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Adam's Rib
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Adam's Rib (1949) More at IMDbPro »

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Adam's Rib (1949) -- AllTrailers.net - Trailer (Flash)

Overview

User Rating:
7.6/10   7,474 votes
MOVIEmeter: ?
Up 172% in popularity this week. See why on IMDbPro.
Director:
Writers:
Ruth Gordon (screenplay) and
Garson Kanin (screenplay)
Contact:
View company contact information for Adam's Rib on IMDbPro.
Release Date:
18 November 1949 (USA) more
Genre:
Tagline:
It Will Tickle Your Funny Bone ! more
Plot:
Domestic and professional tensions mount when a husband and wife work as opposing lawyers in a case involving a woman who shot her husband. full summary | full synopsis
Plot Keywords:
Awards:
Nominated for Oscar. Another 1 win & 3 nominations more
User Reviews:
Pleasant mid century skirmish in the sexual wars more (73 total)

Cast

  (in credits order) (verified as complete)

Spencer Tracy ... Adam Bonner

Katharine Hepburn ... Amanda Bonner
Judy Holliday ... Doris Attinger
Tom Ewell ... Warren Attinger
David Wayne ... Kip Lurie
Jean Hagen ... Beryl Caighn
Hope Emerson ... Olympia La Pere
Eve March ... Grace
Clarence Kolb ... Judge Reiser
Emerson Treacy ... Jules Frikke
Polly Moran ... Mrs. McGrath

Will Wright ... Judge Marcasson
Elizabeth Flournoy ... Dr. Margaret Brodeigh
rest of cast listed alphabetically:
Charles Bastin ... Young District Attorney (uncredited)
Joseph E. Bernard ... Mr. Bonner, Adam's Father (uncredited)
Madge Blake ... Mrs. Bonner, Adam's Mother (uncredited)
Harris Brown ... Court Attendant (uncredited)

David Clarke ... Roy (uncredited)
Harry Cody ... Criminal Attorney (uncredited)
Dick Cogan ... Reporter (uncredited)
Paul Cramer ... Stenographer (uncredited)
Bert Davidson ... Subway guard (uncredited)
Roger Davis ... Paul Hurlock (uncredited)
Janna DeLoos ... Mary, Maid (uncredited)
Sidney Dubin ... Bobby, Amanda's Assistant (uncredited)
Rex Evans ... Fat Man in Elevator (uncredited)
John Fell ... Adam's Assistant (uncredited)
Norman Field ... Courtroom Bailiff (uncredited)
Glen Gallagher ... Criminal Attorney (uncredited)
Danny Harvey ... Office Boy (uncredited)
Marvin Kaplan ... Court Stenographer (uncredited)
Kenner G. Kemp ... Man in Courtroom (uncredited)
Michael Kostrick ... Photographer (uncredited)
Nancy Laurents ... Photographer (uncredited)
Gracille LaVinder ... Police Matron (uncredited)
DeForrest Lawrence ... Adam's Assistant (uncredited)
Lester Luther ... Judge Poynter (uncredited)
George Magrill ... Subway Conductor (uncredited)
Dwight Martin ... Photographer (uncredited)
Louis Mason ... Lloyd, Elevator Operator (uncredited)
John Maxwell ... Court Clerk (uncredited)

David McMahon ... Reporter (uncredited)
Walter Merrill ... Undetermined Role (uncredited)
Frank Mills ... Juror (uncredited)
Ralph Montgomery ... Photographer (uncredited)
Anna Q. Nilsson ... Mrs. Poynter (uncredited)
James Nolan ... Dave (uncredited)
Tommy Noonan ... Reporter (uncredited)
Gil Patric ... Criminal Attorney (uncredited)
'Snub' Pollard ... Man in Courtroom (uncredited)
Dan Quigg ... Reporter (uncredited)
Tom Quinn ... Photographer (uncredited)
Paula Raymond ... Emerald, Kip's Girlfriend (uncredited)
William Self ... Benjamin Klausner, Jury Foreman (uncredited)
Will Stanton ... Taxicab Driver (uncredited)
Bert Stevens ... Courtroom Extra (uncredited)
Brick Sullivan ... Court Clerk (uncredited)
Arthur Tovey ... Courtroom Spectator (uncredited)
Ray Walker ... Photographer (uncredited)
Marjorie Wood ... Mrs. Marcasson (uncredited)
Wilson Wood ... Reporter (uncredited)
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Directed by
George Cukor 
 
Writing credits
Ruth Gordon (screenplay) and
Garson Kanin (screenplay)

Produced by
Lawrence Weingarten .... producer
 
Original Music by
Miklós Rózsa  (as Miklos Rozsa)
 
Cinematography by
George J. Folsey 
 
Film Editing by
George Boemler 
 
Art Direction by
William Ferrari 
Cedric Gibbons 
 
Set Decoration by
Edwin B. Willis 
 
Makeup Department
Jack Dawn .... makeup creator
Sydney Guilaroff .... hair styles designer
 
Second Unit Director or Assistant Director
Joel Freeman .... assistant director (uncredited)
Jack Greenwood .... assistant director (uncredited)
 
Art Department
Henry Grace .... associate set decorator (as Henry W. Grace)
 
Sound Department
Douglas Shearer .... recording supervisor
Douglas Shearer .... sound recordist (uncredited)
 
Special Effects by
A. Arnold Gillespie .... special effects
 
Costume and Wardrobe Department
Walter Plunkett .... costume designer: Miss Hepburn
 
Music Department
Eugene Zador .... orchestrator (uncredited)
 
Crew verified as complete


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Additional Details

Also Known As:
Man and Wife (USA) (working title)
more
Runtime:
101 min
Country:
Language:
Aspect Ratio:
1.37 : 1 more
Sound Mix:
Mono (Western Electric Sound System)
Certification:
Portugal:M/12 | Sweden:15 | USA:Passed (National Board of Review) | USA:Approved (certificate #14029) | UK:U | New Zealand:PG | Argentina:Atp | Australia:G (alternate rating) | Australia:PG
Company:

Fun Stuff

Trivia:
Film debut of Madge Blake. more
Goofs:
Continuity: When Olympia lifts Adam in court, Kip jumps out of his seat and races forward laughing. In subsequent shots he is alternately standing/sitting. more
Quotes:
Adam Bonner: What do you want around here anyway?
Kip Lurie: As if you didn't already know.
[looks at Amanda]
more
Movie Connections:
Featured in The 76th Annual Academy Awards (2004) (TV) more
Soundtrack:
Farewell, Amanda more

FAQ

This FAQ is empty. Add the first question.
18 out of 21 people found the following review useful.
Pleasant mid century skirmish in the sexual wars, 26 January 2000

Two New York lawyers, husband Adam Bonner (Spencer Tracy) and wife Amanda Bonner (Katharine Hepburn), work out the marital tension and fight the sexual wars in the courtroom on opposite sides of a wife (Judy Holliday) shoots cheating husband (Tom Ewell) case. Adam's masculinity is seemingly challenged and his sense of justice offended by his wife's insistence on showing how smart she is while furthering her feminist agenda at the expense of the law. Will their public confrontation destroy their marriage, or will it ultimately make the bond stronger?

This still plays mainly because of the charisma of Hepburn and Tracy and the fine chemistry they create together. The script by Garson Kanin and Ruth Gordon is shallow and profound by turns, yet ultimately witty and pleasing. Judy Holliday as the lower middle-class Doris Attinger (on her way to her signature role in Born Yesterday (1950)) and David Wayne, as the song-writing neighbor who adores Amanda, shine in supporting roles. George Cukor's direction is clear, crisp and always focused. In the end we can see that Adam can be as feminine as Amanda can be masculine. The bit where Tracy cries real tears to win her back and then tells her, "We all have our tricks" is classic. It's his clever answer to her outrageous courtroom theatrics. Memorable as it illuminates their contrasting personalities is the early scene where the unsophisticated Doris is interviewed by Yale law school grad Amanda.

As a political movie, was Adam's Rib ahead of its time as a vehicle for feminist expression, or was it just another apology for male chauvinism, or was it balanced and fair? I'll give you a hint: the title is ironic. One of the things that made the Tracy/Hepburn romance work so well for so long was the creative balance they maintained in the battle of the sexes. The script by Kanin and Gordon carefully continues that profoundly true equilibrium.

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