Late Spring
(1949)
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Late Spring
(1949)
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| Cast overview, first billed only: | |||
| Chishû Ryû | ... |
Shukichi Somiya
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| Setsuko Hara | ... |
Noriko Somiya
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Yumeji Tsukioka | ... |
Aya Kitagawa
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Haruko Sugimura | ... |
Masa Taguchi
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Hohi Aoki | ... |
Katsuyoshi
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Jun Usami | ... |
Shôichi Hattori
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Kuniko Miyake | ... |
Akiko Miwa
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Masao Mishima | ... |
Jo Onodera
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Yoshiko Tsubouchi | ... |
Kiku
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Yôko Katsuragi | ... |
Misako
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Toyo Takahashi | ... |
Shige
(as Toyoko Takahashi)
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Jun Tanizaki | ... |
Seizô Hayashi
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Ichirô Shimizu | ... |
Takigawa's master
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Yôko Benisawa | ... |
Teahouse Proprietress
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Manzaburo Umewaka | ... |
Shite
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Noriko is 27 years old and is still living with her father Somiya, a widower. Noriko just recovered from an illness she developed in the war, and now the important question pops up: when will Noriko start thinking about marriage? Everybody who is important in her life tries to talk her into it: her father, her aunt, a girlfriend. But Noriko doesn't want to get married, she seems extremely happy with her life. She wants to stay with her father to take care of him. After all, she knows best of his manners and peculiarities. But Noriko's aunt doesn't want to give up. She arranges a partner for her and thinks of a plan that will convince Noriko her father can be left alone. Written by Arnoud Tiele (imdb@tiele.nl)
"Late Spring" remains possibly Ozu's perfect depiction of postwar Japanese family life; this study of a widower (Chishu Ryu) and his unmarried daughter (Setsuko Hara) and the societal pressures to conform (they are happy with their lives, but all their friends and relatives think the daughter must get married) is full of subtle humor, gentle poignancy, and sharp insights. The ending, with the father left all alone, is devastating: it is difficult to express in words how the act of peeling an apple can be made to convey so much emotion, but Ozu's mastery is such that he is able to make this gesture seem as earth-shattering as the most special-effects laden action climax.