Spinster poetess Susan Grieve lives in a Manhattan apartment where naval hero Slick Novak comes with her for a nightcap. Next morning they visit her Connecticut farm where Novak tells her ...
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A piano teacher believes that her fiancé was killed on the battlefield. When he miraculously returns, they decide to marry, but are threatened by a wealthy, egotistical composer the piano teacher started dating on the rebound after she became convinced her love had died.
Spinster poetess Susan Grieve lives in a Manhattan apartment where naval hero Slick Novak comes with her for a nightcap. Next morning they visit her Connecticut farm where Novak tells her he always wanted to be a priest. Will Susan or God win his ultimate love? Written by
Ed Stephan <firstname.lastname@example.org>
The first thirty minutes may repel some.It's very talky ,it's filmed stage production style.This is a film which grows on you,you 've got to be patient for the "action" is minimal,and most amazing thing, in what is pure psychological drama ,there's not the easy way out : the flashbacks.Another director -it's the first film I've seen by Bretaigne Windust-would have at least enlivened things by introducing two very long flashbacks dealing with the two characters' past.Both have a secret to conceal .This is the very long conversation between them which reveals us that the poetess was demanding,idolizing her father,displaying no compassion for a mother who did not live up to her /their expectations;the soldier is a hero but someone told him something that has completely changed his way of seeing things .
People who expect a mushy romance ,a melodrama ,a love triangle (with the secretary) will be disappointed."Winter Meeting" shows the way to compassion for the others,be they hopeless.
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