Rosa Moline is bored with life in a small town. She loves Chicago industrialist Neil Latimer who has a hunting lodge nearby. Rosa squeezes her husband's patients to pay their bills so she can visit Chicago; her husband's patience is also tried: he tells her to go and never come back. Once there, Neil tells her he doesn't want her. Back home and pregnant, Neil shows up and now wants her. The caretaker at Neil's lodge threatens to reveal her pregnancy... Written by
Ed Stephan <firstname.lastname@example.org>
She's a midnight gal in a nine o'clock town.
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Did You Know?
Is referenced in "Who's Afraid of Virginia Woolf?" Martha repeatedly asks George for the name of the movie where Bette Davis says, "What a dump!" See more
Near the end, as Rosa prepares to catch the Chicago train, the camera dollies backwards, away from her, and as it does, the equipment bangs into her closet door, causing the clothes hanging on it to sway back-and-forth. See more
Mrs. Moline, let's not start calling each other names. I got some fancy ones saved up just achin' to be used.
You get out of this house! No red Indian is gonna talk to me like that in my own house!
The film begins after the opening credits with this warning title: This is the story of evil. Evil is headstrong - is puffed up. For our souls sake, it is salutory for us to view it in all it's ugly nakedness once in a while. Thus may we know how those who deliver themselves over to it end up like the scorpion, in a mad frenzy stinging themselves to eternal death. See more
Referenced in M*A*S*H: Major Ego
For He's a Jolly Good Fellow
18th Century Folk Song See more