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Smith as an iron-willed railroad detective. When his friend Murray is fired from the railroad and begins helping Rebstock wreck trains, Smith must go after him. He also seems to have an interest in Murray's wife (and vice versa). Written by
Ed Stephan <email@example.com>
Alan Ladd's first film in color was also his first Western, a genre with which he would become associated after making 11 of them in all (having previously excelled in noirs during the 1940s and early 50s). Here he plays a character dating back to the Silent era: a soft-spoken (hence the title) but sharp-shooting investigator for a railroad company which also employs his best friends rugged foreman Robert Preston (who married Ladd's girl Brenda Marshall) and old-timer William Demarest. With Ladd away on company business i.e. chasing a notorious trio of sibling train robbers, Preston falls in with a bad crowd headed by cattle rustler Donald Crisp and his albino henchman Frank Faylen and, on whose account, he has been pilfering 'damaged' goods transported by the railroad. Ladd is ordered back home to look into this wave of train wrecks which have been occurring on a regular basis. Suspecting Crisp and his crew, he pleads with Preston to pull out in time but the latter is too deeply involved by now to listen and an eventual shootout between the two childhood friends is inevitable. An ordinary, unpretentious Western to be sure but one that is well acted, competently staged and provides consistent entertainment for the undiscriminating viewer and Western film buffs in particular.
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