6 items from 2017
This isn’t the only Alfred Hitchcock film for which the love does not flow freely, but his 1947 final spin on the David O. Selznick-go-round is more a subject for study than Hitch’s usual fun suspense ride. Gregory Peck looks unhappy opposite Selznick ‘discovery’ Alida Valli, while an utterly top-flight cast tries to bring life to mostly irrelevant characters. Who comes off best? Young Louis Jourdan, that’s who.
Kl Studio Classics
1947 / B&W / 1:37 flat Academy / 125 min. / Street Date May 30, 2017 / available through Kino Lorber / 29.95
Cinematography Lee Garmes
Production Designer J. McMillan Johnson
Original Music Franz Waxman
Produced by David O. Selznick
Directed by Alfred Hitchcock
- Glenn Erickson
By Jeremy Carr
There is an immediate appeal in the very premise of Alfred Hitchcock’s Lifeboat (1944), a curiosity that stems from how exactly this story will play out and how the Master of Suspense is going to keep the narrative taut and technically stimulating. It was a gimmick he would repeat with Rope (1948), Dial M for Murder (1954), and Rear Window (1954), similar films where the drama is contained to a single setting. But here, the approach is amplified by having the entirety of its plot limited to the eponymous lifeboat, an extremely confined location that is at once anxiously restricting and, at the same time, placed in a vast expanse of threatening openness.
Following a German U-boat attack that sinks an allied freighter and creates the cramped, confrontational condition, a cast of nine diverse, necessarily distinctive characters are steadily assembled aboard the small vessel (and their variety is indeed necessary »
- email@example.com (Cinema Retro)
Jean-Pierre Melville in his own film, Two Men in Manhattan“A man isn't tiny or giant enough to defeat anything”—Yukio MishimaA voracious cinephile in his early youth, Jean-Pierre Grumbach's daily intake of films was interrupted by the Second World War when he enlisted in the Ffl (Forces Français Libres) and adopted the nom de guerre by which he's still known to these days: Jean-Pierre Melville. A tribute to his literary hero, Hermann Melville, and his novel Pierre: or the Ambiguities, the director would have his name officially changed after the war. The latter was to shape and inform many of his films and arguably all of his world-view, characterized by a sort of ethical cynicism where anti-fascism is understood as a moral duty rather than an act of heroic courage. Profoundly anti-rhetoric and filled with a terse dignity, his films about the Resistance, Army of Shadows (1969) above all, »
1940 / B&W / 1:33 / Street Date March 21, 2017
Film Editor: Ted Richards
Produced by John Argyle
Directed by Norman Lee
Near the turn of the century a struggling war correspondent named Edgar Wallace began churning out detective stories for British monthlies like Detective Story Magazine to help make the rent. Creative to a fault, his preposterously prolific output (exacerbated by ongoing gambling debts) soon earned him a legion of fans along with a pointedly ambiguous sobriquet, “The Man Who Wrote Too Much.”
A reader new to Wallace’s work could be excused for thinking the busy writer was making it up as he went along… because that’s pretty much what he did. He dictated his narratives, unedited, into a dictaphone for transcription by his secretary where they would then »
- Charlie Largent
Goteborg — Finland-u.S.-based Snapper Films has unveiled a new TV series “Sherlock North,” which adds an intriguing twist to one of the most valuable of European entertainment properties.
Not many people know it, but in 1903 Sir Arthur Conan Doyle wrote a short story, “The Adventure of the Empty House,” where after faking his his own death at the Reichenbach Falls, Sherlock Holmes travels to Scandinavia, on the run from nemesis Professor Moriarty.
Under a false identity – an explorer named Sigerson – Holmes settles in dark and cold Lapland, in northern Finland, sparking a culture clash between the upper-class, fast-talking and eccentric Brit and the down-to-earth Nordic characters.
Finnish writer-director-producer Juha Wuolijoki will run the upcoming 10-hour television series “Sherlock North,” which he introduced yesterday as a work-in-progress at the TV Drama Vision section of the Nordic Film Market in Göteborg’s 40th Film Festival. He aims to shoot the series »
- Jorn Rossing Jensen
In the middle of the 20th century, Alfred Hitchcock made a career out of generating fear from the mundane. Psycho made us afraid to shower. The Birds had us looking toward the skies for more than just the pigeons looking to crap on our heads. And I’ll be damned if Rear Window didn’t get me to stop spying on my neighbors with a telescopic camera.
Those familiar with Hitchcock’s work likely know that his ability to instill dread stems from his knowledge about the difference between surprise and suspense. According to Hitchcock, to surprise, you simply need to set off a bomb in the middle of a scene. To create suspense, however, the audience needs to know the bomb is there. Suspense is the knowledge that two people are living their lives blissfully unaware that each moment could be their last. That’s why many of Hitchcock »
- Bryan Christopher
6 items from 2017
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