Jonesy and Lou are in Algeria looking for a wrestler they are promoting. Sergeant Axmann tricks them into joining the Foreign Legion, after which they discover Axmann's collaboration with ... See full summary »
Abbott and Costello are two window washers who are mistaken by Nick Craig, a bookie, as the messengers he sent for to pick up $50,000. Now the person he sent them to sent two of his men to ... See full summary »
Two volunteer firemen rescue a gold prospector from suicide. However, once they discover that the police mistakenly want them for murder, they travel with the prospector to Alaska to help ... See full summary »
Lester and Orville accidentally launch a rocket which is supposed to fly to Mars. Instead it goes to New Orleans for Mardi Gras. They are then forced by bank robber Mugsy and his pal Harry ... See full summary »
Harry and Willie buy the Edison Movie Studio in the year 1912 from Joseph Gorman, a confidence man. They follow Gorman to Hollywood where, as stunt men, they find him directing movies as Sergei Trumanoff and stealing the studio payroll.
When bookseller Buzz cons Diana into thinking fellow bookseller Stanley knows a great deal about Africa they are abducted and ordered to lead Diana and her henchmen to an African tribe. After encounters with lion tamers, giant apes and a wild river, Buzz returns to America. Stanley finds diamonds and buys the store they once worked for, hiring Buzz as its elevator operator. Written by
Ed Stephan <firstname.lastname@example.org>
This is a generally enjoyable Abbott and Costello comedy, with a light and often silly feel that nevertheless works well enough. Hillary Brooke adds an elegant presence as their antagonist, and the story makes relatively good use of its comic possibilities.
The plot has the kind of deliberately implausible setup that Bud and Lou usually handled well, as their two characters become part of an African expedition led by the scheming Brooke. Once there, there are plenty of lions and other beasts that get tangled up with the characters. Frank Buck and Clyde Beatty also appear as themselves, although they are mostly only incidental to the story.
Brooke and the Baer brothers, as her henchmen, make their end of things work well, and there are also some good moments from Shemp Howard and Joe Besser. Not all of the comedy ideas are of the same quality, but most of it works well enough as long as you don't take it too seriously.
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