Biography of songwriter, Broadway pioneer, Jerome Kern. Unable to find immediate success in the USA, Kern sought recognition abroad. He journeyed to England where his dreams of success became real and where he met his future wife Eva.
Acrobat Eddie Marsh is in the army now. His first act is to become friendly with Kathryn Jones, the colonel's pretty daughter. Their romance hits a few snags, including disapproval from her... See full summary »
Discovery by Flo Ziegfeld changes a girl's life but not necessarily for the better, as three beautiful women find out when they join the spectacle on Broadway: Susan, the singer who must ... See full summary »
The Wolves baseball team gets steamed when they find they've been inherited by one K.C. Higgins, a suspected "fathead" who intends to take an active interest in running the team. But K.C. ... See full summary »
Talented small-town girl Lily Mars hounds producer John Thornway for a part in his new play, but he doesn't want anything to do with stage-struck amateurs. But when Lily follows him to New ... See full summary »
A married couple who have a song-and-dance act in vaudeville are in trouble. Their struggling act is going nowhere, they're almost broke and they have to do something to get them back on ... See full summary »
Encomium to Larry Hart (1895-1943), seen through the fictive eyes of his song-writing partner, Richard Rodgers (1902-1979): from their first meeting, through lean years and their breakthrough, to their successes on Broadway, London, and Hollywood. We see the fruits of Hart and Rodgers' collaboration - elaborately staged numbers from their plays, characters' visits to night clubs, and impromptu performances at parties. We also see Larry's scattered approach to life, his failed love with Peggy McNeil, his unhappiness, and Richard's successful wooing of Dorothy Feiner. Written by
In the marketplace, Judy Garland had two discs of the comically cynical "I Wish I Were in Love Again" - the first recorded at her final Decca session on November 15, 1947, a solo accompanied by the husband-and-wife piano duo, Eadie and Rack; Judy's second on MGM Records, her soundtrack duet with Mickey Rooney, prerecorded on May 28, 1948. Judy's Decca side can be compared to an alternate take on her CD box set from MCA, "The Complete Decca Masters (Plus)." The Rooney-Garland match-up shines on two CD releases: the soundtrack from Sony, along with a Rhino collection, "Romantic Duets From M-G-M Classics." See more »
When Judy is singing "Johnny One Note," and gets to the line "... and hear the drum," it is obvious that the snare drummer is not playing what we are hearing. See more »
All singing, all dancing, all star cast of thousands
I first saw this movie on TV in 1963. I was only 13 years old. What caused me to sit down and watch was the mention of Mel Torme in the opening credits. I had only just become favorably aware of this man's music but had never seen as much as a photo of him.
This was my first experience of 'The Musical' genre of film and I was enchanted from beginning to end. Well apart from the Mel Torme bit. I think we got more of Larry Hart looking miserable, and his mother looking out of the window (no doubt wondering when this party was going to end. It's 4am and she probably needed her beauty sleep) than we did of Mel.
I was stunned by the brilliant 'Slaughter On 10th Avenue' sequence. There was stuff like this available and yet kids my age were listening to the Beatles? What on earth was wrong with the world? And Lena Horne's out-standing performance of The Lady Is A Tramp just blew me away.
Plot? OK it was sanitized but I didn't know that at the time. Homosexuality was never mentioned back then. I just figured that anyone who would write a song like 'My Funny Valentine' would never score with the ladies.
"Your looks are laughable - unphotographable" Come on. You can't be serious?
I finally found this on DVD a few days ago and couldn't believe my luck. I had wanted to see it again ever since reading in Mel Torme's autobiography that he and Richard Rodgers had had a falling out over how to handle the vocals on 'Blue Moon'. Mel had wanted to go with the meaning of the lyrics, example 'you heard me saying a prayer... (pause) for someone I really could care for.
Rodgers had insisted that he stick with the rhyme, example you heard me saying a prayer for (pause) someone I really could care for.
Sorry, Dick, but I'm with Mel on that one.
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