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Yellow Sky (1948)

 -  Crime | Western  -  December 1948 (USA)
7.6
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Ratings: 7.6/10 from 2,434 users  
Reviews: 50 user | 22 critic

Pistol-packing tomboy, and grandfather come to discover band of bank robbing bandits taking refuge in the neighboring ghost town.

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Title: Yellow Sky (1948)

Yellow Sky (1948) on IMDb 7.6/10

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Cast

Complete credited cast:
...
...
...
Robert Arthur ...
...
...
Half Pint (as Henry Morgan)
James Barton ...
Grandpa
Charles Kemper ...
Walrus
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Storyline

A band of bank robbers on the run from a posse flee into the desert. Near death from lack of water they stumble into what appears to be a ghost town, only to discover an old prospector and his granddaughter living there. The robbers discover that the old man has been mining gold and set out to make a quick fortune by robbing the pair. Their plan runs foul when the gang leader, Stretch, falls for the granddaughter, which sets off a showdown between the entire gang. Written by E.W. DesMarais <jlongst@aol.com>

Plot Summary | Plot Synopsis

Taglines:

It was as if the YELLOW SKYhad sought them out...where fate had forgotten them and life had left them behind!(original print ad) See more »

Genres:

Crime | Western

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

December 1948 (USA)  »

Also Known As:

Nevada  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (FMC Library Print)

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Shakespeare's play "The Tempest" influenced the plot and characters. Director William Wellman said in the book, "The Men Who Made the Movies", that he had no idea of the connection. See more »

Goofs

Just before beginning to cross the salt flats after the bank robbery, Dude pulls his saddle stirrup out to jump into it, but misses. In the next shot he successfully mounts the horse. See more »

Quotes

James 'Stretch' Dawson: I ain't talkin to hear my voice. I'm ordering ya.
See more »

Crazy Credits

Opening credits prologue: The West - 1867 See more »

Connections

Featured in The Screen Writer (1950) See more »

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User Reviews

 
Stay away from my men, and stop swinging those damn hips all over the place.
25 September 2008 | by (United Kingdom) – See all my reviews

Stretch is the leader of bank robbing desperadoes, after their latest job they find the US Cavalry hot on their tail. Their only conceivable route of escape is to traipse over an enormous salt flat, low on water and bitten by the scorching sun, they happen to come across a ghost town named Yellow Sky. Here was once a prosperous town, now the only inhabitants are a crusty old prospector and his tomboy granddaughter. Soon the talk turns to hidden gold and it's not long before these desperate men will become conflicted in more ways than one. Be it greed, lust or the Apache, the day of reckoning is coming to Yellow Sky.

Yellow Sky is a technically stunning picture, directed with panache by William A. Welman, boasting starkly affecting black and white photography from Joseph MacDonald, and utilising the wonderful use of natural sounds. This picture is to me one of the shining lights of 1940s Westerns. Once the pulse racing pursuit of the robbers by the US Cavalry has finished, the film shifts into a master class of visual and dialogue driven delights. As the gang trundle across the desolate salt flat, the need for quenching the thirst hits the audience as much as it does the gang; I myself found that I was swigging rapidly from my cold can of beer! The Alabama Hills location is a sprawling, beautiful, never ending ode to the West, and then the actors kick in and do their stuff, and then some.

Gregory Peck plays the leader Stretch, an actor normally associated with a straight laced gait, here he is is weather worn and tired, his portrayal of Stretch as convincing as a role I have seen him tackle. Richard Widmark, in what I believe to be his first Western entry, is truly magnetic, a smirking, snarling Dude that you just know you couldn't trust if your life depended on it. Anne Baxter plays the sole female character of the piece (Mike), and she is pivotal to the whole film's strength, tough and full of spunk, her grasping of the situation in amongst these ragged men gives the piece it's time bomb ethic, and boy does Baxter do well with it.

All told there's no weakness' in the casting, they all do good work, and although the plot structure of the film is nothing out of the ordinary, the technical aspects coupled with the excellent writing on the page (W.R. Burnett story, Lamar Trotti screenplay) lift it way above many of its contemporaries. The ending has caused some consternation amongst Western critics over the years, and if I'm honest then it's not totally satisfactory to me personally, but it is in no way what so ever a bad ending, you just feel that the mood that had preceded it deserved something better. But as ever, it's up to the individual viewer to decide for themselves. 9/10


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