The film begins with a scene in which Barbara rings Leonora to tell her that something has happened to Chris. At this point, we don't know who Chris is or what has happened, only that he ...
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When successful business man Lee Warren suspects his wife is having an affair, he sets out find her lover, kill him, and make it look like suicide. Complications set in, when he finds out ... See full summary »
Barbara Vining is 17 years old and living with her family in a 1950s postwar English village. Her father, Henry, is a newspaper journalist and mother, Vi, a homemaker; her maiden aunt, ... See full summary »
An industrialist (Joseph Cotton) and a pianist (Joan Fontaine) meet on a trip and fall in love. Through a quirk of fate, they are reported dead in a crash though they weren't on the plane. ... See full summary »
Noel Coward's attempt to show how the ordinary people lived between the wars. Just after WWI the Gibbons family moves to a nice house in the suburbs. An ordinary sort of life is led by the ... See full summary »
The film begins with a scene in which Barbara rings Leonora to tell her that something has happened to Chris. At this point, we don't know who Chris is or what has happened, only that he has lost conciousness. The film then flashes back a year, to when the old friends Barbara and Leonora meet again after having lost contact for many years. Time has not strained their relationship it seems, and Barbara invites Leonora to her house a few days later to meet her husband. Her husband Chris, a pompous, austere psychologist, gets off to a bad start with Leonora. The two despise each other until one night when Barbara has to leave town to look after her mother. Because of this, she is unable to go to the play she had arranged to go with Leonora to. Chris reluctantly decides to go in place of Barbara, and the two hit it off and begin a relationship. Written by
Andy Prowse <email@example.com>
i've just seen the movie and i enjoyed it. one shouldn't expect the shooting and love scenes that are so common in today's movies, the film has a certain classical perfume. although the action lacks violent events and all the characters behave calmly, the tension is present always, especially through music and landscape, a constant feeling that something bad is about to happen. there are some beautiful moments of interior struggle which are not expressed through words but through the glowing eyes or shadows on NC's or Celia Johnson's face. the lines are poetical in the well-known NC style and the music is beautiful. the movie is intense and personal.
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