On the sidewalks of the London theater district the buskers (street performers) earn enough coins for a cheap room. Charles, who recites dramatic monologues, sees that a young pickpocket, ... See full summary »
Antisocial Prof. Hammil's Remote Control device, which enables the user to take over any motor vehicle within 50 miles (!), is stolen by The Wizard, black-hooded mastermind, and his gang. Batman and Robin (who drive about in a standard convertible) must prevent the Wizard from obtaining diamonds, needed as fuel for the device, and rescue magazine photographer Vicki Vale from periodic perils. Where is the Wizard's base, reached only by remote controlled submarine? Which of several suspicious characters hides beneath the Wizard's hood? Written by
Rod Crawford <firstname.lastname@example.org>
Vicki Vale would become a common character in the Batman comics after this film. Bob Kane based her on Marilyn Monroe, whom he met during the film's banquet. See more »
When some of the remote-controlled cars are supposed to be run without drivers, the stuntman can be seen slumping low in the seat. See more »
Crime, striking our city night and day, is on the increase. Our undermanned police force is helpless to cope with the situation, but they have an ally - Batman - who with the faithful Robin, wages unending war against all criminals!
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There is not a better example of a typical 40's/50's cliffhanger matinée serial than this underbudgeted Batman entry. And, you're either going to embrace all it's flawed charms or not. There's no in between.
First,let me tell you where I'm coming from. I loved the Batman 60's TV program for all it's campiness, and I am still amazed at Burton's first Warner Bros. Batman blockbuster with Keaton/Nicholson which incredibly and masterfully convinced us to suspend disbelief and take the masked crusader seriously. The '49 Batman serial, while closer to the TV version, than the high budgeted movie spectacular, for me, is somewhere in between. The reason is, that I saw this serial for the first time as an 8 year old matinée movie goer in Florida during it's first release.
It was much different then, and I'm not convinced that in spite of the advancements in production values and special effects that it was any more fun or magical to be a movie kid today as it was in the 50's. We all see movies through our own set of filters and if your's are the Matrix and video games, you will probably not be a fan of Batman '49.
We were not blind or stupid, we saw the flaws and didn't care. We also saw the adventure and embraced it. For all it's lack of high production, this Batman and Robin was a whole lot of fun. And in running the VHS or DVD versions, I'm transported back to a simpler time, and, more importantly, am convinced that this example of matinée fare is typical of what my generation of baby boomers learned from the movies about right from wrong and good from evil.
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