Pran and Gopal are traveling in a convertible in the Indian countryside but the car breaks down. Near Satpur they come across a village and rest there for a few days. While there Gopal ... See full summary »
Pran and Gopal are traveling in a convertible in the Indian countryside but the car breaks down. Near Satpur they come across a village and rest there for a few days. While there Gopal meets with Neela, while Pran meets with Reshma, and the couples fall in love with each other. Gopal, who fancies himself a Casanova of sorts, has no qualms whatsoever of leaving Neela and going out with other women, while Pran is unable to get Reshma out of his mind. The two leave, promising to return during the monsoon season. While in the city, Pran is unable to make up his mind about returning to Reshma, and Gopal prefers the company of two dancing girls, Lily and Ruby, not knowing that Reshma is shortly to be married to Bholu, while Neela, on the verge of killing herself, is anxiously awaiting Gopal's return. Watch what happens when Bholu takes Reshma to the city. Written by
This was from the early days of Bollywood, when the film industry was just beginning to be just that and one of the first golden age classics. Barsaat was so popular that skinny Raj Kapoor established RK Studios on the back of its success, so without this film it might have been a different movie story in the 1950's.
How to sum up a 3 hour film the famous love triangle 2 brothers, Kapoor serious and Prem Nath out for a good time fall in love with the same woman, the beautiful 20 year old Nargis. The relationships have their ups and downs but ultimately alas! Cut into this are some iconic images of Nargis and many mesmerising songs from Shankar-Jaikashan in their debut, apparently all them sung by Lata although they let Mukesh in for a few minutes with Chhod Gaye Balaam (with some especially lovely moody photography here starting with Kapoor brooding at the piano). Favourite bit: Ab Mera Kaun Sahara with Nargis in a wistful and sorrowful vein and Lata displaying a marvellously steady vocal control.
If you have tears prepare to shed them at this unless you have a heart of stone or have seen too many modern movies! I've not seen either Barsaat 1995 or 2005 but I don't think they're re-makes, in any case I shouldn't have thought they'd be anywhere near as good as this was.
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