Talented small-town girl Lily Mars hounds producer John Thornway for a part in his new play, but he doesn't want anything to do with stage-struck amateurs. But when Lily follows him to New ... See full summary »
Jimmy Connors and his girl-friend want to take part in Paul Whiteman's highschool's band contest, but they cannot afford the fare. But per chance the meet Paul Whiteman in person and are ... See full summary »
Paul Whiteman and Orchestra
Steve Raleight wants to produce a show on Broadway. He finds a backer, Herman Whipple and a leading lady, Sally Lee. But Caroline Whipple forces Steve to use a known star, not a newcomer. ... See full summary »
Roy Del Ruth
On a train trip West to become a mail order bride Susan Bradley meets a cheery crew of young women traveling out to open a " Harvey House " restaurant at a remote whistle stop to provide ... See full summary »
After writing a tell-all book about her days in the dance troupe "Barry Nichols and Les Girls", Sybil Wren (Kay Kendall) is sued for libeling her fellow dancer Angele (Taina Elg). A Rashomon... See full summary »
Shortly after the end of World War II, British Colonel Michael 'Hooky' Nicobar is assigned to a unit in the British Zone of Vienna. His duty is to aid the Soviet authorities to repatriate ... See full summary »
1947: Captain Jeff Eliott returns to Germany to thank the Lert family, who hid him during ww-ii when his plane was shot down over Munich. However he learns that the parents died when their ... See full summary »
Encomium to Larry Hart (1895-1943), seen through the fictive eyes of his song-writing partner, Richard Rodgers (1902-1979): from their first meeting, through lean years and their breakthrough, to their successes on Broadway, London, and Hollywood. We see the fruits of Hart and Rodgers' collaboration - elaborately staged numbers from their plays, characters' visits to night clubs, and impromptu performances at parties. We also see Larry's scattered approach to life, his failed love with Peggy McNeil, his unhappiness, and Richard's successful wooing of Dorothy Feiner. Written by
M*G*M presents a spectacular musical, packed with the beloved hits of the famed song-writing team of Rodgers and Hart; their own story, with all the adventure, romance, high life of the Great White Way. See more »
Cut from the film was the Perry Como rendition of "Lover." However, in the movie trailer, Mr. Como partially sings the waltz. The MGM Studio Orchestra plays "Lover" as the movie's opening credits run. Bonuses on the 2007 DVD, issued by Warner Home Video, include the trailer and footage of Mr. Como's two deleted songs, "Lover" (in a reconstruction of the film's opening) and four takes of "You're Nearer." Audio-only numbers on the DVD include Betty Garrett's complete rendition of "Way Out West (On West End Avenue)," which was shortened in the release print; "My Funny Valentine," sung by Miss Garrett; "My Heart Stood Still" and "I Feel at Home With You," sung by Mr. Como; "Falling in Love With Love," sung by Gene Kelly and Vera-Ellen (probably dubbed by Anita Ellis); an extended version of "Manhattan," sung by Mickey Rooney, Tom Drake and Marshall Thompson; plus an extended version of the sequence comprised of "On Your Toes/The Girl Friend/This Can't Be Love," sung by Eileen Wilson (who dubbed Cyd Charisse), Dee Turnell and chorus. See more »
26-year-old Judy Garland plays herself set in a scene in which she would have really been around 10 years old. See more »
I just saw it on TCM, and a fresh viewing of it gives rise to so many ironies regarding the real Lorenz Hart. Many critics have attacked the film because it so clearly ignores the facts. But what mainstream film do *you* know from 1948 that features an openly gay protagonist? When the studio is sweetness-and-light MGM you simply have to buy the premise and move on. (Note through all of Mickey Rooney's pursuit of Betty Garrett, she keeps alluding to 'something' about him that keeps her from marrying him. Foreshadowing?) Rooney, to his credit, seems to go for pathos in his performance but just overacts the role, and winds up making Hart into some kind of wind-up toy about to explode. Later in the film when he's wallowing in loneliness (punctuated in the party sequence with the song "Blue Moon"), the drama is much better. But more than anything else, there are the exhibits of the glorious songs: "Manhattan," "Thou Swell," "Small Hotel," "With A Song In My Heart," a double-bill of Judy Garland alone and with Rooney (the song "I Wish I Were In Love Again" is a standout); "Where Or When" and "The Lady Is A Tramp" given the chanteuse treatment by Lena Horne; "Blue Room" sung by Perry Como and danced (or, more accurately, spun like a top) by hostess Cyd Charisse; and the sexy "Slaughter on Tenth Avenue" finale with Gene Kelly and Vera-Ellen. Entertainment at its classiest, nothing more or less.
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