Rosa Moline is bored with life in a small town. She loves Chicago industrialist Neil Latimer who has a hunting lodge nearby. Rosa squeezes her husband's patients to pay their bills so she can visit Chicago; her husband's patience is also tried: he tells her to go and never come back. Once there, Neil tells her he doesn't want her. Back home and pregnant, Neil shows up and now wants her. The caretaker at Neil's lodge threatens to reveal her pregnancy... Written by
Ed Stephan <email@example.com>
Nobody's as good as Bette when she's bad!
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Did You Know?
In some parts of the US the scene in which Rosa induces a miscarriage by jumping from an embankment were cut. See more
Prior to visiting lawyer's office, Rosa wipes off all her make-up, then is seen wearing bright lipstick during a close-up in waiting room, which immediately disappears for rest of scene. See more
You're somethin' for the birds, Rosa, somethin' for the birds.
And you're somethin' to make the corn grow tall!
The film begins after the opening credits with this warning title: This is the story of evil. Evil is headstrong - is puffed up. For our souls sake, it is salutory for us to view it in all it's ugly nakedness once in a while. Thus may we know how those who deliver themselves over to it end up like the scorpion, in a mad frenzy stinging themselves to eternal death. See more
Referenced in Queer as Folk: Episode #5.7
Music by Fred Fisher
Heard throughout as part of the background score See more