7.6/10
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Adam's Rib (1949)

Passed | | Comedy, Drama, Romance | 18 November 1949 (USA)
Domestic and professional tensions mount when a husband and wife work as opposing lawyers in a case involving a woman who shot her husband.

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(screen play), (screen play)
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Nominated for 1 Oscar. Another 1 win & 3 nominations. See more awards »
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Cast

Complete credited cast:
...
...
...
...
...
...
...
Eve March ...
Grace
Clarence Kolb ...
Judge Reiser
Emerson Treacy ...
Jules Frikke
...
Mrs. McGrath
...
Judge Marcasson
Elizabeth Flournoy ...
Dr. Margaret Brodeigh
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Storyline

When a woman attempts to kill her uncaring husband, prosecutor Adam Bonner gets the case. Unfortunately for him his wife Amanda (who happens to be a lawyer too) decides to defend the woman in court. Amanda uses everything she can to win the case and Adam gets mad about it. As a result, their perfect marriage is disturbed by everyday quarrels... Written by Chris Makrozahopoulos <makzax@hotmail.com>

Plot Summary | Plot Synopsis

Taglines:

Funniest Picture in 10 Years! See more »

Genres:

Comedy | Drama | Romance

Certificate:

Passed | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

18 November 1949 (USA)  »

Also Known As:

Man and Wife  »

Filming Locations:

 »

Company Credits

Production Co:

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Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

In the memorable Spencer Tracy-Katharine Hepburn massage scene, a radio plays Frank Sinatra singing Cole Porter's "Farewell, Amanda," a gift to Amanda Bonner (played by Hepburn) from her songwriter-neighbor, Kip Lurie (played by David Wayne) who, earlier in the picture, had crooned the ditty, accompanying himself on the Bonners' piano. While Adam Bonner (played by Tracy) is massaging his wife, he abruptly shuts off the radio. Sinatra is again heard when a record is accidentally started in a later scene. This prerecording of "Farewell, Amanda" is lost. See more »

Goofs

When Adam and Amanda are at their accountant's office, the sign on the outside of the building reads Jules Frick. When they are inside the sign in the window has the correct name Jules Frikke. See more »

Quotes

Kip Lurie: Did I hear someone say "sing it again"?
Adam Bonner: No!
See more »

Crazy Credits

Opening credits are little curtains that go up and down, on a stage in a performance hall. See more »

Connections

Featured in The American President (1995) See more »

Soundtracks

Farewell, Amanda
(1949)
Music and Lyrics by Cole Porter
Played during the opening credits and often in the score
Sung by David Wayne (uncredited), accompanying himself on the piano
Reprised by the voice of Frank Sinatra (uncredited) on the radio
Whistled by Katharine Hepburn (uncredited)
Sung a cappella by Spencer Tracy (uncredited)
See more »

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User Reviews

Classic 'Battle of the Sexes' is a Sheer Joy!
17 August 2003 | by (Las Vegas, Nevada) – See all my reviews

'Adam's Rib' is arguably the greatest Tracy-Hepburn film, and is certainly the most popular of their teamings. Brightly written (by the husband and wife team of Ruth Gordon and Garson Kanin), it takes the premise of a wife (the sparkling Judy Holliday, in her film debut) on trial for shooting her unfaithful husband (Tom Ewell, establishing himself in the kind of role he'd reprise in The Seven-Year Itch), and turns it into a forum of the sexual values and standards of the 1940s, and a showcase for the fabulous Tracy and Hepburn, who were were never better than as the battling D.A. and defense attorney. In the courtroom and out, the love they share, and tweaking of each other's egos is a sheer joy to watch. That the story is also a knowing commentary about women's inequality under the law makes the film even more topical today, and doesn't reduce the film's enjoyment value at all. It is a VERY funny film, and can be enjoyed at MANY levels!

In addition to Holliday and Ewell, the supporting cast includes the terrific David Wayne as a smarmy songwriter-neighbor who covets Hepburn, and 'writes' the ditty 'Goodbye, Amanda' for her (actually composed by Cole Porter, Hepburn's character's name in the film was changed to Amanda, to fit the song!)

Among the many wonderful scenes of the film are the 'home movie', which accurately reflected much of Tracy and Hepburn's own relationship; the infamous massage scene ("I know a slap...!"); the circus 'Strong Woman', demonstrating that women can be as physically powerful as men by lifting the panicking Tracy over her head easily (in the middle of the courtroom!); the infamous licorice-gun confrontation as Tracy confronts Hepburn with Wayne; and Tracy's crying-on-demand revelation.

'Adam's Rib' is a film which never seems to age, but just gets better and better!


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