Light bio-pic of American Broadway pioneer Jerome Kern, featuring renditions of the famous songs from his musical plays by contemporary stage artists, including a condensed production of ... See full summary »
The Wolves baseball team gets steamed when they find they've been inherited by one K.C. Higgins, a suspected "fathead" who intends to take an active interest in running the team. But K.C. ... See full summary »
Rich kid Danny Churchill (Rooney) has a taste for wine, women and song, but not for higher education. So his father ships him to an all-male college out West where there's not supposed to ... See full summary »
B.G. Bruno, a rich bachelor, the head of a successful greeting-card company in Scotland, is essentially a kind man but respectable to the point of stodginess and extreme stuffiness. An ... See full summary »
McCord's gang robs the stage carrying money to pay Indians for their land, and the notorious outlaw "The Oklahoma Kid" Jim Kincaid takes the money from McCord. McCord stakes a "sooner" ... See full summary »
Jimmy Connors and his girl-friend want to take part in Paul Whiteman's highschool's band contest, but they cannot afford the fare. But per chance the meet Paul Whiteman in person and are ... See full summary »
Paul Whiteman and Orchestra
On a train trip West to become a mail order bride Susan Bradley meets a cheery crew of young women traveling out to open a " Harvey House " restaurant at a remote whistle stop to provide ... See full summary »
Encomium to Larry Hart (1895-1943), seen through the fictive eyes of his song-writing partner, Richard Rodgers (1902-1979): from their first meeting, through lean years and their breakthrough, to their successes on Broadway, London, and Hollywood. We see the fruits of Hart and Rodgers' collaboration - elaborately staged numbers from their plays, characters' visits to night clubs, and impromptu performances at parties. We also see Larry's scattered approach to life, his failed love with Peggy McNeil, his unhappiness, and Richard's successful wooing of Dorothy Feiner. Written by
Rodgers and Hart had been working on Broadway successfully since 1919 (their first collaborative production, "A Lonely Romeo" ran for an impressive 222 performances). This film, historically speaking, is wildly inaccurate. The innumerable anachronisms include clothes, hairstyles, cars, musical numbers are attributed incorrectly to various productions, an unmentioned 7-year age difference between Lorenz Hart and Richard Rodgers, Hart's homosexuality is obviously not addressed (conflict seemingly changed to anxiety over his height), strange leaps in time (The 1936 Garbo poster from Camille (1936) is shown soon after their 1925 hit revue Garrick Gaieties--- the film itself is depicted as a silent picture (!). One of the main productions depicted is 1927's hit musical comedy "A Connecticut Yankee" that shows up on screen long after the Garbo poster. Hart's 1930 trip to Hollywood depicts him being reacquainted with Judy Garland who would've been 7-1/2 years old at the time. More oddly, Perry Como's character Eddie Anders incongruently shifts to Perry Como (!) in the last minutes of the film. Although entertaining, the film is so riddled with inaccuracies (even more so than the oft criticized - - but strangely similar - - Night and Day (1946)) that it should be considered completely fictional. See more »
During the "Mountain Greenery" song a dancer drops a platter which breaks and scatters food all over the stage. A few seconds later the platter and the food are gone. See more »
Hollywood bio is salvaged by some nice musical stars...
If you have the patience to sit through one of Mickey Rooney's most frantic and hyperactive performances in which Larry Hart becomes a caricature, you'll be rewarded by some typically stylish MGM musical interludes with stars like Judy Garland, Lena Horne, June Allyson, Gene Kelly and Vera-Ellen. Perry Como and Mel Torme both have a chance to warble a couple of Rodgers & Hart tunes too.
The musical numbers have the glossy MGM touch but the main storyline is diminished by allowing Rooney to chew so much scenery that he ends up resembling a frantic wind-up toy--and he's less than convincing when he attempts the heavier melodramatics of the final scenes. He throws the whole picture off gear and makes us yearn for the music to start so we can see cameo turns by MGM's roster of stars. His only good moment is a song routine with Judy Garland that he does in typical Rooneyesque manner.
By contrast, the restrained and natural performances of Tom Drake (as Richard Rodgers) and Janet Leigh (as the girl who becomes his wife Dorothy) are a welcome relief. Betty Garrett does well to in a supporting role as Rooney's highly fictional girlfriend.
The only musical number which failed to charm me was the routine given Ann Sothern for the Garrick Gaieties number. A weak song with even weaker choreography. All of the other numbers are done in high style, especially Judy Garland's solo on the "Johnny One-Note" song and June Allyson's delightful "Thou Swell". Lena Horne also gets a chance to strut her stuff with "The Lady Is A Tramp".
Fans of MGM musicals will love this one--with reservations, perhaps, about its inaccuracies and Rooney's sledgehammer acting. A more serious attempt to play Hart is sorely needed--preferably with another actor in the part.
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