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When a strategically important new aerial guidance system is stolen, Charlie traces it to the Berlin Olympics, where he has to battle spies and enemy agents to retrieve it.
Director:
H. Bruce Humberstone
Stars:
Warner Oland,
Katherine DeMille,
Pauline Moore
Returning from European exile where she avoided testifying against her criminal associates, a former singer with a tell-all diary is murdered to ensure her silence.
A dangerous amnesiac escapes from an asylum, hides in the opera house, and is suspected of getting revenge on those who tried to murder him 13 years ago.
Although Charlie and Lee are in Monaco for an art exhibit, they become caught up in a feud between rival financiers which involves the Chans in a web of blackmail and murder.
An escaped convicted murderer hides out at a New York wax museum where he hopes to get plastic surgery, which will help him revenge himself on Charlie Chan.
Director:
Lynn Shores
Stars:
Sidney Toler,
Victor Sen Yung,
C. Henry Gordon
Lost Caverns Hotel bellhop Freddie Phillips is suspected of murder. Swami Talpur tries to hypnotize Freddie into confessing, but Freddie is too stupid for the plot to work. Inspector Wellman uses Freddie to get the killer (and it isn't the Swami). Written by
Ed Stephan <stephan@cc.wwu.edu>
After filming was completed, Lou Costello was bedridden for several months due to a relapse of rheumatic fever, which he originally battled in 1943. As a result, the duo did not make another film together until Abbott and Costello in the Foreign Legion, a year later. See more »
Goofs
When Abernathy is looking over Freddie's shoulder during the so-called Bridge game, he starts on Freddie's right side. Then, after the camera cuts back from the close-up of Freddie's hand, Abernathy is on Freddie's left side. See more »
Quotes
Insp. Wellman:
Someone in this room knows a lot more than he or she is admitting, and I intend to find out who it is.
See more »
Crazy Credits
The film begins animated versions of Abbott & Costello on a scaffold painting their names on a wall. (The bucket is labeled "BLOOD")Then there is the sound of a car screeching to a stop, and machine gun fire. "Meet the Killer" is written in bullet holes. "Costello" yells "Yoohoo! You didn't dot the "I"!" Then a dagger flies in and "Dots the 'I'", while the bucket of "Blood" is spilled. Then the frame drops, following the "Blood" as it spells out "Boris Karloff", and then the rest of the credits. See more »
Much of Abbott and Costello's late 40s/early 50s output put them in parodies of various film genres--this one is a parody of murder mysteries. I saw this as a child and liked it, although I was let down that Boris Karloff had such an insignificant role. Now that it's out on DVD as part of the third A&C boxset, I'm seeing it again, and I still think it's quite funny. There are many well-paced comic set-ups and the boys don't look bored as they do in some of their later vehicles. No great analysis is needed for a film like this--it's just classic comedy and has held up very well.
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Much of Abbott and Costello's late 40s/early 50s output put them in parodies of various film genres--this one is a parody of murder mysteries. I saw this as a child and liked it, although I was let down that Boris Karloff had such an insignificant role. Now that it's out on DVD as part of the third A&C boxset, I'm seeing it again, and I still think it's quite funny. There are many well-paced comic set-ups and the boys don't look bored as they do in some of their later vehicles. No great analysis is needed for a film like this--it's just classic comedy and has held up very well.