| Ricardo Montalban | ... | Pablo Rodriguez | |
| George Murphy | ... | Jack Bearnes | |
| Howard Da Silva | ... | Owen Parkson | |
| James Mitchell | ... | Juan Garcia | |
| Arnold Moss | ... | Zopilote | |
| Alfonso Bedoya | ... | Cuchillo | |
| Teresa Celli | ... | Maria | |
| Charles McGraw | ... | Jeff Amboy | |
| José Torvay | ... | Pocoloco (as Jose Torvay) | |
| John Ridgely | ... | Mr. Neley | |
| Arthur Hunnicutt | ... | Clayton Nordell | |
| Sig Ruman | ... | Hugo Wolfgang Ulrich | |
| Otto Waldis | ... | Fritz | |
| rest of cast listed alphabetically: | |||
| Harry Antrim | ... | John MacReynolds (uncredited) | |
| Lita Baron | ... | Rosita (uncredited) | |
| Tony Barr | ... | Luis (uncredited) | |
| Robert Cabal | ... | Bracero (uncredited) | |
| Frank Conlan | ... | Postal Clerk (uncredited) | |
| Miguel Contreras | ... | Bracero (uncredited) | |
| David Cota | ... | Bracero (uncredited) | |
| George L. Derrick | ... | Bracero (uncredited) | |
| Joe Dominguez | ... | Bracero (uncredited) | |
| Gerald Echaverria | ... | The Padre (uncredited) | |
| Henry A. Escalante | ... | Mexican Sergeant (uncredited) | |
| Elias Gamboa | ... | Bracero (uncredited) | |
| Martin Garralaga | ... | Colonel Rafael Alvardo (uncredited) | |
| Fred Graham | ... | Leathercoat with motorcycle (uncredited) | |
| Gordon Harris | ... | Bandit (uncredited) | |
| Al Haskell | ... | Bracero (uncredited) | |
| Samuel Herrera | ... | Bracero (uncredited) | |
| Rozene Jones | ... | Señora (uncredited) | |
| Jack Lambert | ... | Chuck (uncredited) | |
| Mitchell Lewis | ... | Older Bracero (uncredited) | |
| Manuel López | ... | Mexican Lieutenant (uncredited) | |
| Knox Manning | ... | Narrator (voice) (uncredited) | |
| Paul Marion | ... | One-Armed Man (uncredited) | |
| Edwin Max | ... | Doc Bryler (uncredited) | |
| John McGuire | ... | Norson, Immigration Officer (uncredited) | |
| William 'Bill' Phillips | ... | Jim, the Signalman (uncredited) | |
| Jerry Riggio | ... | Bracero (uncredited) | |
| Charles Rivero | ... | Bracero (uncredited) | |
| Riley Sunrise | ... | Bandit (uncredited) | |
| Danilo Valente | ... | Bracero (uncredited) | |
| Lynn Whitney | ... | Bella Amboy (uncredited) | |
| Roque Ybarra | ... | Bracero (uncredited) | |
| Georgiana Young | ... | Woman (uncredited) | |
| Nedrick Young | ... | Happy (uncredited) | |
Directed by | |||
| Anthony Mann | |||
Writing credits | ||
| John C. Higgins | (screenplay) | |
| John C. Higgins | (story) and | |
| George Zuckerman | (story) | |
Produced by | |||
| Nicholas Nayfack | .... | producer | |
Original Music by | |||
| André Previn | (uncredited) | ||
Cinematography by | |||
| John Alton | |||
Film Editing by | |||
| Conrad A. Nervig | |||
Art Direction by | |||
| Cedric Gibbons | |||
| Hans Peters | |||
Set Decoration by | |||
| Edwin B. Willis | |||
Makeup Department | |||
| Jack Dawn | .... | makeup designer | |
Art Department | |||
| Ralph S. Hurst | .... | associate set decorator | |
Sound Department | |||
| Douglas Shearer | .... | recording supervisor | |
Music Department | |||
| André Previn | .... | musical director | |
| Robert Franklyn | .... | composer: additional music (uncredited) | |
| Robert Franklyn | .... | orchestrator (uncredited) | |
| Miklós Rózsa | .... | composer: stock music (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb USA section |
At the outset here, I have to ask, Who cares if this is a film noir or not? If not, does it detract from it? If it is, does that enhance it as a work of art? Of course it doesn't, the debate is arbitrary and nonsensical. It makes no difference. Film noir was not a concept until the 1960's anyway, so the discussion is not only irrelevant, it is decidedly un-academic.
First and foremost, 'Border Incident' is a miraculously involving, dynamic piece of cinema. The voice-overs in the beginning and the one at the end have dated really badly with their flag-waving patriotism and faux-documentary style, but the 75 minutes in the middle are riveting.
Ricardo Montalban and George Murphy are detectives, respectively Mexican and American, with a mission to protect the Mexican braceros, farm workers, who are smuggled over the border and robbed, murdered and dropped in the quicksand, when they come back with money in their pockets. They infiltrate themselves into the the band of cutthroats to stop the trafficking.
The theme is contemporary to us, to say the least. And the way the story is told is relentless, stylish and urgent. It is brilliantly shot, wonderfully lit and edited like no-one's business. And it is tough as nails, there is a gruesome scene involving some farm machinery ... I will not go into details, but you might want to put your kids to bed in time.
A truly great movie, pure cinema. And call it what you want, for all I care. Noir, western-noir, whatever.