IMDb > Any Number Can Play (1949)

Any Number Can Play (1949) More at IMDbPro »

Overview

User Rating:
6.4/10   177 votes
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Director:
Mervyn LeRoy
Writers:
Richard Brooks (writer)
Edward Harris Heth (novel)
Contact:
View company contact information for Any Number Can Play on IMDbPro.
Release Date:
15 July 1949 (USA) more
Genre:
Drama more
Plot:
Gambling-house owner finds himself estranged from his wife and son. | add synopsis
Plot Keywords:
User Comments:
Even The House Loses If It Plays Long Enough more (8 total)

Cast

  (Cast overview, first billed only)

Clark Gable ... Charley Enley Kyng

Alexis Smith ... Lon Kyng
Wendell Corey ... Robbin Elcott
Audrey Totter ... Alice Elcott
Frank Morgan ... Jim Kurstyn
Mary Astor ... Ada
Lewis Stone ... Ben Gavery Snelerr
Barry Sullivan ... Tycoon
Marjorie Rambeau ... Sarah Calbern
Edgar Buchanan ... Ed
Leon Ames ... Dr. Palmer
Mickey Knox ... Pete Senta
Richard Rober ... Lew 'Angie' Debretti

William Conrad ... Frank Sistina
Darryl Hickman ... Paul Enley Kyng
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Additional Details

Parents Guide:
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Runtime:
112 min
Country:
USA
Language:
English
Color:
Black and White
Aspect Ratio:
1.37 : 1 more
Sound Mix:
Mono (Western Electric Sound System)
Certification:
Australia:G | Finland:K-16 | Sweden:15
Company:
Metro-Goldwyn-Mayer (MGM) more

Fun Stuff

Trivia:
There were two different (usually uncredited) character actors named William O'Brien - William H. O'Brien and William J. O'Brien - and they both appear in this film (uncredited) as gamblers. more
Movie Connections:
Featured in "Private Screenings: Child Stars" (2006) more

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User Comments

   (Comment on this title)
11 out of 11 people found the following comment useful.
Even The House Loses If It Plays Long Enough, 29 June 2007
9/10
Author: bkoganbing from Buffalo, New York

Believe it or not, Any Number Can Play was one of the few non-musicals produced by Arthur Freed over at MGM. To show you it was a Freed film, please note that the background music includes such Freed tunes as This Heart of Mine and Should I.

Richard Brooks who would soon get a big directing break in another Freed produced non-musical, Crisis, wrote a very fine story that Mervyn LeRoy directed with class and finesse. LeRoy got a stellar cast together and really mixed the ingredients well.

Clark Gable is perfect as an aging gambler with a lot on his plate. He's just been told by Dr. Leon Ames that he's got angina pectoris and for the sake of his health he'd better give up a very high stress profession. He's got a loving wife in Alexis Smith and a rebellious teenage son in Darryl Hickman who he barely knows. Living with them is her sister Audrey Totter and her husband Wendell Corey. Gable employs Corey at his gambling establishment where Corey does a little chiseling on the side and he's also into racketeers Richard Rober and William Conrad for some big bucks. They've got ideas how to cancel the debt. And Totter measures her own husband against Gable and finds Corey quite wanting.

That's just in his own household. Gable's got a lot of friends and enemies playing at his high class establishment which the police all know about, but do nothing because half the town's establishment is in the place on a given night. Such habitués might include Frank Morgan, Marjorie Rambeau, and Mary Astor a divorcée also carrying a huge torch for MGM's king.

The story involves all these issues and how they're resolved over one 36 hour period. What makes Any Number Can Play such a good film is that even the smallest characters do have their moments. Art Baker plays the owner of a country club where Hickman gets in a fight over his father. Note how in his brief moments, Baker tries oh so hard to keep Gable out of it when he discovers who Hickman is. Astor has only one real scene, but it's a beauty involving Gable having an angina attack and then with minimal dialog the two of them talking about a lost love of many years ago. Staged brilliantly, I might add.

One thing about Any Number Can Play that is frighteningly real are those angina attacks, remembering just how Gable died as the result of doing some very high stress stunt work on The Misfits. Absolutely eerie.

Any Number Can Play is one of Gable's best post World War II films and not to be missed by any of his fans. And if you're not a Clark Gable fan, you might become one after seeing this.

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