The liberated daughter of a 1905 minister innocently starts a scandal.



(screenplay), (original story) | 1 more credit »


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Complete credited cast:
Pastor Andrew Sheldon
Tom Wade
Albert Sharpe ...
Dan Fletcher
Mrs. Lilly Sheldon
Mr. Steuben
Johnny Sands ...
Gene Sheldon
Mr. Eckert
Helen Hadley Hamilton
Carol Brannon ...
Bernice Eckert (as Carol Brannan)
Fred Beehouse
Josephine Whittell ...
Mrs. Eckert
Patti Brady ...
Sis Sheldon
Gregory Marshall ...
Mark Sheldon
Patsy Creighton ...
Sally Wilson


In 1905, teenaged Dinah Sheldon is an aspiring artist and budding suffragette. This is sufficiently scandalous, though her minister father takes a more lenient view. But her imaginative painting, showing a young male friend with exposed chest and (ahem) limbs, really blows the roof off. Written by Rod Crawford <>

Plot Summary | Add Synopsis


Comedy | Drama





Release Date:

19 April 1949 (USA)  »

Also Known As:

Baltimore Escapade  »

Company Credits

Production Co:

Show detailed on  »

Technical Specs


Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
See  »

Did You Know?


"The Screen Guild Theater" broadcast a 30 minute radio adaptation of the movie on March 30, 1950 with Shirley Temple reprising her film role. See more »


[first lines]
Narrator: [voice over narration] What could be more symbolic of America than the modern American schoolgirl? Intelligent, restrained, dignified and...
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User Reviews

Shirley Gets an Edge
30 July 2015 | by (Claremont,USA) – See all my reviews

Plot-- A reverend's 1905 family must find a way to adjust to the eldest daughter's instincts for equality at a time when women were denied many opportunities. Meanwhile, Dad may lose his chance to become a bishop because of town gossip over his daughter.

Looks like the misleading title and Shirley's rebellious upstart were meant to provide some edge to her squeaky-clean image. However, the results are what could be expected of the Temple brand—a wholesome little family drama, on the order of Father Knows Best. As daughter Dinah, Shirley manages to keep her feminist instincts within appealing bounds; at the same time, she defies confining norms placed on 1905 women. The rebellious context is carefully calibrated so as to be acceptable to 1949 audiences without offending the values of that later time. Note how in the movie Dinah's desire for women's suffrage is endorsed, but not her inclination for a career as a painter. That accords with norms of the late-40's when women still weren't expected to have careers. Careers would come later in the 1960's.

As Pastor Sheldon, Young is likably bland in the type role soon to define him. More importantly, as the voice of reason and church authority, he gives official approval to his daughter's actions. So the audience knows she's more than just rebellious— she's on the right track. On the other hand, too bad the studio didn't hire a more appealing swain than the dull- as-cement John Agar. But then he's certainly no competition for his then real life wife.

On the whole, the movie tells us more about Temple's career and the social norms of two historical periods than anything else. However, I'm still wondering how this revealing slice of fluff escaped from RKO's dream factory that was then turning out noirs by the dozen.

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