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Banshun (1949)
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Overview
Release Date:
21 July 1972 (USA) morePlot:
Noriko is 27 years old and still living with her widowed father. Everybody tries to talk her into marrying, but Noriko wants to stay taking care of her father. full summary | add synopsisAwards:
5 wins moreUser Comments:
A Master of understated elegance moreCast
(Credited cast)| Chishu Ryu | ... | Shukichi Somiya | |
| Setsuko Hara | ... | Noriko Somiya | |
| Yumeji Tsukioka | ... | Aya Kitagawa | |
| Haruko Sugimura | ... | Masa Taguchi | |
| Hohi Aoki | ... | Katsuyoshi | |
| Jun Usami | ... | Shuichi Hattori | |
| Kuniko Miyake | ... | Akiko Miwa | |
| Masao Mishima | ... | Jo Onodera | |
| Yoshiko Tsubouchi | ... | Kiku | |
| Yôko Katsuragi | ... | Misako | |
| Toyoko Takahashi | ... | Shige | |
| Jun Tanizaki | ... | Seizo Hayashi |
Additional Details
Parents Guide:
Add content advisory for parentsRuntime:
108 minCountry:
JapanLanguage:
JapaneseColor:
Black and WhiteAspect Ratio:
1.37 : 1 moreSound Mix:
MonoMOVIEmeter: 
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Discuss this title with other users on IMDb message board for Banshun (1949)| Recent Posts (updated daily) | User |
|---|---|
| radish peel? | blacksnapper |
| Agree with NK | jolieryoko |
| Why Noriko did not want to get married | cinenoir |
| Nietzsche | JohnBowling62 |
| Canīt wait... | pumpiniron75 |
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"Late Spring" (Japanese, 1949): Every time I see another Yasujiro Ozu film, I am more amazed and further impressed. As a director, he was a master of understated elegance. Think of him as a moving wood block print, or an extended Haiku poem. His images, symbols, photography, composition, editing, dialog, story they're all controlled to a masterful degree, and patiently lead you from one point to another. "Late Sprint" is the story about an older daughter who has never left her father. She is completely satisfied to stay at home caring for him (the mother died many years earlier). Everyone is concerned about her, applies pressure, and she resists. The father realizes it is he alone who might convince her to enter Life on new terms. Do NOT take Ozu's landscapes and city scenes as mere non-story scenery. Instead, watch for them to represent current conditions, emotions, and truths.