A young man falls in love with a girl from a rich family. His unorthodox plan to go on holiday for the early years of his life is met with skepticism by everyone except for his fiancée's eccentric sister and long-suffering brother.
Journalist Steve O'Malley wants to write a biography of a national hero who died when his car ran off a bridge. Steve receives conflicting reports and tales that make him question what the truth about the hero is.
When a woman attempts to kill her uncaring husband, prosecutor Adam Bonner gets the case. Unfortunately for him his wife Amanda (who happens to be a lawyer too) decides to defend the woman in court. Amanda uses everything she can to win the case and Adam gets mad about it. As a result, their perfect marriage is disturbed by everyday quarrels... Written by
Chris Makrozahopoulos <firstname.lastname@example.org>
Shooting in New York meant that Judy Holliday could continue appearing on Broadway in "Born Yesterday". At times she had to work a 20-hour day to honour her commitments to both projects. When production moved back to Hollywood, however, she had to arrange an early release from her Broadway contract. See more »
When Kip is playing his song for Amanda in the Bonner's apartment, his foot is on a foot pedal that raises the dampers, but the sound we hear is quite different. See more »
First of all, I should like to say that I think the arguments advanced by the counsel for the defense were sound... MERE sound!
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Opening credits are little curtains that go up and down, on a stage in a performance hall. See more »
'Adam's Rib' is arguably the greatest Tracy-Hepburn film, and is certainly the most popular of their teamings. Brightly written (by the husband and wife team of Ruth Gordon and Garson Kanin), it takes the premise of a wife (the sparkling Judy Holliday, in her film debut) on trial for shooting her unfaithful husband (Tom Ewell, establishing himself in the kind of role he'd reprise in The Seven-Year Itch), and turns it into a forum of the sexual values and standards of the 1940s, and a showcase for the fabulous Tracy and Hepburn, who were were never better than as the battling D.A. and defense attorney. In the courtroom and out, the love they share, and tweaking of each other's egos is a sheer joy to watch. That the story is also a knowing commentary about women's inequality under the law makes the film even more topical today, and doesn't reduce the film's enjoyment value at all. It is a VERY funny film, and can be enjoyed at MANY levels!
In addition to Holliday and Ewell, the supporting cast includes the terrific David Wayne as a smarmy songwriter-neighbor who covets Hepburn, and 'writes' the ditty 'Goodbye, Amanda' for her (actually composed by Cole Porter, Hepburn's character's name in the film was changed to Amanda, to fit the song!)
Among the many wonderful scenes of the film are the 'home movie', which accurately reflected much of Tracy and Hepburn's own relationship; the infamous massage scene ("I know a slap...!"); the circus 'Strong Woman', demonstrating that women can be as physically powerful as men by lifting the panicking Tracy over her head easily (in the middle of the courtroom!); the infamous licorice-gun confrontation as Tracy confronts Hepburn with Wayne; and Tracy's crying-on-demand revelation.
'Adam's Rib' is a film which never seems to age, but just gets better and better!
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