A struggling young father-to-be gives in to temptation and impulsively steals money from the office of a shady lawyer - with catastrophic consequences.
Director:
Anthony Mann
Stars:
Farley Granger,
Cathy O'Donnell,
James Craig
Because aging boxer Bill Thompson always lost his past fights, his corrupt manager, without telling Thompson, takes bribes from a betting gangster, to ensure Thompson's pre-arranged dive-loss in the next match.
A young doctor falls in love with a disturbed young woman, becomes involved in the death of her husband, and has to flee with her to the Mexican border.
Director:
John Farrow
Stars:
Robert Mitchum,
Claude Rains,
Faith Domergue
Canadian flyer Laurence Gerard finds that his wife has been murdered by a French collaborator. His quest for justice leads him to Switzerland and Argentina.
Director:
Edward Dmytryk
Stars:
Dick Powell,
Walter Slezak,
Micheline Cheirel
When powerful publishing tycoon Earl Janoth commits an act of murder at the height of passion, he cleverly begins to cover his tracks and frame an innocent man whose identity he doesn't ... See full summary »
Director:
John Farrow
Stars:
Ray Milland,
Maureen O'Sullivan,
Charles Laughton
War veteran Frank Enley seems to be a happily married small-town citizen until he realises Joe Parkson is in town. It seems Parkson is out for revenge because of something that happened in a German POW camp, and when a frightened Enley suddenly leaves for a convention in L.A., Parkson is close behind. Written by
Jeremy Perkins {J-26}
MGM records show the film earned $703,000 in the United States and Canada and $426,000 overseas but lost $637,000 overall. See more »
Goofs
As Parkson (Ryan) gets into the rowboat, there is a stiff breeze, the water is choppy, and a cloudy sky is 'threatening'; a second later, after the tender pushes the boat away from the dock, the lake is calm and breeze-free, and the sky is clear. See more »
Fred Zinnemann does it again. He was a master at film noir during the early '40s, first with some B-films (GRAND CENTRAL MURDER, THE KID GLOVE KILLER--both starring VAN HEFLIN) and some seven or eight years later with ACT OF VIOLENCE. His direction and Robert Surtees' excellent B&W photography make this taut story even more watchable.
VAN HEFLIN goes on a fishing trip and finds himself being shadowed by a man he knows wants to kill him--a man who knows about his past when they were both soldiers and imprisoned in a German prison camp during World War II. When ROBERT RYAN shows up at Heflin's home to inquire about his whereabouts, his wife JANET LEIGH willingly tells Ryan where to find him, not knowing the truth about her husband's past.
From there on, it's a manhunt and at first our loyalties are with Heflin, until it turns out that he's not the hero but an anti-hero who deserves being shot. After this registers, we understand why Ryan is so intent on his mission to kill. Toward the end, Heflin runs into MARY ASTOR, a prostitute with a heart of gold, who tells him what he needs to do to get a hit man get rid of Ryan. But then Heflin, before the kill, has a change of mind. That's all the wrap-up on the story I'll give here.
There's a final twist at the end, but the whole film is absorbing and well worth your time with Heflin, especially, giving one of his most intense performances and Mary Astor doing a vivid job in a small role.
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Fred Zinnemann does it again. He was a master at film noir during the early '40s, first with some B-films (GRAND CENTRAL MURDER, THE KID GLOVE KILLER--both starring VAN HEFLIN) and some seven or eight years later with ACT OF VIOLENCE. His direction and Robert Surtees' excellent B&W photography make this taut story even more watchable.
VAN HEFLIN goes on a fishing trip and finds himself being shadowed by a man he knows wants to kill him--a man who knows about his past when they were both soldiers and imprisoned in a German prison camp during World War II. When ROBERT RYAN shows up at Heflin's home to inquire about his whereabouts, his wife JANET LEIGH willingly tells Ryan where to find him, not knowing the truth about her husband's past.
From there on, it's a manhunt and at first our loyalties are with Heflin, until it turns out that he's not the hero but an anti-hero who deserves being shot. After this registers, we understand why Ryan is so intent on his mission to kill. Toward the end, Heflin runs into MARY ASTOR, a prostitute with a heart of gold, who tells him what he needs to do to get a hit man get rid of Ryan. But then Heflin, before the kill, has a change of mind. That's all the wrap-up on the story I'll give here.
There's a final twist at the end, but the whole film is absorbing and well worth your time with Heflin, especially, giving one of his most intense performances and Mary Astor doing a vivid job in a small role.