7.2/10
1,648
25 user 16 critic

Beyond the Forest (1949)

Approved | | Drama, Film-Noir, Romance | 21 October 1949 (USA)
Rosa Moline is bored with life in a small town. She loves Chicago industrialist Neil Latimer who has a hunting lodge nearby. Rosa squeezes her husband's patients to pay their bills so she ... See full summary »

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Nominated for 1 Oscar. See more awards »
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Cast

Complete credited cast:
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Jenny
...
Sorren
Sarah Selby ...
Mildred Sorren
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Storyline

Rosa Moline is bored with life in a small town. She loves Chicago industrialist Neil Latimer who has a hunting lodge nearby. Rosa squeezes her husband's patients to pay their bills so she can visit Chicago; her husband's patience is also tried: he tells her to go and never come back. Once there, Neil tells her he doesn't want her. Back home and pregnant, Neil shows up and now wants her. The caretaker at Neil's lodge threatens to reveal her pregnancy... Written by Ed Stephan <stephan@cc.wwu.edu>

Plot Summary | Add Synopsis

Taglines:

She's a midnight gal in a nine o'clock town. See more »


Certificate:

Approved | See all certifications »
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Details

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Release Date:

21 October 1949 (USA)  »

Also Known As:

Rosa Moline  »

Filming Locations:

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Company Credits

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Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Is referenced in "Who's Afraid of Virginia Woolf?" Martha repeatedly asks George for the name of the movie where Bette Davis says, "What a dump!" See more »

Goofs

Near the end, as Rosa prepares to catch the Chicago train, the camera dollies backwards, away from her, and as it does, the equipment bangs into her closet door, causing the clothes hanging on it to sway back-and-forth. See more »

Quotes

Jenny: Mrs. Moline, let's not start calling each other names. I got some fancy ones saved up just achin' to be used.
Rosa Moline: You get out of this house! No red Indian is gonna talk to me like that in my own house!
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Crazy Credits

The film begins after the opening credits with this warning title: This is the story of evil. Evil is headstrong - is puffed up. For our souls sake, it is salutory for us to view it in all it's ugly nakedness once in a while. Thus may we know how those who deliver themselves over to it end up like the scorpion, in a mad frenzy stinging themselves to eternal death. See more »

Connections

Referenced in M*A*S*H: Major Ego (1978) See more »

Soundtracks

For He's a Jolly Good Fellow
18th Century Folk Song
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User Reviews

 
Not as bad as it sounds
15 August 2007 | by (United States) – See all my reviews

Many have blasted this film as pure camp, some without having even seen it, I'm sure. While this is no masterpiece, it really isn't that bad--it plays for the most part like a standard noirish "woman's film" from the forties. Since this sort of thing was Davis' specialty, she isn't particularly out of place here. Some of the dialog is dated and over the top, but not nearly so much as this film's detractors would have one believe. What truly stays in the mind is Bette's awful appearance--she's obviously too old to play the part of the small town sexpot, Rosa Moline. Beyond that, she's made to wear some awful black fright wig that makes her prematurely saggy face look positively witch like! As a romantic interest, she stretches our sense of credibility (however, I will allow for the fact that black Maria Montez type hair was probably thought sexy in those days-and she does grasp a sense of how a faded small town belle might try to put herself across, as she swaggers around with false bravado in her tight dresses and sexy ---- me shoes. All in all, not as bad as they say--the whole project probably shocked Davis herself (as well as quite a few critics who generally not kind to it) into realizing that her leading lady days were numbered. A strange career move in the lengthly career of a great, if misunderstood star.


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