsatisfying. Attenborough's early performing skills showed promise, although he also showed a tendency to overact. The script is dry, lame and unintelligent in most parts, and the direction isn't brilliant either. The characters are simplistic and don't get a chance to develop, while the plotlines have good intentions but are often ham-fisted - for example Bill is released from the borstal and gets work, but others are watchful and paranoid towards him because of his background; he therefore ends back inside, loses all hope and becomes involved in a break-out. It's hardly original or inspiring writing, is it?
Boys in Brown overall has the appearance of a cheap, production-line drama that was quickly made and probably more quickly forgotten. As a story it is sadly lacking. At times it seems as though this film was created merely as some kind of crude justification for borstals (reform schools-cum-prisons for teenage boys with criminal proclivities), to persuade a sceptical public that they were serving a useful function. I doubt any borstal would have been much like this one, however - the governor particularly is a progressive and benevolent liberal, while the boys themselves are victims of circumstance rather than aggressive social miscreants. When they plan a mass break-out from the borstal during a dramatic performance, a warder is assaulted and critically injured - however while the boys are overwhelmed with guilt and regret, the governor himself doesn't get overly concerned. Call me cynical but I doubt any borstal or its inmates would've been this warm and fuzzy.