Acrobat Eddie Marsh is in the army now. His first act is to become friendly with Kathryn Jones, the colonel's pretty daughter. Their romance hits a few snags, including disapproval from her... See full summary »
Talented small-town girl Lily Mars hounds producer John Thornway for a part in his new play, but he doesn't want anything to do with stage-struck amateurs. But when Lily follows him to New ... See full summary »
Light bio-pic of American Broadway pioneer Jerome Kern, featuring renditions of the famous songs from his musical plays by contemporary stage artists, including a condensed production of ... See full summary »
Soldier Joe Allen is on a two-day leave in New York, and there he meets Alice. She agrees to show him the sights and they spend the day together. In this short time they find themselves ... See full summary »
Rich kid Danny Churchill (Rooney) has a taste for wine, women and song, but not for higher education. So his father ships him to an all-male college out West where there's not supposed to ... See full summary »
Tommy Williams desperately wants to get to Broadway, but as he is only singing in a spaghetti house for tips he is a long way off. He meets Penny Morris, herself no mean singer, and through... See full summary »
On a train trip West to become a mail order bride Susan Bradley meets a cheery crew of young women traveling out to open a " Harvey House " restaurant at a remote whistle stop to provide ... See full summary »
Encomium to Larry Hart (1895-1943), seen through the fictive eyes of his song-writing partner, Richard Rodgers (1902-1979): from their first meeting, through lean years and their breakthrough, to their successes on Broadway, London, and Hollywood. We see the fruits of Hart and Rodgers' collaboration - elaborately staged numbers from their plays, characters' visits to night clubs, and impromptu performances at parties. We also see Larry's scattered approach to life, his failed love with Peggy McNeil, his unhappiness, and Richard's successful wooing of Dorothy Feiner. Written by
M*G*M presents a spectacular musical, packed with the beloved hits of the famed song-writing team of Rodgers and Hart; their own story, with all the adventure, romance, high life of the Great White Way. See more »
Cut from the film was the Perry Como rendition of "Lover." However, in the movie trailer, Mr. Como partially sings the waltz. The MGM Studio Orchestra plays "Lover" as the movie's opening credits run. Bonuses on the 2007 DVD, issued by Warner Home Video, include the trailer and footage of Mr. Como's two deleted songs, "Lover" (in a reconstruction of the film's opening) and four takes of "You're Nearer." Audio-only numbers on the DVD include Betty Garrett's complete rendition of "Way Out West (On West End Avenue)," which was shortened in the release print; "My Funny Valentine," sung by Miss Garrett; "My Heart Stood Still" and "I Feel at Home With You," sung by Mr. Como; "Falling in Love With Love," sung by Gene Kelly and Vera-Ellen (probably dubbed by Anita Ellis); an extended version of "Manhattan," sung by Mickey Rooney, Tom Drake and Marshall Thompson; plus an extended version of the sequence comprised of "On Your Toes/The Girl Friend/This Can't Be Love," sung by Eileen Wilson (who dubbed Cyd Charisse), Dee Turnell and chorus. See more »
After an opening chorus "Oooo's" and "Ahhh's" to the music of the song, "Lover," Tom Drake says, "You have just heard some words and music written by Rodgers and Hart," even though we have heard no words. See more »
That was really black Sunday for me. Shut out twice. Once because I was too young, once because I was too old.
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For years, I read again and again that this movie would disappoint me, that it was a waste of talent, that it was badly fictionalized, et cetera. What a load of hooey! The dialog is crisp and rings true, the musical numbers are full to the brim with pep and style, and the performances are nothing short of masterful! If you like music, Broadway, and old-fashioned musical brilliance, then this is the movie for you. I hate to sound like an advertisement, but you'll laugh, you'll cry, you'll sing along, you'll dance in your seat! This is movie is not to be mistaken for a masterpiece, despite all of this. It is a very standard musical for the period and for the MGM style -- but that's the best!
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