Betty Grable and Dan Dailey are a married song and dance team who cannot have children. The movie follows the travails as they try and adopt and keep the kids they adopt while performing on their TV show.
Circa 1861, Angelina, ruling countess of an Italian principality, is at a loss when invaded by a Hungarian army. Her lookalike ancestress Francesca, who saved a similar situation 300 years ... See full summary »
Douglas Fairbanks Jr.,
Temperamental saloon singer Freddie Jones, jealously shoots at her cheating boyfriend Blackie but mistakenly hits Judge Alfalfa J. O'Toole's honorable behind, forcing her to skip town under the guise of a schoolteacher.
Glamorous Lorry Jones, the toast of a Missouri military canteen, has become "engaged" to almost every serviceman she's signed her pin-up photo for. Now she's leaving home to go into ... See full summary »
Harold l. Montgomery, the scatterbrain vice-president of the United Broadcasing System, is dismayed when he learns that one-foot of the ground on which the station's imposing new structure ... See full summary »
Andy Clark discovers he was cheated out of a half interest in partner Mike's business, now a thriving dance hall in 1892 Chicago. Unable to win it back, Andy schemes to make Mike's position... See full summary »
I saw this movie several times on television back in the 1970s, so my comments come from a rather distant memory. This film was typical of 20th Century Fox's output of Betty Grable films during the mid to late 1940s. A remake of Paramount's and Hal Skelly's DANCE OF LIFE (1929) and a further remake by Paramount in 1937 called SWING HIGH, SWING LOW starring Carole Lombard, the story is all about an alcoholic burlesque performer, played by Dan Dailey, who brings down not only himself but also his wife, played by Grable. Jack Oakie, June Haver, James Gleason, and Richard Arlen (!) are also in it. The most vivid memory I have of the film is Dan Dailey's Oscar nominated performance. I remember being impressed by him and finding him both believable and sympathetic. His performance lifts the film above the average Betty Grable nostalgia vehicle. The two stars were always good together, even though the material was usually recycled and mundane, sometimes wallowing in nostalgia and overproduction. Most feel Dailey's nomination for the Oscar a travesty: he took the place that many feel belonged to Humphrey Bogart in TREASURE OF THE SIERRA MADRE. Bogart certainly deserved recognition for his work in that film, but Dailey's work here also warrants mention.
Directed by Walter Lang (of course), it's based on the play BURLESQUE.
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