Recent college graduate Benjamin Braddock is trapped into an affair with Mrs. Robinson, who happens to be the wife of his father's business partner and then finds himself falling in love with her daughter, Elaine.
When a woman attempts to kill her uncaring husband, prosecutor Adam Bonner gets the case. Unfortunately for him his wife Amanda (who happens to be a lawyer too) decides to defend the woman in court. Amanda uses everything she can to win the case and Adam gets mad about it. As a result, their perfect marriage is disturbed by everyday quarrels... Written by
Chris Makrozahopoulos <firstname.lastname@example.org>
During the movie screening of 'The Mortage the Merrier' where the Bonners are shown with the new house and dogs, they do 'tree kissing' and 'barn kissing' which were the Old Connecticut customs as told by Kip Lurie ('David Wayne') in the movie. Katharine Hepburn who plays Amanda Bonner happens to be from Connecticut. See more »
Even though Adam and Amanda are reading about Doris Attinger's arrest in different morning newspapers (he the "New York Globe", she the "New York Chronicle"), the back pages of both papers are identical. See more »
[addressing the court]
For years, women have been ridiculed, pampered, chucked under the chin. I ask you, on behalf of us all, be fair to the fair sex.
We'll be here a year.
See more »
Opening credits are little curtains that go up and down, on a stage in a performance hall. See more »
Feminist attorney Katharine Hepburn has a new cause. She freely admits to doing a bit of ambulance chasing to get the case of Judy Holliday who shot her husband Tom Ewell after catching him in a love nest with floozy Jean Hagen.
Problem is that of all the cases that he could have been assigned, Spencer Tracy, Hepburn's husband and assistant District Attorney, he got assigned to prosecute Holiday. I guess Spence felt a little of what Bogey felt when Ingrid Bergman came back into his life in Casablanca.
Men down through the ages have certainly had the right to shoot the lovers of their wives when caught, why not women argues Hepburn. The case gets quite a bit of notoriety and of course it puts a strain on the marriage.
But the plot is sure the right vehicle for a lot of great lines and situations. This is Spence and Kate at their very best. Of the comedies they did, this is my favorite, just like State of the Union is my favorite among the more serious films.
Probably Adam's Rib's best known scene is when defense witness Hope Emerson picks up Spencer Tracy in a visual attempt to show feminine prowess and power. Even after seeing it several times you still will laugh yourself silly.
For Adam's Rib, George Cukor denuded Broadway of stars to play in support of Tracy and Hepburn. Making film debuts were David Wayne, Tom Ewell, Judy Holliday, and Jean Hagen.
Wayne is particularly funny and if Adam's Rib was made today, he'd certainly be more explicitly gay. He's the next door neighbor of Spence and Kate and some of the cracks Tracy aims in his direction would be considered downright homophobic. But let's face it, Wayne is an obnoxious scamp and that bit of vengeance that Tracy wreaks upon him and Hepburn in the climax involving licorice is a great cinematic moment.
Adam's Rib is Tracy and Hepburn at the very top of their game and I think folks who are not necessarily fans of their's would be amused.
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