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Adam's Rib (1949)

Passed  -  Comedy | Drama | Romance  -  18 November 1949 (USA)
7.6
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Ratings: 7.6/10 from 13,693 users  
Reviews: 94 user | 40 critic

Domestic and professional tensions mount when a husband and wife work as opposing lawyers in a case involving a woman who shot her husband.

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Title: Adam's Rib (1949)

Adam's Rib (1949) on IMDb 7.6/10

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Nominated for 1 Oscar. Another 1 win & 3 nominations. See more awards »

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Cast

Complete credited cast:
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...
...
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...
...
Hope Emerson ...
Olympia La Pere
Eve March ...
Grace
Clarence Kolb ...
Judge Reiser
Emerson Treacy ...
Jules Frikke
Polly Moran ...
Mrs. McGrath
...
Judge Marcasson
Elizabeth Flournoy ...
Dr. Margaret Brodeigh
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Storyline

When a woman attempts to kill her uncaring husband, prosecutor Adam Bonner gets the case. Unfortunately for him his wife Amanda (who happens to be a lawyer too) decides to defend the woman in court. Amanda uses everything she can to win the case and Adam gets mad about it. As a result, their perfect marriage is disturbed by everyday quarrels... Written by Chris Makrozahopoulos <makzax@hotmail.com>

Plot Summary | Plot Synopsis

Taglines:

Funniest Picture in 10 Years! See more »

Genres:

Comedy | Drama | Romance

Certificate:

Passed | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

18 November 1949 (USA)  »

Also Known As:

Man and Wife  »

Filming Locations:

 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Film debut of Madge Blake. See more »

Goofs

Midway through the trial, Kip uses the Bonner's piano to play an early version of a new song he's writing that is in such rough shape, it doesn't have complete lyrics. Yet shortly afterward - and long before the trial is over - the song has already been recorded, played on the radio and is reportedly a big hit. See more »

Quotes

Amanda Bonner: [addressing the court] For years, women have been ridiculed, pampered, chucked under the chin. I ask you, on behalf of us all, be fair to the fair sex.
Adam Bonner: We'll be here a year.
See more »

Crazy Credits

Opening credits are little curtains that go up and down, on a stage in a performance hall. See more »


Soundtracks

"Sleepy Time Gal' (uncredited)
Music by Richard A. Whiting and Ange Lorenzo
Lyrics by Ray Egan and Joseph R. Alden
See more »

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User Reviews

 
Pleasant mid century skirmish in the sexual wars
26 January 2000 | by (United States) – See all my reviews

(Note: Over 500 of my movie reviews are now available in my book "Cut to the Chaise Lounge or I Can't Believe I Swallowed the Remote!" Get it at Amazon.)

Two New York lawyers, husband Adam Bonner (Spencer Tracy) and wife Amanda Bonner (Katharine Hepburn), work out the marital tension and fight the sexual wars in the courtroom on opposite sides of a wife (Judy Holliday) shoots cheating husband (Tom Ewell) case. Adam's masculinity is seemingly challenged and his sense of justice offended by his wife's insistence on showing how smart she is while furthering her feminist agenda at the expense of the law. Will their public confrontation destroy their marriage, or will it ultimately make the bond stronger?

This still plays mainly because of the charisma of Hepburn and Tracy and the fine chemistry they create together. The script by Garson Kanin and Ruth Gordon is shallow and profound by turns, yet ultimately witty and pleasing. Judy Holliday as the lower middle-class Doris Attinger (on her way to her signature role in Born Yesterday (1950)) and David Wayne, as the song-writing neighbor who adores Amanda, shine in supporting roles. George Cukor's direction is clear, crisp and always focused. In the end we can see that Adam can be as feminine as Amanda can be masculine. The bit where Tracy cries real tears to win her back and then tells her, "We all have our tricks" is classic. It's his clever answer to her outrageous courtroom theatrics. Memorable as it illuminates their contrasting personalities is the early scene where the unsophisticated Doris is interviewed by Yale law school grad Amanda.

As a political movie, was Adam's Rib ahead of its time as a vehicle for feminist expression, or was it just another apology for male chauvinism, or was it balanced and fair? I'll give you a hint: the title is ironic. One of the things that made the Tracy/Hepburn romance work so well for so long was the creative balance they maintained in the battle of the sexes. The script by Kanin and Gordon carefully continues that profoundly true equilibrium.


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