Acrobat Eddie Marsh is in the army now. His first act is to become friendly with Kathryn Jones, the colonel's pretty daughter. Their romance hits a few snags, including disapproval from her... See full summary »
Light bio-pic of American Broadway pioneer Jerome Kern, featuring renditions of the famous songs from his musical plays by contemporary stage artists, including a condensed production of ... See full summary »
Rich kid Danny Churchill (Rooney) has a taste for wine, women and song, but not for higher education. So his father ships him to an all-male college out West where there's not supposed to ... See full summary »
Tommy Williams desperately wants to get to Broadway, but as he is only singing in a spaghetti house for tips he is a long way off. He meets Penny Morris, herself no mean singer, and through... See full summary »
Jimmy Connors and his girl-friend want to take part in Paul Whiteman's highschool's band contest, but they cannot afford the fare. But per chance the meet Paul Whiteman in person and are ... See full summary »
Paul Whiteman and Orchestra
The Wolves baseball team gets steamed when they find they've been inherited by one K.C. Higgins, a suspected "fathead" who intends to take an active interest in running the team. But K.C. ... See full summary »
After writing a tell-all book about her days in the dance troupe "Barry Nichols and Les Girls", Sybil Wren (Kay Kendall) is sued for libeling her fellow dancer Angele (Taina Elg). A Rashomon... See full summary »
Encomium to Larry Hart (1895-1943), seen through the fictive eyes of his song-writing partner, Richard Rodgers (1902-1979): from their first meeting, through lean years and their breakthrough, to their successes on Broadway, London, and Hollywood. We see the fruits of Hart and Rodgers' collaboration - elaborately staged numbers from their plays, characters' visits to night clubs, and impromptu performances at parties. We also see Larry's scattered approach to life, his failed love with Peggy McNeil, his unhappiness, and Richard's successful wooing of Dorothy Feiner. Written by
Cut from the film was the Perry Como rendition of "Lover." However, in the movie trailer, Mr. Como partially sings the waltz. The MGM Studio Orchestra plays "Lover" as the movie's opening credits run. Bonuses on the 2007 DVD, issued by Warner Home Video, include the trailer and footage of Mr. Como's two deleted songs, "Lover" (in a reconstruction of the film's opening) and four takes of "You're Nearer." Audio-only numbers on the DVD include Betty Garrett's complete rendition of "Way Out West (On West End Avenue)," which was shortened in the release print; "My Funny Valentine," sung by Miss Garrett; "My Heart Stood Still" and "I Feel at Home With You," sung by Mr. Como; "Falling in Love With Love," sung by Gene Kelly and Vera-Ellen (probably dubbed by Anita Ellis); an extended version of "Manhattan," sung by Mickey Rooney, Tom Drake and Marshall Thompson; plus an extended version of the sequence comprised of "On Your Toes/The Girl Friend/This Can't Be Love," sung by Eileen Wilson (who dubbed Cyd Charisse), Dee Turnell and chorus. See more »
When Judy is singing "Johnny One Note," and gets to the line "... and hear the drum," it is obvious that the snare drummer is not playing what we are hearing. See more »
During the 1940's, MGM produced a number of All-Star musicals. The most notable being The Ziegfeld Follies, Till the Clouds Roll By, and Words and Music. The Ziegfeld film is most remembered for its comedy routines: Fanny Brice, Red Skelton, Victor Moore, and Judy Garland's satirical "The Great Lady Gives an Interview". The other two films are idealized biographies of Jerome Kern ("Clouds") and Rodgers and Hart ("Words"), of which the latter is far and away the more entertaining. The Kern film followed closely on the death of the revered composer and is too respectful for its own good. "Words and Music", on the other hand, benefits greatly from the presence of Mickey Rooney (as Larry Hart) and the always delightful Betty Garrett. But, most of all, it's the wide variety of songs that Rodgers and Hart produced that make it such a joy to watch. From June Allyson's lively "Thou Swell" (a highlight in her career) to the dramatic "Slaughter on Tenth Avenue" ballet with Gene Kelly and Vera-Ellen (a forerunner of the sensual ballet's that Kelly performed in "An American in Paris" and "Singing in the Rain". And of course, there's the wonderful (and final) teaming of Rooney and Judy Garland (the amusing "I Wish I Were in Love Again").
From beginning to end, this is the best of MGM. Don't miss it.
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