Boston Blackie and his pal, The Runt, are ready to board a train for Florida when Blackie gets a telegram from his friend Arthur Manleder asking Blackie to go to Manleder's New York ... See full summary »
The last of fourteen "Boston Blackie" films starring Chester Morris released by Columbia Picturs from 1941 to 1949. See more »
When The Runt knocks out Les (again) and he, Blackie and Mei Ling leave the room and walk down the hall, the camera pushes forward to follow and then a moving shadow of the camera becomes visible on the boxes in the hall to the left. See more »
As usual, Blackie and Runt (oddly, NOT played by George E. Stone in this film) are at the wrong place at the wrong time and are accused of murder. However, as the film progressed, it was obvious that some deeper conspiracy was afoot. Stupidly, this conspiracy became unbelievably complicated--far more than common sense would dictate and you're left wondering why the thieves went to so much trouble. After all, after stealing diamonds and re-cutting them, why have all the complicated business involving the tour guide, the theater and the lady?! Also, the stunt doubles towards the end for the fight scene were just awful--making it pretty obvious that they were NOT the star fighting with a criminal.
While this movie is far from great, considering that it is much more original than many of the previous films in the series, it's a pretty good movie. Up until then, Chester Morris had played the title character in more than a dozen films in less than a decade and the scripts had become very repetitive and formulaic. Unfortunately, it still has Inspector Farraday AGAIN blaming Blackie for a crime--even though Blackie ALWAYS finds the real criminals by the end of EVERY film. But, apart from that, the film's change in locale (to Chinatown) is a welcome relief--thank goodness for SOME originality! What you think about this and other Blackie films probably does depend on how many you've seen. If you've only seen a few, this one is probably one of the lesser efforts but after seeing more than a couple, this is quite different.
By the way, in a very small scene you have a police lab scientist talking to Farraday about an analysis he did on a package of tea leaves. This lab man was very funny--too bad he was only briefly in the film, as he was sarcastic and offered a nice respite from the usual material.
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