| Chishû Ryû | ... | Shukichi Somiya | |
| Setsuko Hara | ... | Noriko Somiya | |
| Yumeji Tsukioka | ... | Aya Kitagawa | |
| Haruko Sugimura | ... | Masa Taguchi | |
| Hohi Aoki | ... | Katsuyoshi | |
| Jun Usami | ... | Shôichi Hattori | |
| Kuniko Miyake | ... | Akiko Miwa | |
| Masao Mishima | ... | Jo Onodera | |
| Yoshiko Tsubouchi | ... | Kiku | |
| Yôko Katsuragi | ... | Misako | |
| Toyo Takahashi | ... | Shige (as Toyoko Takahashi) | |
| Jun Tanizaki | ... | Seizô Hayashi | |
| Ichirô Shimizu | ... | Takigawa's master | |
| Yôko Benisawa | ... | Teahouse Proprietress | |
| Manzaburo Umewaka | ... | Shite | |
| Nobu Nojima | ... | Waki | |
| Ichiro Kitamura | ... | Little drum | |
| Haruo Yasufuku | ... | Big drum | |
| Soichi Konparu | |||
| Tadaichi Aoki | ... | Prompter | |
| Nagahiro Yoshida | |||
| Seiju Kanze | ... | Nô chorus | |
| Shintaro Umewaka | ... | Nô chorus | |
| Shizuo Kanze | ... | Nô chorus | |
| Seiji Toda | ... | Nô chorus | |
| Kozo Fukuda | ... | Nô chorus | |
| Shinichiro Takayama | ... | Nô chorus | |
| Seinosuke Ishida | ... | Nô chorus | |
| Yutaka Aoki | ... | Nô chorus | |
| Kinzo Hasegawa | ... | Nô chorus | |
| Gazan Hasegawa | ... | Nô chorus | |
| rest of cast listed alphabetically: | |||
| Mikuma Shimada | ... | Flute | |
Directed by | |||
| Yasujirô Ozu | |||
Writing credits | ||
| Kazuo Hirotsu | (based on the novel "Chichi to musume" by) | |
| Kôgo Noda | (screenplay) and | |
| Yasujirô Ozu | (screenplay) | |
Produced by | |||
| Takeshi Yamamoto | .... | producer | |
Original Music by | |||
| Senji Itô | |||
Cinematography by | |||
| Yûharu Atsuta | |||
Film Editing by | |||
| Yoshiyasu Hamamura | |||
Art Direction by | |||
| Tatsuo Hamada | |||
Set Decoration by | |||
| Mototane Komaki | |||
Costume Design by | |||
| Bunjiro Suzuki | |||
Makeup Department | |||
| Hisae Kakizawa | .... | hair stylist | |
| Toku Sakuma | .... | key hair stylist | |
| Kingorô Yoshizawa | .... | hair stylist | |
Production Management | |||
| Dai Watanabe | .... | executive in charge of production | |
Second Unit Director or Assistant Director | |||
| Buichi Saito | .... | assistant director | |
| Kôzô Tashiro | .... | assistant director | |
| Shôkichi Tsukamoto | .... | assistant director | |
| Kôzô Yamamoto | .... | assistant director | |
Art Department | |||
| Makoto Aihara | .... | assistant property master | |
| Masao Kumagai | .... | assistant art director | |
| Kakuzô Sasu | .... | assistant set designer | |
| Kintaro Yamamoto | .... | set designer | |
| Tetsuji Yamazaki | .... | assistant property master | |
Camera and Electrical Department | |||
| Akira Aomatsu | .... | assistant camera | |
| Seiji Inoue | .... | assistant photographer | |
| Haruo Isono | .... | gaffer | |
| Takashi Kawamata | .... | assistant photographer | |
| Takeo Matsuda | .... | assistant photographer | |
| Motoshige Oikawa | .... | assistant photographer | |
| Yoshiji Shagawa | .... | assistant photographer | |
| Shigeo Suzuki | .... | assistant camera | |
Editorial Department | |||
| Michiyo Haneta | .... | assistant editor | |
Other crew | |||
| Ryûji Hayashi | .... | film development | |
| Kôichi Nakamura | .... | photo printing | |
| Tayû Tajiri | .... | stage manager | |
| Masao Yagi | .... | stage manager | |
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| Arlington Road | Ikiru | Diary of a Country Priest | Away We Go | Australia |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Japan section |
This is my favorite Ozu film. I like to think that it is an homage to Italian Neorealism. But I'm mostly writing in defense against those who don't like Setsuko Hara's acting. First of all, whenever we western audience viewers critique someone's acting, the main argument is that it's not realistic.
Well, I would like to say that Hara did a very realistic portrayal of her character. The women of 1949 Japan had her mannerisms that we will probably find "annoying".
This is a difficult film for those who are not used to "Eastern" style of films. Especially ones from the 1940s. As long as we watch with an open mind, the theme of the film is as universal as it can get. Who knows? In 50 years, someone will make fun of Naomi Watts' acting in "21 Grams" deeming it unrealistic.