Fictionalized story of the songwriting partnership of Richard Rodgers and Lorenz Hart.

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Cast

Cast overview, first billed only:
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Perry Como ...
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Storyline

Encomium to Larry Hart (1895-1943), seen through the fictive eyes of his song-writing partner, Richard Rodgers (1902-1979): from their first meeting, through lean years and their breakthrough, to their successes on Broadway, London, and Hollywood. We see the fruits of Hart and Rodgers' collaboration - elaborately staged numbers from their plays, characters' visits to night clubs, and impromptu performances at parties. We also see Larry's scattered approach to life, his failed love with Peggy McNeil, his unhappiness, and Richard's successful wooing of Dorothy Feiner. Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Taglines:

14 Stars! 22 Songs! 2 Love Stories! 14 Spectacular Scenes! See more »


Certificate:

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Details

Country:

Language:

Release Date:

31 December 1948 (USA)  »

Also Known As:

Ena tragoudi, mia zoi  »

Box Office

Budget:

$2,799,970 (estimated)
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Company Credits

Production Co:

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Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Color:

(Technicolor)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Richard Rodgers reportedly disliked every aspect of this film except for the casting of Janet Leigh as his wife. See more »

Goofs

When Judy is singing "Johnny One Note," and gets to the line "... and hear the drum," it is obvious that the snare drummer is not playing what we are hearing. See more »

Quotes

Richard Rodgers: That was really black Sunday for me. Shut out twice. Once because I was too young, once because I was too old.
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Connections

Featured in Glorious Technicolor (1998) See more »

Soundtracks

Lover
Music by Richard Rodgers
Lyrics by Lorenz Hart
From the film Love Me Tonight (1932) (1932)
played over the opening credits
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Frequently Asked Questions

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User Reviews

 
History it ain't!
8 July 2009 | by (United States) – See all my reviews

I sometimes imagine in horror that people, hundreds of years from now, will dig up _Night and Day (1946)_ (qv) or Words and Music and mistake it for actual history. Anachronisms jump off virtually every frame of both films: here for starters, the time line jumps back and forth inexplicably (it's 1925... no 1936! Nope, try a 1927 where everyone dresses like it's 1948). MGM---for obvious reasons--- brushed aside Lorenz Hart's angst over being gay (his actual personality was the polar opposite of Rooney's portrayal), The clothes are all wrong, songs are incorrectly connected to various productions and most glaringly, Perry Como (his last film) inexplicably morphs into himself in the last few minutes. MGM was in dire straits in 1948--- Loew's was breathing down an increasingly out of touch L.B. Mayer's neck over the red ink bleeding across most of the year's releases (1948 could arguably be cited as the beginning of the studio's long slow slide into decline). This is entertaining but, aside from the short shrift given the Rodgers and Hart partnership split and innumerable snubs at marriage proposals, there isn't any real truth in it. It's a collection of good-to-great musical numbers (best: Slaughter on 10th Avenue) tied to a story that never happened. Great R&H songs though... oddly watchable.


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