A young painter stumbles upon an assortment of odd characters at an English estate where he has been hired to give art lessons to beautiful Laura Fairlie. Among them are Anne Catherick, a strange young woman dressed in white whom he meets in the forest and who bears a striking resemblance to Laura; cunning Count Fosco, who hopes to obtain an inheritance for nobleman Sir Percival Glyde, whom he plans to have Laura marry; Mr. Fairlie, a hypochondriac who can't stand to have anyone make the slightest noise; and eccentric Countess Fosco who has her own dark secret. The artist also finds himself drawn to Marion Halcomb, a distant relation to Laura whom the Count also has plans for. Written by
Daniel Bubbeo <firstname.lastname@example.org>
She hid her black secret under a cloak of white!
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Did You Know?
Wilkie Collins' 'The Woman in White' published in 1860, is considered to be the first modern mystery employing a crime-detecting hero. See more
In the scene of Ann Catherick's death, when she - the fair-haired Eleanor Parker - falls at the foot of the bed, an almost smiling, unmistakably dark-haired woman is clearly visible in the bed, where Laura Fairlie (Eleanor Parker, in a dual role) is supposedly bedridden. A moment later, Eleanor Parker has returned to her place in the bed. See more
Version of The Woman in White