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Drunken Angel (1948)
"Yoidore tenshi" (original title)

Unrated  |   |  Crime, Drama, Thriller  |  30 December 1959 (USA)
7.8
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Ratings: 7.8/10 from 6,139 users  
Reviews: 35 user | 61 critic

A drunken doctor with a hot temper and a violence-prone gangster with tuberculosis form a quicksilver bond.

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Title: Drunken Angel (1948)

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Edit

Cast

Cast overview, first billed only:
...
...
Reizaburô Yamamoto ...
Michiyo Kogure ...
Nanae
Chieko Nakakita ...
Miyo
Noriko Sengoku ...
Gin
Shizuko Kasagi ...
Singer
Eitarô Shindô ...
Takahama
Masao Shimizu ...
Oyabun
Taiji Tonoyama ...
Shop Proprietor
...
Schoolgirl
Chôko Iida ...
Bâya
Ko Ubukata ...
Punk
Akira Tani ...
Yakuza Follower
Sachio Sakai ...
Guitar Player
Edit

Storyline

After a battle with rival criminals, a small-time gangster is treated by an alcoholic doctor in post-war Japan. The doctor diagnoses the young gangster's tuberculosis, and convinces him to begin treatment for it. The two enjoy an uneasy friendship until the gangster's former boss is released from prison and seeks to take over his gang once again. The ailing young man loses his status as gang boss and becomes ostracised, and eventually confronts his former boss in a battle to the death. Written by Bernard Keane <BKeane2@email.dot.gov.au>

Plot Summary | Plot Synopsis

Genres:

Crime | Drama | Thriller

Certificate:

Unrated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

30 December 1959 (USA)  »

Also Known As:

Drunken Angel  »

Filming Locations:


Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

| (director's cut)

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

First of many collaborations between Toshirô Mifune and Akira Kurosawa. See more »

Goofs

When Matsunaga throws the Doctor out of the "Bolero", we see him fall on his back. His shirtsleeves are rolled up, so his forearms are bare: his left arm does not make contact with the ground. The next scene is of him cleaning a wound in his left forearm, below the elbow. See more »

Quotes

Dr. Sanada: He tormented you, made you sick, and then deserted you like a puppy. And you still wag your tail and follow him.
See more »

Connections

Featured in Kurosawa and the Censors (2007) See more »

Soundtracks

Janguru bugi
Music by Ryôichi Hattori
Lyrics by Akira Kurosawa
Performed by Shizuko Kasagi
See more »

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User Reviews

 
It is easy to fall in the mud, how difficult it is to leave
30 April 2010 | by (Colombia) – See all my reviews

Happy encounter between master Akira Kurosawa and Toshiro Mifune great actor. Started the shooting of the film, the script was fully focused on the character of Dr. Sanada, a temperamental physician, sharp and heavy drinker, but at the same time noble and condescending, who played the wise actor Takashi Shimura, member of the filmic family of Japanese director. It was to show the ambivalent relationship of singular physician with some of his patients, and Mifune's character, a gangster named Matsunaga, who arrives to take you off a "nail", was intended as one more among Sanada's patients... but behold, the amazing performance of Toshiro delighted the visionary director leaves, and soon, his character is extended to the point of putting one on one with which interprets Shimura. And thus would begin a relationship that would lead to outstanding a number of films that are today the most significant part of which gave us the Far East ("Stray Dog", "Rashomon", "Seven Samurai", "Throne of Blood", "Yojimbo", "Red Beard"...).

The story is set in a poor village, where gangsterism is a source of survival and power. The rain water inundated streets unpaved, and the mud then, becomes a leitmotif for Kurosawa reveals the sinking of being in the midst of alcohol and irresponsibility, and perhaps, the abandonment of a State for all miss opportunities.

The Sanada and Matsunaga characters, move in an interesting love-hate, I accept you-you rejection, live and die, that accounts for human ambivalence where what seems is not as it seems.

The doctor's character is also quite interesting, because he realizes the man with no pretensions, no worries of enrichment, and the ability to perform so naturally, falls in the act shamelessly unfair, in the sentence harsh and in the alcohol allows him to escape, at times, a reality that don't is offering great prospects.

It is thus a portrait of ordinary people, viewed sympathetically and with the clearest assessment features. It is clear that Kurosawa, knew well the people.


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