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Yellow Sky (1948)

Approved | | Crime, Western | January 1949 (USA)
A pistol-packing tomboy and her grandfather discover a band of bank robbing bandits taking refuge in the neighboring ghost town.

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Writers:

(screenplay), (story)
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Cast

Complete credited cast:
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...
...
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Half Pint (as Henry Morgan)
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Grandpa
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Walrus
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Storyline

A band of bank robbers on the run from a posse flee into the desert. Near death from lack of water they stumble into what appears to be a ghost town, only to discover an old prospector and his granddaughter living there. The robbers discover that the old man has been mining gold and set out to make a quick fortune by robbing the pair. Their plan runs foul when the gang leader, Stretch, falls for the granddaughter, which sets off a showdown between the entire gang. Written by E.W. DesMarais <jlongst@aol.com>

Plot Summary | Plot Synopsis

Taglines:

It was a moment for being a woman for only a woman's weapon could keep her alive... now! See more »

Genres:

Crime | Western

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

January 1949 (USA)  »

Also Known As:

Herrin der toten Stadt  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (FMC Library Print)

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Although Stretch swears on a bible in order to show Grandpa that he won't renege on their deal, the Bible states in James 5:12, "But above all things, my brethren, swear not, neither by heaven, neither by the earth, neither by any other oath". See more »

Goofs

Story is set in 1867, according to the opening scene, yet all handguns in the movie are 1873 Colt Peacemakers. See more »

Quotes

James 'Stretch' Dawson: I ain't talkin to hear my voice. I'm ordering ya.
See more »

Crazy Credits

Opening credits prologue: The West - 1867 See more »

Connections

Version of The Tempest (1939) See more »

Soundtracks

I'm Sad and I'm Lonely
(uncredited)
Performed by Charles Kemper
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User Reviews

 
Totally solid, gorgeous, archetypal film about loyalty, greed, and love
23 October 2010 | by (United States) – See all my reviews

Yellow Sky (1948)

A classic and somewhat formulaic, beautifully photographed Western with a couple small twists. The main thing you might not catch is that this is an adaptation of "The Tempest," by Shakespeare. Here, the band of travelers crosses a metaphoric sea (the desert) and reaches a "New World" where they sort out what matters between them. The set was built (and deliberately destroyed) from an old silent film set that was left over.

Of note--Gregory Peck and Richard Widmark together for their only time, and they inevitably end up as enemies. The setting is the amazing and deadly Death Valley, and the locations shooting is shot there for authenticity. William Wellman was one of those consistently excellent directors who never really made a bad film, but didn't always make exceptional ones, and this one is right in his usual mix of strong visuals, tight editing, fairly simple dramatic plots, and a key actor or two to identify with.

Ann Baxter is the third leading character, and she's pretty much right on, with some grit and determination, but also a little too isolated for her own good. She's a kind of parallel to the really touch Mercedes McCambridge in "Johnny Guitar," a far more inventive movie, but one where an isolated woman (or two) have to fight off the greedy male rabble. Sort of like life, sometimes. Note that "Johnny Guitar" is four years later.

Besides Wellman's expertise, cinematographer Joe MacDonald's work is really worth noticing, for once again he helps elevate a fairly straightforward plot into something hard bitten, layered, and beautiful. MacDonald, born in Mexico, really came into his own by the late forties, and is behind a whole bunch of noir and western classics (as well as the famous "How to Marry a Millionaire"). In all, it's a really good movie, no question.


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