Rosa Moline is bored with life in a small town. She loves Chicago industrialist Neil Latimer who has a hunting lodge nearby. Rosa squeezes her husband's patients to pay their bills so she can visit Chicago; her husband's patience is also tried: he tells her to go and never come back. Once there, Neil tells her he doesn't want her. Back home and pregnant, Neil shows up and now wants her. The caretaker at Neil's lodge threatens to reveal her pregnancy... Written by
Ed Stephan <firstname.lastname@example.org>
She's a midnight gal in a nine o'clock town.
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Did You Know?
begged the studio to use 'Virginia Mayo' instead, saying, "She's good at those sorts of roles." See more
Prior to visiting lawyer's office, Rosa wipes off all her make-up, then is seen wearing bright lipstick during a close-up in waiting room, which immediately disappears for rest of scene. See more
Life in Loyalton is like sitting in the funeral parlor and waiting for the funeral to begin. No, it's like lying in a coffin and waiting for them to carry you out.
The film begins after the opening credits with this warning title: This is the story of evil. Evil is headstrong - is puffed up. For our souls sake, it is salutory for us to view it in all it's ugly nakedness once in a while. Thus may we know how those who deliver themselves over to it end up like the scorpion, in a mad frenzy stinging themselves to eternal death. See more
Referenced in Subway
Music by Fred Fisher
Heard throughout as part of the background score See more