Light bio-pic of American Broadway pioneer Jerome Kern, featuring renditions of the famous songs from his musical plays by contemporary stage artists, including a condensed production of ... See full summary »
The Wolves baseball team gets steamed when they find they've been inherited by one K.C. Higgins, a suspected "fathead" who intends to take an active interest in running the team. But K.C. ... See full summary »
Rich kid Danny Churchill (Rooney) has a taste for wine, women and song, but not for higher education. So his father ships him to an all-male college out West where there's not supposed to ... See full summary »
After writing a tell-all book about her days in the dance troupe "Barry Nichols and Les Girls", Sybil Wren (Kay Kendall) is sued for libeling her fellow dancer Angele (Taina Elg). A Rashomon... See full summary »
Leo Gogarty marries Margaud Morgan after a whirlwind romance just before shipping out to war. When he returns he is surprised to discover not only that his bride is not what she led him to ... See full summary »
Gregory La Cava
A married couple who have a song-and-dance act in vaudeville are in trouble. Their struggling act is going nowhere, they're almost broke and they have to do something to get them back on ... See full summary »
Encomium to Larry Hart (1895-1943), seen through the fictive eyes of his song-writing partner, Richard Rodgers (1902-1979): from their first meeting, through lean years and their breakthrough, to their successes on Broadway, London, and Hollywood. We see the fruits of Hart and Rodgers' collaboration - elaborately staged numbers from their plays, characters' visits to night clubs, and impromptu performances at parties. We also see Larry's scattered approach to life, his failed love with Peggy McNeil, his unhappiness, and Richard's successful wooing of Dorothy Feiner. Written by
Cut from the film was the Perry Como rendition of "Lover." However, in the movie trailer, Mr. Como partially sings the waltz. The MGM Studio Orchestra plays "Lover" as the movie's opening credits run. Bonuses on the 2007 DVD, issued by Warner Home Video, include the trailer and footage of Mr. Como's two deleted songs, "Lover" (in a reconstruction of the film's opening) and four takes of "You're Nearer." Audio-only numbers on the DVD include Betty Garrett's complete rendition of "Way Out West (On West End Avenue)," which was shortened in the release print; "My Funny Valentine," sung by Miss Garrett; "My Heart Stood Still" and "I Feel at Home With You," sung by Mr. Como; "Falling in Love With Love," sung by Gene Kelly and Vera-Ellen (probably dubbed by Anita Ellis); an extended version of "Manhattan," sung by Mickey Rooney, Tom Drake and Marshall Thompson; plus an extended version of the sequence comprised of "On Your Toes/The Girl Friend/This Can't Be Love," sung by Eileen Wilson (who dubbed Cyd Charisse), Dee Turnell and chorus. See more »
During the "Mountain Greenery" song a dancer drops a platter which breaks and scatters food all over the stage. A few seconds later the platter and the food are gone. See more »
I just saw it on TCM, and a fresh viewing of it gives rise to so many ironies regarding the real Lorenz Hart. Many critics have attacked the film because it so clearly ignores the facts. But what mainstream film do *you* know from 1948 that features an openly gay protagonist? When the studio is sweetness-and-light MGM you simply have to buy the premise and move on. (Note through all of Mickey Rooney's pursuit of Betty Garrett, she keeps alluding to 'something' about him that keeps her from marrying him. Foreshadowing?) Rooney, to his credit, seems to go for pathos in his performance but just overacts the role, and winds up making Hart into some kind of wind-up toy about to explode. Later in the film when he's wallowing in loneliness (punctuated in the party sequence with the song "Blue Moon"), the drama is much better. But more than anything else, there are the exhibits of the glorious songs: "Manhattan," "Thou Swell," "Small Hotel," "With A Song In My Heart," a double-bill of Judy Garland alone and with Rooney (the song "I Wish I Were In Love Again" is a standout); "Where Or When" and "The Lady Is A Tramp" given the chanteuse treatment by Lena Horne; "Blue Room" sung by Perry Como and danced (or, more accurately, spun like a top) by hostess Cyd Charisse; and the sexy "Slaughter on Tenth Avenue" finale with Gene Kelly and Vera-Ellen. Entertainment at its classiest, nothing more or less.
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